Haydn's Symphony #26 received its nickname 'Lamentazione? during his lifetime, though it is unclear whether this stems directly from the composer.This work probably originated no later than 1770. Its first and second movements quote excerpts from Gregorian chants used in Holy Week. In Haydn's day it was customary to play individual movements in church services, and it may be assumed that these two…

Haydn presumably wrote his 'Missa brevis? in 1775 for the Brothers Hospitallers of Eisenstadt Abbey. The work takes its nickname, the 'Little Organ Mass', from the organ solo in the 'Benedictus?. This arrangement for female choir (SMezAA) is based on the complete edition of the 'Works of Joseph Haydn?.The original soprano and alto parts have, for the most part, been taken over, as has the soprano …

Haydn's Symphony #26 received its nickname 'Lamentazione? during his lifetime, though it is unclear whether this stems directly from the composer.This work probably originated no later than 1770. Its first and second movements quote excerpts from Gregorian chants used in Holy Week. In Haydn's day it was customary to play individual movements in church services, and it may be assumed that these two…

?evcík's oeuvre covers every area of violin technique, from the elementary level to special exercises on individual technical problems all the way to analytical studies of the best-known violin concertos. One of his most important pedagogical works is his opus 8, written between 1892 and 1895.This volume of exercises is devoted to changes of position and preparatory studies for scales over three o…

Par HAENDEL GEORG FRIEDRICH. In the fourth volume of his “General History of Music”, Charles Burney's verdict on Handel's “Giustino” was as enthusiastic as it was prophetic: “Upon the whole, this opera, so seldom acted and so little known, seems to me one of the most agreeable of Handel's dramatic productions”. In it, wondrous things happen: a peasant's son falls asleep while ploughing and is call…

The Musicians' Choice, Bärenreiter notebook with the Brahms olive green cover. Par . This little notebook is handsome as well as practical. The cover is in Bärenreiter‘s attractive Brahms olive-green and has the same layout as our Urtext editions. The pages alternate with musical staves on the left and writing lines on the right. The superior quality of paper used for the notebook matches that of …

Par GLUCK CHRISTOPH WILLIBALD. / Répertoire / Chant

Concerto for Piano and Orchestra. By Wolfgang Amadeus Mozart. Edited by Flothuis, Marius;T!Pel, Michael. For Piano Solo, Oboe (2), Horn (2), Strings. Piano Reduction/Vocal Score (paperbound). KV 449. Duration 22'. Published by Baerenreiter-Ausgaben (German import). (BA5381 90)

Composed by Johann Sebastian Bach (1685-1750), edited by August Wenzinger. BWV 1007-1012. For cello (unaccompanied). Format: cello solo book. With introductory text (German/English) and performance notes (German only). Baroque. 70 pages. 9x12 inches. Published by Baerenreiter-Aus…

Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Heinz Moehn. K. 620. Vocal score for voices (solo and ensemble) and piano accompaniment. Urtext of the New Mozart Edition. With choral notation, piano reduction and introductory text. Text language German. 221 pages. Publ…

Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Heinz Moehn, Leopold Nowak. K. 626. For SATB solos, SATB choir and piano accompaniment. Urtext of the New Mozart Edition. Format: vocal score. With choral notation and piano reduction. Classical period. D Minor. Text lang…

Composed by Johann Sebastian Bach (1685-1750), edited by Alfred Durr. BWV 243. Vocal score for SSATB solos, SSATB choir and piano accompaniment. Urtext of the New Bach Edition. With choral notation, piano reduction and introductory text. D Major. Text language Latin. 87 pages. Pu…

Intermediate to Advanced Level. Composed by William L. Gillock. Willis. Softcover. 160 pages. Published by Willis Music (HL.201747).

(Vocal Score based on the Urtext of the New Bach Edition (English/German) Organ Chorus I and Organ Chorus II available). By Johann Sebastian Bach (1685-1750). Edited by Alfred Durr. For soprano solo voice, alto solo voice, tenor solo voice, bass solo voice, SATB choir and piano a…

Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Hans-dietrich Klaus. K. 622. Set of performance parts (includes separate pull-out clarinet part) for clarinet in A (includes optional part for clarinetto di bassetto in A) and piano. Urtext of the New Mozart Edition. With…

By Antonin Dvorak (1841-1904). This edition: Urtext edition. Stapled. Score with parts. Published by Baerenreiter Verlag

Composed by Johann Sebastian Bach (1685-1750), edited by Gunter Hausswald. BWV 1001-1006. For violin. Urtext of the New Bach Edition. Format: violin solo book. With introductory text. Baroque. 60 pages. 9x12 inches. Published by Baerenreiter-Ausgaben (German Import).

Composed by Ludwig van Beethoven (1770-1827), edited by Jonathan Del Mar. Op. 125. Vocal score for SATB chorus and piano accompaniment. Based on the Urtext. With choral notation and piano reduction. D Minor. Text language German. 71 pages. Published by Baerenreiter-Ausgaben (Germ…

Tragedie Opera (Drama heroique) in 3 Akten. Pariser Fassung 1774 (franzosisch/deutsch). Klavierauszug nach dem Urtext der Gluck-Gesamtausgabe. By Christoph Willibald von Gluck. Edited by Finscher, Ludwig;Sommer, Jurgen. For 2 Soprano solo, Tenor solo, Mixed Choir-Ball, 2 Flute, 2…

Composed by Georg Philipp Telemann (1681-1767), edited by Gunter Hausswald. For flute (unaccompanied). Urtext of the Telemann Edition. Format: flute solo book. Baroque. 25 pages. 9x12 inches. Published by Baerenreiter-Ausgaben.

Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Heinz Moehn. K. 527. For voices (solo and ensemble) and piano accompaniment. Urtext of the New Mozart Edition. Format: vocal score (hardbound). With choral notation, piano reduction and introductory text. Classical period…