| Mozart W.a. - Wunderkind-sonatas Ii K. 10-15 - Piano G. Henle
Wunderkind-Sonatas Volume II K. 10-15 Editor: Wolf-Dieter Seiffert Fingering: Ariane Haering In 1764 the eight-year-old Mozart wrote the Sonatas K. 10-15 in London. Leopold Mozart was only able to understand his son's musical genius in terms of it being a God-given wonder: That my boy [...] knows all of this with his 8 years that could be expected of a man of forty years. In short: whoever has n…
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| Mozart W.a. - Wunderkind-sonatas Vol. I K. 6-9 - Piano G. Henle
Wunderkind-Sonatas Volume I K. 6-9 Editor: Wolf-Dieter Seiffert Fingering: Ariane Haering As astonishing as it might sound, Mozart was already composing piano sonatas (K. 6-9) at the age of seven. It is wonderfully fresh and varied music. We have already published Urtext editions of these four sonatas in the version for piano and violin (HN 1077). As far as we are aware they have never been publ…
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| Mozart W.a. - Wunderkind Sonatas Vol. Iii K. 26-31 - Piano Et Violon G. Henle
Wunderkind Sonatas Volume III for Piano and Violin K. 26-31 Editor: Wolf-Dieter Seiffert Fingering and bowing for Violin: Benjamin Schmid Fingering Piano: Ariane Haering In autumn 1765 Mozart's family was in Holland, not least at the request of Princess Caroline von Nassau-Weilburg. The fame of the prodigy Wolfgang Amadeus had already reached her so that she had an extraordinary desire to see th…
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| Mozart W.a. - Wunderkind-sonatas Iii K.26-31- Piano Piano seul G. Henle
Wunderkind-Sonatas Volume III K. 26-31 Editor: Wolf-Dieter Seiffert Fingering: Ariane Haering The Six Sonatas for Piano K. 26-31 that can also have a violin accompaniment were composed in The Hague. They were published in 1766 and were dedicated to Princess Caroline von Nassau-Weilburg. These jewels by the Wunderkind Mozart have only been known in the form of violin sonatas up to now (also see H…
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| Mozart W.a. - Wunderkind Sonatas Vol. Ii K. 10-15 - Piano And Violin G. Henle
Wunderkind Sonatas Volume II for Piano and Violin K. 10-15 Editor: Wolf-Dieter Seiffert Fingering and bowing for Violin: Benjamin Schmid Fingering Piano: Ariane Haering Leopold Mozart was only able to understand his son's musical genius in terms of it being a God-given wonder: That my boy [...] knows all of this with his 8 years that could be expected of a man of forty years. In short: whoever h…
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| Mozart W.a. - Wunderkind Sonatas Vol. 1 K. 6-9 - Piano Et Violon G. Henle
Wunderkind Sonatas Volume I for Piano and Violin K. 6-9 Editor: Wolf-Dieter Seiffert Fingering and bowing for Violin: Benjamin Schmid Fingering Piano: Ariane Haering At the time, Mozart's genius - recognised at an early age - could only be explained as being God-given. Wolfgang Amadeus and his sister Maria Anna, older by five years, were admired as being Wunderkinder (prodigies) on their travels…
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