This ?Suite' is not one of my 'epic' instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom.Almost every individual movement allots the solo flute a specific tonal …

Par HENZE HANS WERNER. The making of El Cimarrón began in about 1986, with a conversation I had with Hans Magnus Enzensberger about the difficulties of writing political songs today that would go beyond the achievements of Eisler, Weill and Dessau in this field. It seemed to me that I might try to tackle the problem by writing a cycle with a variety of musical materials out of which perhaps someth…

Identification II represents the bold challenge of bringing the Accordion and Baritone Saxophone together in the same piece. The two instruments presentnatural affinities - indeed, the emission of sound through a single reed predestined their association. / Accordéon Et Saxophone Baryton

Par SPARKE PHILIP. The idea behind this work was to create an opening piece, something to start a concert in an unusual way. The title is a portmanteau word derived from madrigal. The work indeed begins in Renaissance mood however gradually tries to shake of its modal start and, by contrasting different instrumental families, the work changes into modern clothes. Why not add a little Renaissance s…

For Violin And Piano (Heifetz Critical Edition). Par TCHAIKOVSKI PIOTR ILITCH. This Critical Performance Edition is primarily based on the first print by the Russian publisher Jurgenson. In the Andante Funebre and Humoresque, the quartet and piano versions, respectively, were used for comparison. The composer accepted corrections by Leopold Auer and Vassily Bezekirsky, which are indicated in the v…

Par BERLIOZ HECTOR. When Berlioz won the Prix de Rome in 1830 he had already composed several major works such as the Symphonie Fantastique. Indeed, he became the essential French romantic composer. The Hungarian March is taken from the fourth act of The Damnation of Faust, a dramatic legend composed in 1846 and sometimes performed in the form of an opera. Previoiusly Berlioz had given it the sub-…

Although Schumann's first attempts at composing for this supreme form of chamber music in 1838/39 were only fragments, the three String Quartets op. 41 in a minor, F major and A major were written in one go in June/July 1842. At the first private performances the audience was enthusiastic and it was Mendelssohn's praise in particular that occasioned Schumann to dedicate the new works to him. The c…

Par MARTINU BOHUSLAV. Unusual instrumentations were by no means the exception in the chamber music works of Bohuslav Martinu, most notably the works he wrote in Paris in the 1920s and 1930s being characterised by his experimentation with sound and form. It is from this period that four short serenades also originate (1932), each with a different instrumentation. The serenades were issued by the Pr…

Par SAINT-SAENS CAMILLE. Far from being an isolated work in Camille Saint-Saens’ production, Le Retour de Virginie (Virginia’s Return) belongs to a small set written at the beginning of his career in the particular context of the competition for the Prix de Rome that was established in 1803 then cancelled following the events of May 1968. It had been for more than a century and a half, the most co…

Celebrating 100 Years of Disney Magic. Arranged by Mac Huff. (SAB). Disney Choral. Size 6.75x10.5 inches. 72 pages. Published by Hal Leonard.

By Mark Hayes. For SAB choir and piano. Concert. Octavo. Published by Heritage Music Press. (15/2474H)

By Adele. By Adele Adkins and Paul Epworth. Arranged by Adam Anders, Mark A. Brymer, and Tim Davis. SAB. Pop Choral Series. 20 pages. Published by Hal Leonard

By Noble, Clifton J. For SSA. Spiritual. Level: Easy-Med. Published by Treble Clef Music Press.

By Jane Holstein. For SAB choir. Book. Published by Hope Publishing Company

(Easy-to-Prepare Gospel Songs and Spirituals for SAB Choirs). By Larry Pugh. For SAB choir and piano. General, Spiritual, Sacred. Sacred Choral Collection

(Sign Us with Ashes, Gather Your People, Feed Us and Guide Us). By Tony Alonso. For SAB Choir, cantor, assembly. Celebration Series. Sacred, Lent. Easy. 8 pages. Published by GIA Publications

Composed by Lee Dengler. For SAB choir. Christmas. Performance/accompaniment CD. Published by Hope Publishing Company

From the Broadway musical Hamilton. Composed by Lin-Manuel Miranda (1980-). Arranged by Andy Beck. Choral Octavo. Alfred Pop Series. Broadway; Secular. 16 pages. Published by Alfred Music (AP.46479).

By Natalie Sleeth. (SAB or Three-Part). Redemption and Sacred. Print Music Single (SAB and Children's Choir). 12 pages. Published by Hope Publishing Company.

Arranged by Mac Huff. (SAB). Disney Choral. Size 6.7x10.5 inches. 56 pages. Published by Hal Leonard.

By Keith and Kristyn Getty. By Ed Cash, Keith Getty, Kristyn Getty. Arranged by James Koerts. Daybreak Easter Choral. Celtic, Praise and Worship, Easter, General Worship, Sacred. Octavo. 12 pages. Published by Daybreak Music (HL.248989).

Medley. By Tina Turner. Arranged by Kirby Shaw. Pop Choral Series. Medley, Show Choir, Pop, Oldies, Rock. Octavo. 24 pages. Published by Hal Leonard (HL.222166).

Composed by Richard Frost. Epiphany, Triduum/Three Days, 21st Century, Confession/Forgiveness. Published by MorningStar Music Publishers (MN.50-3219).

((from The Hunger Games)). By Sting. By Simone Burnett, Suzanne Collins, and T Bone Burnett. Arranged by Mac Huff. For Choral (SSA). Contemporary Choral. 8 pages. Published by Hal Leonard

By Joseph M. Martin. For SAB choir and piano with optional orchestration and rhythm. The Joseph M. Martin Choral Series. General Worship, Praise and Worship, Thanksgiving and Gratitude, Sacred. Octavo. 12 pages. Published by Hope Publishing Company