Arranged for female choir (SMA)-The choral scene is in a state of change! On the one hand more and more choirs are lacking in male voices yet at the same time more and more female choirs are looking for high-quality literature beyond folksong arrangements. Bärenreiter is responding to these general trends with the publication of arrangements for three-part female choir (SMA) of well-known freq…

Arranged for female choir (SMA)-The choral scene is in a state of change! On the one hand more and more choirs are lacking in male voices yet at the same time more and more female choirs are looking for high-quality literature beyond folksong arrangements. Bärenreiter is responding to these general trends with the publication of arrangements for three-part female choir (SMA) of well-known freq…

The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so next to the incipit on the cover of the autograph collection of five masses in C major by his son. Mozart literature gives the year of origin as 1776 without mentioning the speculative nature of this claim.The monumentality of the Missa longa suggests that the work was written for a particularly solemn occasion. Whe…

The dating ?nel mese Decembre 1776? on the autograph of the Missa K. 258 is not authentic; it was most likely written towards 1775/76. On the autograph Leopold Mozart inscribed the title Missa but at the incipit on the old cover of the autograph collection he wrote Missa brevis. This points to the lack of standardization and uncertainty of the nomenclature. Although the work is written in th…

The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that it comes close to a pastoral mass a type not otherwise represented in Mozart?s mass oeuvre. As in no other setting of the Ordinary songlike graceful melodies predominate; only the main part of the Credo and the first section of the Agnus Dei stand out with their serious solemn mood.New important evidence for the w…

The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that it comes close to a pastoral mass a type not otherwise represented in Mozart?s mass oeuvre. As in no other setting of the Ordinary songlike graceful melodies predominate; only the main part of the Credo and the first section of the Agnus Dei stand out with their serious solemn mood.New important evidence for the w…

Dominicus Mass-The Missa solemnis K.66 was one of the compositions that Mozart composed for the first solemn mass celebrated by his childhood friend Pater Dominicus Hagenauer in the abbey church of St. Peter in Salzburg on 15 October 1769.- Urtext of the New Mozart Edition- Full score performance material (BA4791) and vocal score (BA4791-90) available for sale.

Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Helmut Eder. K. 427 (417a). Vocal score for SSATB solos, 2 SATB choirs and piano accompaniment. Urtext of the New Mozart Edition. With choral notation, piano reduction and introductory text. C Minor. Text language Latin. …

Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Monika Holl. K. 317. Vocal score for SATB solos, SATB choir and piano accompaniment. Urtext of the New Mozart Edition. With choral notation and piano reduction. C Major. Text language Latin. 52 pages. Published by Baerenr…

Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Walter Senn. K. 259. Vocal score for SATB solos, SATB choir and piano accompaniment. Urtext of the New Mozart Edition. With choral notation and piano reduction. C Major. Text language Latin. 32 pages. Published by Baerenr…

By Wolfgang Amadeus Mozart (1756-1791). Arranged by Heribert Breuer / Martin Focke. For solo soprano/solo alto/solo tenor/solo bass/female choir: SmezA/2 oboes/2 horns/2 clarions/timpani/2 violins/basso continuo (violoncello/contrabass/bassoon/organ). Sta

By Wolfgang Amadeus Mozart (1756-1791). Arranged by Heribert Breuer / Martin Focke. For solo soprano/solo mezzo-soprano/solo alto/female choir: SmezA/2 violins/bassoon/organ). Stapled. Female Choir. Piano reduction. German/English. KV 194 (186h). Publishe

Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Walter Senn. K. 220 (196b). Vocal score for SATB solos, SATB choir and piano accompaniment. Urtext of the New Mozart Edition. With choral notation, piano reduction and introductory text. Text language Latin. 39 pages. Pub…

Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Walter Senn. K. 65 (61a). Vocal score for SATB solos, SATB choir and piano accompaniment. Urtext of the New Mozart Edition. With choral notation and piano reduction. D Minor. Text language Latin. 24 pages. Published by Ba…

Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Walter Senn. K. 140 (Anh. 235d). Vocal score for SATB solos, SATB choir and piano accompaniment. Urtext of the New Mozart Edition. With choral notation and piano reduction. G Major. Text language Latin. 36 pages. Publishe…

(Coronation Mass). By Wolfgang Amadeus Mozart (1756-1791). Edited by Monika Holl. For Mixed Choir-SATB. Messen, Klassik (Masses, Classical). Chorus Score. KV 317

By Wolfgang Amadeus Mozart. Arranged by Paul Horn. For Soli SATB, SATB Choir, 2 Violins, Viola, Basso continuo, [3 Trombones]. KV 49 (47d). Full score available separately - see item CA.4062100. Missa brevis, Latin; Stuttgart Urtext editions. Choral score with Soli. Language: Lat…

Klavierauszug nach dem Urtext der Neuen Mozart-Ausgabe. By Wolfgang Amadeus Mozart. Edited by Walter Senn. Arranged by Focke, Martin. For Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed Choir-SATB, Trumpet (2), Trombone (3), Strings, Organ. Piano Reduction/Vocal Score. KV 1…

Dominicusmesse. Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Missa In C (Dominicus-Messe) Rev.2002. Sacred vocal music, Masses, Latin. Full score. Composed 1769. KV 66. 104 p…

Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Bernhard Janz. Arranged by Eberhard Kraus. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Missa solemnis in C KV 337 rev.2003. Latin Masses. Choral score includes solo parts. Composed 1780. KV 337. …

('Coronation Mass'). By Wolfgang Amadeus Mozart (1756-1791). Edited by Monika Holl. For Organ. Messen, Klassik (Masses, Classical). Single Part. KV 317. Published by Baerenreiter Verlag

By Wolfgang Amadeus Mozart (1756-1791). Edited by Janz, Bernhard. Arranged by Paul Horn. For Soli SATB, SATB Choir, 2 Violins, Basso continuo, [3 Trombones]. KV 275 (272b). Full score available separately - see item CA.4062900. Missa brevis, Latin; Stuttgart Urtext editions. Leve…

Erganzt und herausgegeben von Robert D. Levin. By Wolfgang Amadeus Mozart. Edited by Levin, Robert D. For Soli SSTB, SATB/SATB Choir Flute, 2 Oboes, 2 Bassoons, 2 Horns, 2 Clarinos/Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Basso continuo. KV 427. Full score available sepa…

(Kleine Credomesse). By Wolfgang Amadeus Mozart (1756-1791). Arranged by Paul Horn. For Soli SATB, SATB Choir, 2 Violins, Basso continuo, [2 Clarinos/Trumpets, 3 Trombones]. F-Dur (F major). Stuttgart Urtext Edition. German title: Missa brevis in F rev.20 Part Missa brevis in Lat…

(Kleine Credomesse). By Wolfgang Amadeus Mozart (1756-1791). Arranged by Paul Horn. For Soli SATB, SATB Choir, 2 Violins, Basso continuo, [2 Clarinos/Trumpets, 3 Trombones]. F-Dur (F major). Stuttgart Urtext Edition. German title: Missa brevis in F rev.20 Part Missa brevis in Lat…

By Leopold Mozart (1719-1787). For Soli SATB, SATB Choir, 2 Violins, Basso continuo, [3 Trombones]. This edition: paperbound. Masses, Latin. Score. Language: Latin. Composed 1765 (?). 64 pages. Duration 15 min

Sparrow Mass Arranged for Soloists, Choir and Organ. By Wolfgang Amadeus Mozart. Arranged by Focke, Martin. For Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed Choir (SATB), Organ. Chor & Orgel. Score. KV 220. Published by Baerenreiter-Ausgaben (German import).