B-Dur. Par MOZART WOLFGANG AMADEUS. To a greater extent than almost any others, Mozart's Masses combine a very high degree of artistic accomplishment and tonal beauty with fulfilment of the demands made by the Liturgy. Even the textually expansive movements 'Gloria' and 'Credo' are, in most of Mozart's Masses, short enough to meet the requirements of a festive service, today as in his time. The ch…

Wiemer, Wolfgang (Arr.) - Br Jcfb E 1. Par BACH JOHANN CHRISTOPH FRIEDRICH. Nicht nur die Musiker des 16. und 17. Jahrhunderts haben - schon aus liturgischen Gründen - immer wieder Vertonungen des Bußpsalms 50 [51] vorgelegt. Auch noch in späterer, säkularisierterer Zeit pflegten gelegentlich Komponisten diese Tradition, so der 'Bückeburger' Johann Christoph Friedrich Bach mit seiner 12-sätzigen K…

Wiemer, Wolfgang (Arr.) - Br Jcfb E 1. Par BACH JOHANN CHRISTOPH FRIEDRICH. Nicht nur die Musiker des 16. und 17. Jahrhunderts haben - schon aus liturgischen Gründen - immer wieder Vertonungen des Bußpsalms 50 [51] vorgelegt. Auch noch in späterer, säkularisierterer Zeit pflegten gelegentlich Komponisten diese Tradition, so der 'Bückeburger' Johann Christoph Friedrich Bach mit seiner 12-sätzigen K…

Waisenhausmesse. Par MOZART WOLFGANG AMADEUS. Bei Mozarts Missa in c-Moll KV 139 [114a] von 1768/69, der sog. Waisenhausmesse, handelt es sich sehr wahrscheinlich um den ersten Beitrag des Komponisten im Genre der Missa solemnis [mit Blechbläser], wie sie für kirchliche Hochfeste und andere besonders repräsentative geistliche Anlässe gepflegt wurde. Wie die Nähe von Kyrie und Agnus etwa zu Glucks …

Waisenhausmesse. Par MOZART WOLFGANG AMADEUS. Bei Mozarts Missa in c-Moll KV 139 [114a] von 1768/69, der sog. Waisenhausmesse, handelt es sich sehr wahrscheinlich um den ersten Beitrag des Komponisten im Genre der Missa solemnis [mit Blechbläser], wie sie für kirchliche Hochfeste und andere besonders repräsentative geistliche Anlässe gepflegt wurde. Wie die Nähe von Kyrie und Agnus etwa zu Glucks …

Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erroneously dubbed the “Coronation Mass, ” is among the most popular and most often performed works in this genre. The autograph of the Mass, which in many respects is very enlightening, was regarded as having been lost following the end of World War II, but was discovered at the end of the 1970s, it is preserved among the mus…

Par ROSSINI GIOACHINO. Die 'Messa di Rimini', 1809 für die Kathedrale in Rimini geschrieben, zählt neben der 'Petite Messe solennelle', dem 'Stabat Mater' und der 'Messa di Gloria' zu Rossinis umfangreichen Beiträgen zur Musica sacra. Sie besteht aus großangelegten Chorsätzen und Arien für jeden der vier Solisten; Ensembles begegnen dagegen nur zweimal, im 'Domine Deus' [Duett] und im 'Et in terra…

Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erroneously dubbed the “Coronation Mass, ” is among the most popular and most often performed works in this genre. The autograph of the Mass, which in many respects is very enlightening, was regarded as having been lost following the end of World War II, but was discovered at the end of the 1970s, it is preserved among the mus…

C-Dur. Par MOZART WOLFGANG AMADEUS. Leopold Mozart described KV 262, unlike Mozart's considerably shorter masses of the same period, as a 'Missa longa'. The prolixity of some of the movements and of concluding fugues in the 'Gloria' and 'Credo' is indeed surprising. The full orchestral scoring also emphasizes the ceremonial character of this Mass. / Messe / Répertoire / Solistes SATB, Choeur SATB…

B-Dur. Par MOZART WOLFGANG AMADEUS. To a greater extent than almost any others, Mozart's Masses combine a very high degree of artistic accomplishment and tonal beauty with fulfilment of the demands made by the Liturgy. Even the textually expansive movements 'Gloria' and 'Credo' are, in most of Mozart's Masses, short enough to meet the requirements of a festive service, today as in his time. The ch…

Composed by Johann Sebastian Bach (1685-1750), edited by Simon Rowland-jones. BWV 1007-1012. Viola solo book for viola (unaccompanied). With introductory text, performance notes and critical commentary. 88 pages. Published by C.F. Peters.

Viola Method. By Rodolphe Kreutzer. Arranged by Blumenau. String Solo. Size 9x12 inches. 72 pages. Published by Schirmer

By Fuchs, Lillian (1903- ). Viola solo. Published by International Music Co.

By Edward Elgar. Edited by Jonathan Del Mar. For Viola. Single Part; Urtext Edition. Op. 85. Published by Baerenreiter-Ausgaben (German import). (BA9040 79)

(Originally for Violin) Transcribed by Clemens Meyer, composed by Johann Sebastian Bach (1685-1750), edited by Joseph Vieland. Instrumental solo book for viola solo. With solo part, standard notation, bowings and fingerings. 53 pages. Published by International Music Co.

Composed by Carl Flesch, arranged by Charlotte Karman. Instructional book for Viola. With bowings and fingerings. 112 pages. Published by Carl Fischer.

By Johann Sebastian Bach ; Watson Forbes (Arranger). For Viola. Baroque. Sheet Music. 48 pages. Published by Chester Music.

(Viola Solo). Composed by Julian Anderson. For Viola Alone. Masterworks; Part(s); Solo; String - Viola Alone. Faber Edition. 20th Century; Masterwork. Published by Faber Music

By Gyorgy Ligeti. Schott. Size 9x12 inches. 24 pages. Published by Schott.

By Barbara Barber. For Viola. String - Viola Studies or Collection. Book. 36 pages. Published by Alfred Music Publishing

(Instrumental Play-Along Book/CD Pack). By Leonard Bernstein (1918-1990). Instrumental Folio. Book with CD. 16 pages. Published by Hal Leonard

By Leo Smit (1900-1943). For Viola. Standard notation. Duration 5 minutes. Published by Theodore Presser Company

(Revised Edition) Edited by Shinichi Suzuki. Instructional book for viola. With fingerings, instructional text, instructional photos and introductory text. 32 pages. Published by Alfred Publishing

For Viola solo. Level: 1, 2. 36 pages. Published by ABRSM (Associated Board of the Royal Schools of Music).