Par HAYDN JOSEPH. The culture of piano-duet arrangements begins in the early-to-mid nineteenth century, the great epoch of domestic bourgeois music-making, with its easy availability of decent instruments for every front parlour or gilded salon. All the way from the Wittgenstein Palace in Vienna with its eight grand pianos, to the uprights in the suburban best-rooms of Europe and beyond; and above…

Par . Learning the piano, particularly at a very young age, can be a collaborative experience between student and teacher. The piano teacher is in a unique position to directly influence musical development through the use of teacher/student duets – pianists of almost every age and stage of development attest to the fact that ensemble playing is one of the most stimulating of all musical experien…

for flute and obligato harpsichord. Par BACH JOHANN SEBASTIAN. / Date parution : 2025-10-10/ Répertoire / Flûte Traversière et Piano

Par SAINT-SAENS CAMILLE / NICHOLAS ELLIS CAMILLE (Arr.. Saint-Saëns’s Danse Macabre began life in 1874 as a song, then as a tone poem for full orchestra, and quickly became one of his most popular works. It conjures a midnight scene where Death himself plays the fiddle, summoning skeletons to dance until dawn. The music brims with wit and theatrical colour: eerie harp strokes mark the hour, a skel…

from String Quartet No.1 Op.11. Par TCHAIKOVSKY PYOTR ILYICH / NICHOLAS ELLIS(Arr.). The slow movement of Tchaikovsky’s First String Quartet is one of his most cherished melodies. Inspired by a Russian folk tune he had heard sung by a house servant, the Andante Cantabile combines heartfelt simplicity with the composer’s gift for lyrical expansion. The movement soon took on a life of its own, admir…