Par GJEILO OLA / WINKWORTH CATHERINE. / Niveau : INTERMEDIATE / Répertoire / SATB divisi

Par HAMMERSTEIN II OSCAR / RODGERS RICHARD. / TV, Film, Comédie musicale / Recueil / SATB

A selection from Ghana. Par . / Recueil / Voix et Orff-Instruments

Par WHITACRE ERIC. / Hymnes et chorals / Répertoire / SATB, Violoncelle et Piano

Par MARTIN JOSEPH M. / BARRETT MICHAEL. / Répertoire / Sa[T]B

Par . The King’s Singers release the complete Italian madrigal collection Il Trionfo di Dori. Commissioned by Venetian nobleman Leonardo Sanudo in 1592, the collection features 29 works, each written by a different composer and poet, and set for sixvoices. Among them are Vecchi, Gabrieli, Marenzio, de Monte, Striggio, Anerio, Gastoldi, Porta and Palestrina./ Accessoire / Choeur

Par SCHUTZ HEINRICH. In the midst of the Thirty Years’ War, Heinrich Schütz composed the “Musikalische Exequien” SWV 279–281, a unique funeral music that reflects questions about earthly suffering and the promise of eternal life. In this revised new edition, editor Beate Agnes Schmidt compares the only, albeit incomplete, surviving first edition with contemporary copies and the Spitta edition (Old…

Par JANACEK LEOS. Works for choir are represented in the œuvre of Leoš Janácek (1854-1928) from his beginnings as a composer until almost the last days of his life. Already in his youth he was intensively involved as a choral director in Brno – as successor to Pavel Krížkovský with the Augustinian church choir, later with the choir of the Svatopluk tradesmen’s association and with the Beseda Phil…

Par SCHUBERT FRANZ. Franz Schubert's Mass in G major (D 167) was composed in 1815 for his home parish in Vienna-Lichtenthal. It was initially intended as a Missa brevis with string orchestra and organ, but was soon supplemented by two trumpets and timpani ad libitum for more festive occasions. This instrumentation is documented in a set of parts that Schubert himself wrote shortly after his full…

Mass in Time of War. Par HAYDN JOSEPH. The “Missa in Tempore Belli”, also known as the “Mass in Time of War”, composed in 1796, makes prominent use of timpani as well as a wind fanfare at the beginning of the “Dona nobis pacem” – both clear and unusual references to a warlike context. One year after the first documented performance which took place in the year of its composition as part of the Fi…