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| Lectures Différentes (EOTVOS PETER)
4 Saxophones [SATBar] [Conducteur et Parties séparées]
Schott
Pour Quatour De Saxophones. Par EOTVOS PETER. I got the idea of writing this piece during a rehearsal with Klaus Michael Grüber I saw in Berlin. Three actors were rehearsing a scene of Kleist. At the end, Grüber said: ‘… now once again in a different way.’ The text was identical but the interpretation was completely different and had almost nothing in common with the previous version. My piece is …
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| Concerto Per Violino, Archi E Bc, Rv 259 Op. Vi/2 (VIVALDI ANTONIO)
Violon, Ensembles de Cordes et B.C.
Ricordi
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection wa…
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| Concerto Per Violino, Archi E Bc, Rv 318 Op. Vi/3 (VIVALDI ANTONIO)
Violon, Ensembles de Cordes et Basse Continue
Ricordi
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection wa…
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| 16 Organ Pieces (BLOW JOHN)
Orgue [Partition]
Stainer and Bell
Par BLOW JOHN. Selected from Musica Britannica Volume 69. Edited by Barry Cooper. This collection of sixteen pieces by John Blow (1649-1708), taken from the complete organ music published in Volume 69 of Musica Britannica, is an authoritative introduction to the work of the leading Restoration English composer of organ music. More organ music from this period is ascribed to Blow than to all his En…
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| Tarantella And Album Leaf (REGER MAX)
Clarinette et Piano
G. Henle
It is little known that alongside his three great sonatas for clarinet and piano, Reger also wrote two charming miniatures for the same instrumentation. At the same time, it was the composer's express desire to reach a wider public with smaller works such as these that were to be published in music journals. Our single edition (taken from the volume of all of Reger's sonatas and pieces HN 909, als…
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| Messe In G (SCHUBERT FRANZ)
Chorale SATB
Soli, chœur mixte et piano
Barenreiter
Par SCHUBERT FRANZ. Even for small choirs, Schubert’s Mass in G major poses no scoring or performance problems and is thus ideal for use in church services. The work is full of surprises and musical ideas. Apart from the Benedictus, the solo parts are limited to short interpolations. Relatively easy choral and solo writing Straight-forward organ arrangement Ideal for church services The Bärenreite…
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| Pageant Of London (Wind Band Sc/Parts) (BRIDGE FRANK)
Orchestre d'harmonie [Partition]
Faber Music Limited
Par BRIDGE FRANK. Frank Bridge was one of the finest English composers of the first half of the 20th century. The Pageant of London is his only work for wind band, comprising of two marches, one scored from Bridge’s best known organ piece and including the chimes ofBig Ben, plus three short renaissance pastiche items, one arranged from Playford (later used by Peter Warlock in Capriol Suite). The m…
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| Slavonic Rhapsody In G Minor Op. 45 #2 (DVORAK ANTONIN)
Orchestre [Partition]
Barenreiter
Op. 45 Nr. 2. Par DVORAK ANTONIN. Dvorák composed his 'Slavonic Rhapsodies” op. 45 in 1878, initiating his so-called 'Slavonic period”. They were issued by the publisher Simrock the following year as three independent orchestral pieces (in D major, G minor and A-flat major) appearing under the same opus number.
Now the 'Slavonic Rhapsodies” are being issued separately in scholarly-critical editio…
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| Concerto Per Violino, Archi E Bc, Rv 216 Op. VI/4 (VIVALDI ANTONIO)
Violon, Ensembles de Cordes et Basse Continue [Conducteur]
Ricordi
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection wa…
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| Now Ii (PINTSCHER MATTHIAS)
Violoncelle
Barenreiter
part II of the cycle Profiles of Light. Par PINTSCHER MATTHIAS. 'Now II” is the second part of a triptych of chamber pieces entitled 'Profiles of Light”. The first part is written for solo piano (Now I, BA 11073), the second for unaccompanied cello. The two instruments are then combined in the concluding third part, Uriel (BA 11013). All three pieces were inspired by the Abstract Expressionist pai…
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| Concerto Per Violino, Archi E Bc, Rv 280 Op. Vi/5 (VIVALDI ANTONIO)
Violon, Ensembles de Cordes et Basse Continue
Ricordi
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection wa…
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| Slavonic Rhapsody In A Flat Major Op. 45/3 Violon 1 - 3 Ex. Minimum (DVORAK ANTONIN)
Violon
Barenreiter
Op. 45 No. 3. Par DVORAK ANTONIN. Dvorák composed his 'Slavonic Rhapsodies” op. 45 in 1878, initiating his so-called 'Slavonic period”. They were issued by the publisher Simrock the following year as three independent orchestral pieces (in D major, G minor and A-flat major) appearing under the same opus number.
Now the 'Slavonic Rhapsodies” are being issued separately in scholarly-critical editio…
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| Romance, Elegy And Prelude (FINZI GERALD)
Quatuor à cordes : 4 altos
Boosey and Hawkes
Arrangements for string quartet of 'Romance for string orchestra, op 11' (1928), 'Elegy for violin and piano, op 22' (1940), and 'Prelude for string orchestra, op 25' (1940s). 'Romance' (8 mins) was first performed in 2009 by the Finzi Quartet at London's Wigmore Hall, and has been recorded by them on Resonus Classics RES 10109. 'Elegy' (9 mins) and 'Prelude' (5 mins) were first performed in 2014 …
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| 4 Lieder (STRAUSS RICHARD)
Voix haute, Piano [Partition]
Universal Edition
Par STRAUSS RICHARD. This new practical edition of the 'Vier Lieder' ('Four songs') Op. 27 for high voice is based on the text of 'Richard Strauss Works ' Critical Edition'. The lyrics were translated into English by John Bernhoff.
Beginning with op. 27, Strauss turned to settings of poems by a new generation of lyricists of his age with whom he was sometimes in personal contact (Karl Henckell, …
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| Ascension Oratorio Bwv 14 (BACH JOHANN SEBASTIAN)
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
Barenreiter
Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata, the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems.As in other works which were composed during this same year (e.g. the 'Christmas Oratorio?), Bach reveals a special fondness for colourf…
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| Ascension Oratorio Bwv 11 (BACH JOHANN SEBASTIAN)
Orchestre [Partition]
Barenreiter
Urtext edition. Par BACH JOHANN SEBASTIAN. Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata, the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems.
As in other works which were composed during this same year (e.g. the 'Christmas Oratorio?),…
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| Concerto Per Violino, Archi E Bc, Rv 239 Op. Vi/6 (VIVALDI ANTONIO)
Violon, Ensembles de Cordes et Basse Continue
Ricordi
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection wa…
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| Fratres (PART ARVO)
Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur d'étude / Miniature]
Universal Edition
Par PART ARVO. Fratres (original setting for violin and piano) was commissioned by the Salzburg Festival and premiered on August 17th, 1980 at that very place (violin: Gidon Kremer, piano: Elena Kremer). Composed in Pärt's very own 'Tintinnabuli'-style, this piece allows many different settings because it is not bound to a specific tone color.
'The highest virtue of music, for me, lies outside of …
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| Ascension Oratorio Bwv 15 (BACH JOHANN SEBASTIAN)
Violon II
Barenreiter
Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata, the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems.As in other works which were composed during this same year (e.g. the 'Christmas Oratorio?), Bach reveals a special fondness for colourf…
6.20 EUR - Expédié par LMI-partitions
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English
version
An Integrated Approach to
Musical Literacy. Hinshaw
Music. Softcover Audio
Online. 48 pages. Hinshaw
Music Inc. #HMB270.
Published by Hinshaw Music
Inc.
