Arrangeur: Klaus Hofmann. Par TELEMANN GEORG PHILIPP. This psalm setting was originally the opening and concluding movement in the Epiphany cantata from the annual cycle “Musicalisches Lob Gottes in der Gemeine des Herrn, ” published at Nuremberg in 1744, and it is also from the “Biblische Sprüche” [see p. 12]. As in the cantata, here the vocal bass part may also be omitted. The lively alternation…

Arrangeur: Klaus Hofmann. Par TELEMANN GEORG PHILIPP. This psalm setting was originally the opening and concluding movement in the Epiphany cantata from the annual cycle “Musicalisches Lob Gottes in der Gemeine des Herrn, ” published at Nuremberg in 1744, and it is also from the “Biblische Sprüche” [see p. 12]. As in the cantata, here the vocal bass part may also be omitted. The lively alternation…

Osterkantate. Par TELEMANN GEORG PHILIPP. This cantata has come down to us, unusually, with two sets of words. Certainly the second, and possibly also the first, is a parody. The first text is clearly intended for Easter, while the second, of a general nature, sings the praises of patience, hope, and trust in God. This extremely effective work, basically heroic in character, might well be performe…

Arrangeur: Klaus Hofmann. Par TELEMANN GEORG PHILIPP. This psalm setting was originally the opening and concluding movement in the Epiphany cantata from the annual cycle “Musicalisches Lob Gottes in der Gemeine des Herrn, ” published at Nuremberg in 1744, and it is also from the “Biblische Sprüche” [see p. 12]. As in the cantata, here the vocal bass part may also be omitted. The lively alternation…

Tonalité : A-Dur -. Par HASSE JOHANN ADOLF. This setting of the famous Marian antiphon was composed in 1736 for the Ospedale degl'Incurabili. It is the only sacred work by Hasse which was published during his lifetime [London, 1740]. / Hymnes et chorals / Répertoire / Solo à (Ms), 2 Violons, Alto et Basse Continue

Osterkantate. Par TELEMANN GEORG PHILIPP. This cantata has come down to us, unusually, with two sets of words. Certainly the second, and possibly also the first, is a parody. The first text is clearly intended for Easter, while the second, of a general nature, sings the praises of patience, hope, and trust in God. This extremely effective work, basically heroic in character, might well be performe…

Par TELEMANN GEORG PHILIPP. Georg Philipp Telemann (b. 14th March 1681 in Magdeburg, d. 25th June 1767 in Hamburg) wrote the 117th Psalm in 1758; it thus belongs to his last period, of which the chief works are the 'Tageszeiten' (1754), the setting of some excerpts from Klopstock/ Répertoire / 4 Parties Mixtes, 2 Violons et Basse Continue

Osterkantate. Par TELEMANN GEORG PHILIPP. This cantata has come down to us, unusually, with two sets of words. Certainly the second, and possibly also the first, is a parody. The first text is clearly intended for Easter, while the second, of a general nature, sings the praises of patience, hope, and trust in God. This extremely effective work, basically heroic in character, might well be performe…

Osterkantate. Par TELEMANN GEORG PHILIPP. This cantata has come down to us, unusually, with two sets of words. Certainly the second, and possibly also the first, is a parody. The first text is clearly intended for Easter, while the second, of a general nature, sings the praises of patience, hope, and trust in God. This extremely effective work, basically heroic in character, might well be performe…

Tonalité : A-Dur -. Par HASSE JOHANN ADOLF. This setting of the famous Marian antiphon was composed in 1736 for the Ospedale degl'Incurabili. It is the only sacred work by Hasse which was published during his lifetime [London, 1740]. / Hymnes et chorals / Répertoire / Solo à (Ms), 2 Violons, Alto et Basse Continue

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