A brilliant example of Moussorgsky's innovative techniques, this dramatic work was completed and orchestrated by Nikolay Rimsky-Korsakov after Moussorgsky's death. Full of intense effects, the piece has long been a staple of the orchestral repertoire, particularly after its memorable accompaniment to the Witches' Sabbath sequence of Disney's Fantasia.

Here's an indispensable collection of introits, responses, and benedictions from the Medieval, Renaissance, Baroque, Classical, and Romantic Periods. Carefully and skillfully edited and arranged by Patrick Liebergen, this book is filled to the brim with the music of Handel, Telemann, Purcell, Mozart, Liszt, and more. A mixture of voicings is included as well. Each selection is short and easily lea…

Par SAARIAHO KAIJA. Kaija Saariaho 's Emilie Suite was a joint commission by Carnegie Hall, New York City, Cité de la Musique, Paris, Luzerner Sinfonieorchester and Orchestre Philharmonique de Strasbourg. It was first performed on 30 November 2011 at Carnegie Hall by the Avanti! Chamber Orchestra conducted by Hannu Lintu, with Elizabeth Futral (soprano). The first performance in Paris took place o…

Par MOZART WOLFGANG AMADEUS. Prepared from the composer's original manuscript by the distinguished Mozart scholar, Richard Maunder, this is the first modern Urtext edition of Mozart's Vesperae solennes de confessore K339./ Répertoire / Conducteur

Among the glories of the Baroque era is a legacy of concertos for multiple soloists, in which two, three, or a complete ensemble interact with the orchestra. A product of that fine tradition, this work is rooted in earlier pieces that lend it a distinctive color and structure.

Newly edited by Donald Burrows, the latest publication in the Novello Handel Edition with full historic, interpretative and critical notes. Handel's majestical setting of John Dryden in a cantata to honour the patron saint of music, first performed in London in 1739. ST or SAT soloists, SATB chorus. / Chant Et Piano

Par KNUSSEN OLIVER. Michael Steinberg says 'I hear in this Symphony an extraordinary feeling for the sound of poetry and for its meanings, a sure skill in timing and in plotting the motions from event to event, and beyond any question, that gift without which you might as well give up being a composer, the gift of writing music that keeps you fully absorbed.' Boston Globe, March 1972/ Répertoire /…

Terry Kenny’s Wind Ensemble series provides highly flexible, four-part arrangements of well-known classics. Parts are offered for flute, oboe, clarinet, alto and tenor saxophone and bassoon. A score is provided and all the parts can be downloaded free of charge from the publisher’s website. Kenny takes care in his arrangements that all four parts are interesting to the player and caters for studen…