Rhythm patterns covered on this Cajon Method - LATINO DVD: Bolero, Cha Cha Cha, Songo, Afro, Guaguanco, Mrengu, Reggae, Samba and Reggaeton. Daniy Moreno proposes the cajon as an alternative and complement of the drum kit, not as a substitute but an alternative for performances in small venues where using the drums becomes a problem of room. One can also take advantage of the similar low-high soun…

Morel Jorge (Performed). Par MOREL JORGE. Argentine guitar virtuoso Jorge Morel discusses and performs nine brilliant Latin American solo guitar compositions. Included are: Choro by Jorge Morel, Pampero by Jorge Morel, Chopi by Pablo Escovar, Misionera arranged by Jorge Morel, Danza Brasilera by Jorge Morel, Bossa en Re by Jorge Morel, and Otro Tango Buenos Aires from Rhapsodia del Sur by Jorge Mo…

Wonderful string writing from Monteverdi's successor. / Ensemble A Cordes

After hearing the Boston Symphony Orchestra perform Martinu's Symphony #1 in New York, Mischa Elman commissioned the composer to write a violin concerto for him. Martinu thereupon composed his Second Violin Concerto in 1943. That same year Elman played the solo part at the première, with Sergei Koussevitzky conducting the Boston Symphony Orchestra.This piano reduction is based on the musical text …

Par TELEMANN GEORG PHILIPP. Format: New Edition portrait/ Répertoire / Violon et Basse Continue ou Piano Violoncelle ou V

Par ESCHLIMAN TED. N\'est plus limitée aux genres folkloriques base, toute mandoliniste aspirant à une compréhension plus large de la musique, y compris le swing, blues, pop, choro, broadway et même classique peut étendre son jeu et grâce à une connaissance des fondamentaux de jazz. Cette approche de percée en pédagogie de la mandoline prend quatre patrons idéogramme non compliqué (FFcP) et perce …

Bohuslav Martinu wrote his First Violin Concerto in Paris in 1932-33, this work having been commissioned by the violin virtuoso Samuel Dushkin. However, it was never performed during the composer's lifetime and was even considered lost after his death. It was not until 1961 that musicologist and collector Hans Moldenhauer bought it from Boaz Piller, contrabassoonist of the Boston Symphony Orchestr…