Miguel Alcdzar was born in Mexico City on April 26 1942. He followed a professional career which involved activities in the fields of performance, pedagogy, musicology and composition. He gave the first performances of the Concertino by Blas Galindo, with the composer himself conducting the National Symphony Orchestra of Mexico, the Concierto of Manuel Ponce, in its original version, the Concerto …

A proven source of graded duets for both the student and teacher of brass and woodwind instruments. Each volume contains works from the Renaissance, Baroque and Classical periods, folk songs and traditional tunes, and a selection of original compositions by Keith Snell in a variety of styles. A useful source of repertoire. Contains: Capriccio (Hassler) * Chanson (de Sermisy) * Gigue A L'Angloise…

Kantate Zum Himmelfahrtsfest. Par BACH JOHANN SEBASTIAN. On the 30th May 1726, as part of his third Leipzig annual cycle of cantatas, Bach directed the first performance of his Ascension Cantata 'Gott fähret auf mit Jauchzen'. The libretto was published at Rudolstadt during the same year without any indication of the autor's name, in a collection entitled 'Sonn- und Fest-Tags-Andachten über die or…

Cantata for Speaker, Tenor and Baritone Soli, SATB and Chamber Orchestra. Par JOUBERT JOHN. This cantata for chorus, chamber orchestra and narrator tells the story of Alban, the first British Martyr with its libretto by Stephen Tunnicliffe. Musically the work uses contrasting and iconic motifs throughout in a recognisably Joubert fashion. The St Albans Chamber Choir gave the first performance in S…

Cantata Drammatica Per Voce Femminile, Viola Solista. Par CORGHI AZIO. Cantata Drammatica Per Voce Femminile, Viola Solista / Musique contemporaine / Date parution : 1905-06-28/ Répertoire / Voix et Orchestre

Cantata for tenor, bass, bass viola da gamba & b. c., edited by Cedric Lee. A rare example of a very successful French Baroque cantata with buffo character. Green Man Press

Kantate Zum Sonntag Palmarum. Par TELEMANN GEORG PHILIPP. This cantata belongs to the annual cycle “Musicalisches Lob Gottes in der Gemeine des Herrn' printed in 1744, from which the “Biblische Sprüche' [see p. 12] are also taken. As with the choruses, in the arias Telemann allows for a great deal of freedom in the forces employed, whether with regard to the octave ranges of the voices, or the opt…

Arrangeur: Klaus Hofmann. Par TELEMANN GEORG PHILIPP. This psalm setting was originally the opening and concluding movement in the Epiphany cantata from the annual cycle “Musicalisches Lob Gottes in der Gemeine des Herrn, ” published at Nuremberg in 1744, and it is also from the “Biblische Sprüche” [see p. 12]. As in the cantata, here the vocal bass part may also be omitted. The lively alternation…

Kantate Zum Sonntag Palmarum. Par TELEMANN GEORG PHILIPP. This cantata belongs to the annual cycle “Musicalisches Lob Gottes in der Gemeine des Herrn' printed in 1744, from which the “Biblische Sprüche' [see p. 12] are also taken. As with the choruses, in the arias Telemann allows for a great deal of freedom in the forces employed, whether with regard to the octave ranges of the voices, or the opt…

Kantate Zum Reformationsfest (In Der Bearbeitung Von Wilhelm Friedemann Bach). Par BACH JOHANN SEBASTIAN. The present cantata draws on two of Bach’s earlier works. The original form was the cantata 'Alles, was von Gott geboren' [Weimar 1715, BWV 80a]. A second version [BWV 80b] was written between 1727 and 1731 in Leipzig. The instrumentation of movements 1 and 5 come from a later adaptation by Wi…