for Violin and Orchestra. Par MOZART WOLFGANG AMADEUS. Mozart composed the majority of his works for solo String Instruments and Orchestra during the years 1773–1779. Especially important are the years 1773 and 1775, which witnessed the creation of the five concertos for Violin and Orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity are par…

Par ELBAZ LAURENT. Ce projet est né de la volonté de rassembler des élèves de tous niveaux et tous âges autour d'une création, de faire appel à l'oralité autant qu'à l'écrit selon les besoins de la musique et de l'instant, et de faire participer les musiciens à la mise en scène... C'était aussi l'occasion de plonger tous les participants dans les esthétiques et les pratiques des musiques dites 'ac…

Kantate nach einem Text von Dietrich Bonhoeffer. Par SCHWEIZER ROLF. Die anlässlich der 'Europäischen Glockentage' 2004 [in Karlsruhe] als Auftragswerk entstandene Kantate 'Ruf der Glocken' basiert auf einem erschütternden Text von Dietrich Bonhoeffer ['Zwölf kalte, dünne Schläge der Turmuhr wecken mich…']. Der Text der Kantate eignet sich sowohl für Glockenweihen als auch für die endzeitliche The…

for Harpsichord and Strings. Par BACH JOHANN SEBASTIAN. In early 1729 Bach became director of the so-called 'Scottish Collegium Musician' a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly v…

Par SCHUBERT FRANZ. Octet in F major Op. post. 166 D 803 for Clarinet (in B-flat), Bassoon, Horn, Violin (2), Viola, Violincello, Double Bass “I have done little new by way of lieder. In compensation I have tried my hand at several instrumental things, for I have composed two quartets for Violins, Viola and Violincello [A minor, D 804; D minor, D 810] and an octet [F major, D 803] and will write y…

for two Violins, Strings and Basso continuo. Par BACH JOHANN SEBASTIAN. In 2001 Bärenreiter issued a newly engraved keyboard reduction and solo parts to this concerto based on the acclaimed New Bach Edition. The present expanded new publication goes a step further in that it offers not only the two solo Violin parts as presented in the New Bach Edition, but also two additional parts with fingering…

Composed by John A. Behnke. Ascension, Easter, 21st Century. Choral score. Published by MorningStar Music Publishers (MN.60-4025).

(For Two-Part Voices with Keyboard and Optional Flute and Optional Percussion). By Steven Burnett. For 2-Part Choir, Keyboard, Flute, Percussion. Choral. Piano reduction/vocal score. Standard notation. 10 pages. Published by Carl Fischer

By Donald Marsh. For Voices: Mostly unison (one 2-part section; one SATB). Instruments: C instrument (flute, violin, or even organ stop, accordian, piano II) (instruments required). Keyboard accompaniment. Music Collection. Sacred, Christmas. Easy. Text language: English. 72 page…

2-part Treble Voices and Instruments. By Benjamin Britten. (Parts). Boosey and Hawkes Large Choral. Published by Boosey and Hawkes.

By Thomas Morley. For SS (TT, ST) a cappella. (2-part). 2-part Canzonets for Voices & Instruments (a new edition prepared from the original of 1595 by D.H. Boalch). Published by C.F. Peters.

Music by David Lantz, lyrics by John Parker. Octavo for 2-Part Multicultural choir and piano accompaniment. F Major. Series: Alfred Choral Designs. 12 pages. Published by Alfred Publishing.