Par DYSON GEORGE. The Cello Sonata by Sir George Dyson (1883?1964) is the most substantial of the composer?s earliest surviving works and is a welcome addition to the repertoire of romantic British cello music. Within Dyson?s small yet distinguished output, it merits recognition both as a significant instrumental score in its own right, and as a precursor of a corpus of scores expertly written for…

Lullay, my liking is scored for accompanied two-part choir, allowing for various upper-/lower-voice combinations: two-part trebles or sopranos, upper voices only (S/A), or men only (T/B). If performed by a four-part choir, sopranos and tenors should read the upper line, and altos and basses read the lower. The keyboard part can be played on piano or organ, or harp. An inspiring selection of new wo…

Par GRIME HELEN. Composed during the coronavirus lockdown of 2020 and scored for mezzo-soprano and pierrot ensemble, Prayer is a setting of Carol Ann Duffy’s poem describing the unexpected resonance that can be sparked by small, everyday moments. This idea is captured in the singer’s relationship with the ensemble, which at times describes external events (such as the passing of a train) and at ot…

Par YAGLING VICTORIA. Victoria Yagling's Suite for Cello and String Orchestra (1967) is one of her first successes as a composer. The movement layout of the Suite is fast-slow-fast-slow. The first movement, Toccata, is a perpetual motion with a brisk tempo of 100 per dotted half. The Aria is reminiscent of Rachmaninov's Vocalise melody and Prokofiev's tonal language. This movement is the centerpie…

Grand septour de Beethoven, op. 20 - 6 Präludien und Fugen für Orgel von J. S. Bach. Par LISZT FRANZ. Volume 22 of series II of the New Liszt Edition contains two large-scale works by Liszt: the piano score of Beethoven's Septet for clarinet, horn, bassoon, violin, viola, cello, and double bass written at the turn of 1799 and 1800, and the piano transcription of six preludes and fugues for organ (…

Par VIVALDI ANTONIO. Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establish this still young instrument in the music of that time. The Concerto RV 531 is the only double concerto in Vivaldi?s ?uvre for two solo violoncellos. The two solo parts take ce…

Beethoven's fifth and final piano concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work's performance.The editor, Jonathan Del Mar, has closely scrutinised the autograph solo piano part and reproduced Beethove…

Use this especially with students who serve as vocal, choral and instrumental accompanists! The three central sections are preceded by choral studies and chorales for practice in 4-part reading. The accompaniment section includes 9 popular vocal and instrumental solos - score-reading is practiced from accompanied SATB works, orchestral and string quartet scores - transposition of the most familiar…

The score (UE 35757) also serves as the piano part.. Par WALTER BRUNO. Better known as one of the foremost conductors of the 20th century, Walter also found a place in contemporary composition in Vienna in the early part of the 1900s. Of particular importance is the Quintet, which was premiered by the Rosé Quartet, with the composer at the piano, and described as a resounding success. Universal Ed…

By Kenji Bunch. For solo viola. Playing score and performance CD. 4 pages (single sheet in folder). Published by Bill Holab Music

(60 First Position Studies (from Op. 45, 54, 74)). By Franz Wohlfahrt. Edited by Rachel Barton Pine. For viola. Score, parts and CD. 64 pages. Published by Carl Fischer

By Christian Stumpff. Edited by Kenneth Martinson. For 2 violas. This edition: Urtext, Bookstyle Bound. In the keys of C, G, B-flat, F,E-flat, D. Classical. Level 4 (of 6). Playing score. Text Language: English. Composed 1783. Op. 15. 63 pages. Published by Gems Music Publication…

By Felix-Jean Prot. Edited by Kenneth Martinson. For 2 violas. This edition: Urtext, Bookstyle Bound. In the keys of E-flat, C, G, A, D, F. Classical. Level 5 (of 6). Playing score. Text Language: English. Op. 9. 55 pages. Published by Gems Music Publications

Edited by Briana Ackerman. Arranged by Daniel Kelley. For Viola Duet. Duets. Music for Two. Classical. Level: Intermediate/Advanced. Score with 2 parts. Published by Last Resort Music Publishing.

Composed by David Saperstein. For solo viola. Engraved by Peter Jarvis. Score. Published by Calabrese Brothers Music, LLC

By Franz Wohlfahrt. Arranged by Rachel Barton Pine. For viola. Score and dvd. Published by Carl Fischer

(Serie II - France 1800-1860). Edited by Jean Philippe Vasseur and Ulrich Druner. For Viola. This edition: Facsimile. Methodes and Traites. Score. 160 pages. Published by Anne Fuzeau Productions - France

By Augustin Holler. Edited by Kenneth Martinson. For 2 violas. This edition: Urtext, Staple Center Bound. In the key of D major. Classical. Level 3 (of 6). Playing score. Text Language: English. 11 pages. Published by Gems Music Publications

For Viola. Classical (chamber). Includes a high-quality printed music score; informative liner notes; and two compact discs containing a complete performance with soloist; then a second version with the accompaniment, minus you, the soloist. Published by Music Minus One

Edited by Briana Ackerman. Arranged by Daniel Kelley. For Viola Duet. Duets. Music for Two. Classical. Level: Intermediate/Advanced. Score with 2 parts. Published by Last Resort Music Publishing.

For Viola. Includes a printed music score with informative liner notes; and a compact disc with the concerto performed first in stereo with the soloist, then again in Stereo minus you, the soloist. Published by Music Minus One.

Sonaten B-dur, g-moll und a-moll. By Attilio Ariosti. Edited by Gunther Weiss. For Viola D'amore/Viola, Basso Continuo. Hortus Musicus. Score; Single Part. Published by Hortus Musicus (German import).

(Cantata for the Feast of Visitation B. V. M.). By Johann Sebastian Bach (1685-1750). Edited by Uwe Wolf. For viola. This edition: Stapled, Urtext edition. For score see TP 1147. Single part. BWV 147. Published by Baerenreiter Verlag

By Georg Abraham Schneider. Edited by Kenneth Martinson. For viola. This edition: Urtext, Staple Center Bound. In the keys of c, F, g, a, e, b. Classical. Level 6 (of 6). Score. Text Language: English. Op. 19. 26 pages. Published by Gems Music Publications

For Viola. Classical (chamber). Includes a complete, high-quality printed music score; and a compact disc, voluminously indexed for ease of practice, containing a complete performance with soloist, then performed again with accompaniments only, minus you, the soloist. Published b…

By Deborah Monday. Edited by Janice Mcallister, Robert Frost. Orchestral Collection/Ensemble. Holidays Extraordinaire!. Level: Grade 1. Music Book. Published by Neil A. Kjos Music Company.

By Robert Woods. For viola. Jazz Basics. Level: Grade 2. String method. Published by Heritage Music Press. (60/1256H)