Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

This exclusive collection contains eight pieces by Ludovico Einaudi for Clarinet and Piano, with full score and pull-out Clarinet part.Pieces include: Discovery at Night, Divenire, Elegy For The Arctic, Four Dimensions, Night, Primavera, Una Mattina and Nuvole Bianche.As well as the printed score, this book includes a range of supporting digital features:SoundCheck - This unique assessment and fee…

Par . This one-of-a-kind collection features accessible, must-know Gospel songs presented in a combination of standard notation, chords, and lyrics. Perfect for beginning guitarists anxious to build up their repertoire! Songs include: Because He Lives · Church in the Wildwood · Give Me That Old Time Religion · He's Got the Whole World in His Hands · His Eye Is on the Sparrow · His Name Is Wonderfu…

Show mit 17. Par HENZE HANS WERNER. / Répertoire / Solistes et Orchestre

Viola Method. By Rodolphe Kreutzer. Arranged by Blumenau. String Solo. Size 9x12 inches. 72 pages. Published by Schirmer

By Edward Elgar. Edited by Jonathan Del Mar. For Viola. Single Part; Urtext Edition. Op. 85. Published by Baerenreiter-Ausgaben (German import). (BA9040 79)

Composed by Carl Flesch, arranged by Charlotte Karman. Instructional book for Viola. With bowings and fingerings. 112 pages. Published by Carl Fischer.

By Johann Sebastian Bach ; Watson Forbes (Arranger). For Viola. Baroque. Sheet Music. 48 pages. Published by Chester Music.

(Viola Solo). Composed by Julian Anderson. For Viola Alone. Masterworks; Part(s); Solo; String - Viola Alone. Faber Edition. 20th Century; Masterwork. Published by Faber Music

By Gyorgy Ligeti. Schott. Size 9x12 inches. 24 pages. Published by Schott.

By Barbara Barber. For Viola. String - Viola Studies or Collection. Book. 36 pages. Published by Alfred Music Publishing

(Instrumental Play-Along Book/CD Pack). By Leonard Bernstein (1918-1990). Instrumental Folio. Book with CD. 16 pages. Published by Hal Leonard

By Leo Smit (1900-1943). For Viola. Standard notation. Duration 5 minutes. Published by Theodore Presser Company

(Revised Edition) Edited by Shinichi Suzuki. Instructional book for viola. With fingerings, instructional text, instructional photos and introductory text. 32 pages. Published by Alfred Publishing

For Viola solo. Level: 1, 2. 36 pages. Published by ABRSM (Associated Board of the Royal Schools of Music).

Beginning Tunes and Techniques. Composed by Brian Wicklund and Faith Farr. Saddle-stitched. Book and online audio. 72 pages. Published by Mel Bay Publications, Inc (MB.20605M).

(10 Exercises to a Better Left Hand). Edited by Helen Callus, Michael Lieberman. For viola unaccompanied. Book. 56 pages. Published by Carl Fischer

(Viola Part). For Viola. This edition: Revised. Book; CD; Method/Instruction; String - Viola (Suzuki). Suzuki Viola School. 32 pages. Published by Alfred Music