Par KIDANE DANIEL. The initial stimulus for this set of pieces was a painting by Kandinsky, Composition VII (1913). The painting represents a period when he was concerned with emotional, abstract paintings of two sorts: (a) improvisations (‘unconscious, spontaneous expression of inner character, the non-material nature’ that contain no recognizable objects, but coloured shapes that express feeling…

/ Chanson

Cet ajout à la Collection de clavier plus simple comporte vingt-deux smash hits dans les arrangements de ligne de mélodie facile pour tous les claviers électroniques. Idéal pour les débutants, chaque chanson a symboles de corde, paroles, enregistrement suggérée, rythme et tempo. Facile à suivre clavier diagrammes sont regroupés au début de chaque chanson et le spectacle tous les voicings de gauche…

Par SAINT-SAENS CAMILLE / NICHOLAS ELLIS CAMILLE (Arr.. Saint-Saëns’s Danse Macabre began life in 1874 as a song, then as a tone poem for full orchestra, and quickly became one of his most popular works. It conjures a midnight scene where Death himself plays the fiddle, summoning skeletons to dance until dawn. The music brims with wit and theatrical colour: eerie harp strokes mark the hour, a skel…

Belkis, Queen of Sheba-Suite for Wind Orchestra. Par RESPIGHI OTTORINO. In 1931 Ottorino Respighi began composing the music for his most ambitious theatre work: Belkis, regina di Saba. The ballet describes the journey of Belkis, the Queen of Sheba, to Solomon, the King of Israel, with whom she was in love. She travels with a large caravan including elephants, camels, slaves and many valuable treas…

Par BARTOK BELA. What distinguishes Béla Bartók from most of his European contemporaries is his lifelong dedication to folk music. He began to look into Hungarian peasant music out of musical interest only, but gradually extended his research to the neighbouring countries' folk music to study relatedness and differences, origins and influences. Bartók started to collect Romanian folk tunes in 1908…

Par WIDOR CHARLES-MARIE. Charles-Marie Widor 's Symphonies for Organ, Op. 42 No. 2. Charles-Marie Widor (b. Lyons 1844, d. Paris 1937) first began his studies in his hometown, but later pursued them in Brussels, taking lessons with Nicolas-Jacques Lemmens on the Organ, and composition lessons with François-Joseph Fetis. In 1868, he inaugurated the Organ at Notre-Dame Cathedral in Paris. He also de…

Par COCKER JERRY. Revised edition. Since 1900, when jazz - a uniquely American music form - began to evolve, much of its allure and artistic growth has depended on the creative freedom and expressive force that improvisation allows its performers. Jerry Coker, himself a teacher, composer/arranger, and noted saxophonist, has written How To Listen To Jazz to fill the need for a laymans guide to unde…