Heinrich Poos (né en 1928) est un des grands compositeurs allemands de musique chorale de notre temps. Dans son cycle de ' Orpheus ', Poos reprend l'ancien mythe du chanteur et poète Orpheus qui est un symbole de la puissance de la musique. Le travail de trois volets est basé sur des textes de l'Antiquité classique, du moyen âge et de l'heure actuelle qui sont tous traitant la question de la ' mus…

Heinrich Poos (né en 1928) est un des grands compositeurs allemands de musique chorale de notre temps. Dans son cycle de ' Orpheus ', Poos reprend l'ancien mythe du chanteur et poète Orpheus qui est un symbole de la puissance de la musique. Le travail de trois volets est basé sur des textes de l'Antiquité classique, du moyen âge et de l'heure actuelle qui sont tous traitant la question de la ' mus…

The new RSL Classical Piano syllabus aims to reflect the widening tastes of young people, positioning itself at the forefront of the vast array of music available to pianists, encompassing the rich heritage of music from the Baroque right through to the modern day and emerging composers. The repertoire strikes a balance between a radical redesign and maintaining a recognisable structure, and stick…

The new RSL Classical Piano syllabus aims to reflect the widening tastes of young people, positioning itself at the forefront of the vast array of music available to pianists, encompassing the rich heritage of music from the Baroque right through to the modern day and emerging composers. The repertoire strikes a balance between a radical redesign and maintaining a recognisable structure, and stick…

Par MARSH LIN / COOK WENDY. Whether teacher, performer, first-time director or experienced stage-hand, Lin Marsh And Wendy Cook: The Show Must Go On! is a good starting point for a first venture into music theatre, or a source of new ideas if you are an old hand. This book offers all you need to know to ensure that your show runs smoothly and successfully, including help in: Choosing imaginative a…

The new RSL Classical Piano syllabus aims to reflect the widening tastes of young people, positioning itself at the forefront of the vast array of music available to pianists, encompassing the rich heritage of music from the Baroque right through to the modern day and emerging composers. The repertoire strikes a balance between a radical redesign and maintaining a recognisable structure, and stick…

The new RSL Classical Piano syllabus aims to reflect the widening tastes of young people, positioning itself at the forefront of the vast array of music available to pianists, encompassing the rich heritage of music from the Baroque right through to the modern day and emerging composers. The repertoire strikes a balance between a radical redesign and maintaining a recognisable structure, and stick…

Pop-Arrangements für Kirchenchöre zum EG Chor 1–4 stg, in der Regel besetzt mit Piano, Bass, Drums, Trb und Instrumenten in C, Bb, Eb. „Chöre, die neue Lieder des Evangelischen Gesangbuches im poppigen Stil singen möchten, sind hier richtig . . . Es ist das erste Chorbuch dieser Art und soll dem Trend der Chöre hin zu Pop und Jazz Rechnung tragen. Die stilistische Bandbreite reicht von Swing über …

Par PENNEQUIN J.G.. Morceau de Concert by J. G. Pennequin was composed in 1907. Initially written for Trumpet and Piano, this arrangement for Cornet and Piano is very melodic and quite challenging for the Cornet part. Quite fast, this very enjoyable work lasts 7 minutes and needs some advanced skills. The piece, starting by the Piano, shows a continuous exchange between the Cornet and the Piano. J…

Composed by Johann Sebastian Bach (1685-1750), edited by Simon Rowland-jones. BWV 1007-1012. Viola solo book for viola (unaccompanied). With introductory text, performance notes and critical commentary. 88 pages. Published by C.F. Peters.

By Edward Elgar. Edited by Jonathan Del Mar. For Viola. Single Part; Urtext Edition. Op. 85. Published by Baerenreiter-Ausgaben (German import). (BA9040 79)

(Originally for Violin) Transcribed by Clemens Meyer, composed by Johann Sebastian Bach (1685-1750), edited by Joseph Vieland. Instrumental solo book for viola solo. With solo part, standard notation, bowings and fingerings. 53 pages. Published by International Music Co.

(Viola Solo). Composed by Julian Anderson. For Viola Alone. Masterworks; Part(s); Solo; String - Viola Alone. Faber Edition. 20th Century; Masterwork. Published by Faber Music

By Gyorgy Ligeti. Schott. Size 9x12 inches. 24 pages. Published by Schott.

By Barbara Barber. For Viola. String - Viola Studies or Collection. Book. 36 pages. Published by Alfred Music Publishing

(Revised Edition) Edited by Shinichi Suzuki. Instructional book for viola. With fingerings, instructional text, instructional photos and introductory text. 32 pages. Published by Alfred Publishing

(10 Exercises to a Better Left Hand). Edited by Helen Callus, Michael Lieberman. For viola unaccompanied. Book. 56 pages. Published by Carl Fischer

(Viola Part). For Viola. This edition: Revised. Book; CD; Method/Instruction; String - Viola (Suzuki). Suzuki Viola School. 32 pages. Published by Alfred Music

Viola Method. By Henry Schradieck. Arranged by Samuel Lifschey. String Method. Size 9x12 inches. 48 pages. Published by Schirmer

By Max Reger. Edited by Franz Beyer. Viola. Pages: VII and 19. Urtext edition without fingering-paper bound. Published by G. Henle.

(A Comprehensive Curriculum for Use During Fundamentals Time). Composed by Scott Rush. For viola. Habits of a Successful Musician. Music Education - Method. Method book. 72 pages. Published by GIA Publications

By Georg Philipp Telemann (1681-1767). Edited by Johann Philipp Hinnenthal. For Viola. Single Part. Published by Baerenreiter Verlag

By Dr. Shinichi Suzuki. Edited by Judi Gowe. Suzuki method (piano accompaniment). Level: volume a (contains volume 1 and 2). 68 pages. Published by Alfred Publishing.

By Otakar Sevcik; Alan Arnold (Arranger). For Viola. 20th Century. Sheet Music. 20 pages. Published by Bosworth.