Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par CRUGER JOHANN / MENDELSSOHN-BARTHOLDY FELIX. also contains an arrangemet for organ During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Pas…

Trilogie Sacrée. Par BERLIOZ HECTOR. The history of the composition of the oratorio is odd: the kernel of this three-part work were the movements from the middle section, the “Flight to Egypt, ” which Berlioz composed on a whim in 1850 and which he passed off as the work of a baroque composer whose existence he himself had invented. In 1854 the triptych, which was completed with the parts entitled…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Of Noblest Cities is intended for a choir of between 12 and about 40 voices, although it may also be given by just six singers, one to a part (SSATBB). The piece can be performed unaccompanied, if no suitable organ is available, simply by leaving approximately two crotchet beats of silence between the end of the last note of one verse and the beginning of the next. Underlying the melody is a simpl…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX / LUTHER MARTIN. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based…

Par VAUGHAN WILLIAMS RALPH. Boldly reimagined and completed by Martin Yates, The Future, a substantial non finito draft of a major choral setting of words by Matthew Arnold, dates from 1908, immediately after Toward the Unknown Region, and in the crucial year of Vaughan Williams’s three-month tutelage with Ravel in Paris. Urgent ecological concerns – strikingly relevant today no less than in the V…

Trilogie Sacrée. Par BERLIOZ HECTOR. The history of the composition of the oratorio is odd: the kernel of this three-part work were the movements from the middle section, the “Flight to Egypt, ” which Berlioz composed on a whim in 1850 and which he passed off as the work of a baroque composer whose existence he himself had invented. In 1854 the triptych, which was completed with the parts entitled…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Fassung Ii. Par BACH JOHANN SEBASTIAN. The St. John Passion ranks alongside the St. Matthew Passion, the Christmas Oratorio, the Magnificat and the B minor Mass as one of the great vocal works from Johann Sebastian Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he substantially revis…

By Franz Wohlfahrt. Arranged by Rachel Barton Pine. For viola. Score and dvd. Published by Carl Fischer

Viola - Grade 1.5-3

SKU: XC.SB2002

26 Trios for Any Three String Instruments. Composed by Matthew R. Putnam and Tyler Arcari. Edited by Diana Trietta. Solo & Ensemble. Adaptable Trios. Ensemble, Collection, Book. Excelcia Music Publishing #SB2002. Published by Excel…

Viola - Grade 1.5-3

SKU: XC.SB2102

27 Trios for any Three String Instruments. Composed by Various. Arranged by Matthew R. Putnam and Tyler Arcari. Adaptable Ensemble Series. Christmas. Ensemble, Collection, Book. Excelcia Music Publishing #SB2102. Published by Excel…

Viola - Grade 1.5-3.5

SKU: XC.SB2220

22 Quartets for Any Combination of String Instruments. Composed by Matthew R. Putnam and Tyler Arcari. Edited by Diana Traietta. Solo and Ensemble Music. Adaptable Series. Ensemble, Collection, Book. Excelcia Music Publishing #SB…

Viola - Grade 1.5 to 3

SKU: XC.SB2009

21 Quartets for Any Combination of String instruments. Composed by Various. Edited by Diana Traietta, Matthew R. Putnam, and Tyler Arcari. Arranged by Matthew R. Putnam and Tyler Arcari. Concert and Holiday. Adaptable Ensemble S…

Viola - Grade 1; Grade 1.5; Grade 2

SKU: AP.48646

Rounds for Like String Instruments or String Orchestra (Viola). Composed by Matthew Hoey. Method/Instruction; String Orchestra Method/Supplement. Book. 24 pages. Alfred Music #00-48646. Published by Alfred Music (AP.…

By Johann Sebastian Bach (1685-1750). Edited by Alfred Durr; Max Schneider. For viola. This edition: Stapled, Urtext edition. Stapled. Single part. Language: German/English. BWV 244. Published by Baerenreiter Verlag single part