Marian Antiphon-Composer's note:'Each year at their Summer Festival in Tavistock the Exon Singers feature the music of a living composer. In the summer of 2008 I was privileged to be the chosen composer. Salve Regina was written for the Festival and was performed once at a concert and subsequently at the broadcast of Choral Evensong in Buckfast Abbey.The music is unaccompanied and set for a six-p…

Here is a spiritual that will please your choir and the audience alike! This festival arrangement stresses the rhythms and asks you to express the dynamics to bring out the contrasts of this fun arrangement! Keen attention in the rehearsal work may be required but it is well worth it. For worship good high school and beyond. Duration: ca. 2:20.

Plant Et Træ with music by Bent Lorentzen and text by Jørgen Chr. Hansen. For SSAATTBB choir.

aus The Armed Man: A Mass for Peace-The closing chorus from the universally acclaimed “The Armed Man: a Mass for Peace” is now available as a separate item by popular demand. A serene setting of timeless words of comfort from the “Book of Revelation” it is suitable for a variety of uses both in concert and at church services. At two minutes’ duration it is ideal as…

For unaccompanied double choir SSAATTBB.

Villanella for eight voices SSAATTBB. English words by W.G.Rothery composed by Orlando Di Lasso. Includes piano part for practice.

First performed on 9 May 1993 in Norwich Cathedral conducted by Michael Nicholas. For SSAATTBB Choir.

A cappella motet from Stabat mater-Motets is a set of 19 intimate and spiritually uplifting a cappella choral works by Karl Jenkins featuring new pieces and arrangements of a selection of movements from his most popular works including The Armed Man Requiem Adiemus and The Peacemakers. Although scored for mixed choir a cappella most pieces include an optional accompaniment for Piano or Organ.

MacMillan's setting of Psalm 51: 3-21 a penitential text famously set in the 17th century by Gregorio Allegri. Composed in 2009 for The Sixteen and their conductor Harry Christophers MacMillan's work is scored for a single choir with divisi and soli in each voice-part and also chanted passages in close harmony for male and then female voices. Suitable for advanced standard choirs.