for String Orchestra Score and Parts. Par BOLOGNE JOSEPH. This arrangement is a wonderful introduction to the music of one of Mozart?s lesser-known contemporaries. In sonata-allegro form, D Major and ¾ time, the first theme is dramatic and bold, while the second theme is lyric and more delicate. The upper strings share conversational passages, sometimes adding the cellos. The basses have mostly ac…

Think Benjamin Britten's Young Person's Guide but just for strings! Written to be used for outreach or recruiting concerts, this piece is a great way to educate audiences of all ages about the different instruments of the string orchestra. All of your students will love getting a chance in the spotlight as the simple main theme is followed by five variations, each featuring a different section (ye…

This charming piece is a perfect choice for a first festival experience and will help any group sound more mature. Written by Emil Waldteufel and arranged by Bob Phillips, the melody moves around to all sections in this setting. Written in first position in the keys of G and D, it is a great piece to work on lo and hi 2s in the upper strings as well as stopped bows in the entire string section. Al…

This beautiful folk melody will capture the hearts of students and audiences. Originally scored for large orchestra, this string arrangement captures the essential qualities often heard in the English style of chamber music for strings from the late nineteenth and early twentieth centuries. Holst's melody, with its simple pentatonic folksong theme, receives the kind of mystical transformation we o…

for String Orchestra Score and Parts. Par HAENDEL GEORG FRIEDRICH. In the key of G Major, the work begins with a Moderato where dotted rhythms are abundant. A brief Adagio intervenes and we continue with a slightly fugal, crisply rhythmic Allegro, with 16th note passage work for the upper strings. After another brief Adagio, Handel finishes with a lyric Minuet. All sections are active throughout. …

for Strings Score and Parts. Par . Twelve Days of Christmas, arranged by R. Scott Whittington, is a time-honored holiday favorite, equally popular with young and old. This arrangement for developing orchestra at Level 3, creates a festive mood with a warm introduction presented by solo violin andcello, which leads into several contrasting adaptations of the piece. A minor variation provides a mome…

Absolutely a must-have for festival or contest, this symphonic transcription will showcase your group at their best! Accurately reflecting the original string parts while the other parts are seamlessly voiced in the strings, this will become a favorite. (2:40) / Orchestre A Cordes

for String Orchestra Score and Parts. Par SIBELIUS JEAN / LATHAM LYNNE (Arr.). This arrangement keeps the dramatic character of the original, but in changing the key to D minor, avoids some of the messy chromaticism. The introduction features the low strings and there are moments for just the 1st 2 desks to shine. This rousing work will most certainly enhance the tone production of your group!/ Ré…

Stringsets. Par BRITTEN BENJAMIN. Benjamin Britten's last completed composition, Welcome Ode was originally written for school choir and orchestra. The three movements - Jig, Roundel and Canon, here transcribed for strings (score and parts), form the Welcome Suite which ensembles familiar with Britten's earlier Simple Symphony will find equally challenging and rewarding./ Répertoire / Cordes

12 Concertos For Violin, Strings And Basso Continuo. Par VIVALDI ANTONIO. Antonio Vivaldi's twelve concertos op. 4 known by the name of 'La Stravaganza” were first mentioned as a collection of 'Concerti a 4” in the 1711 Foreword of 'L'Estro Armonico” op. 3. Their publication had to wait until 1716, when Estienne Roger issued them in two volumes of six concertos each. However, unlike the original a…