Arie. Par LORTZING ALBERT. Arie (Og 85)/ Répertoire / Baryton et Piano

 Moins connues que ses portraits d'animaux réunis dans les ?Histoires Naturelles?, les pensées et les réflexions sur les arbres sont très présentes dans le ?Journal? que Jules Renard a tenu de 1887 à 1910, année de sa disparition,Ces textes très brefs dans lesquels l'empathie de l'Auteur avec son sujet - les arbres - est totale, sont tour à tour tendres et violents, passionnés et contemplatifs- cl…

Par NAULAIS JEROME. / Niveau : 2ème Cycle / Répertoire / Saxhorn Baryton et Piano

Sound Innovations: Ensemble Development for Advanced Concert Band builds upon the concepts in Ensemble Development for Intermediate Concert Band with 399 new exercises that are more technically and musically challenging, including over 70 chorales written by some of today's most renowned composers for concert band, including: Roland Barrett, Chris Bernotas, Andrew Boysen, Ralph Ford, Rossano Galan…

/ Baryton Et Piano

/ Baryton Et Piano

Arm, arm, ye brave! from Judas Maccab″us (Handel) Behold the monstrous human beast from Belshazzar (Handel) Betrache, meine Seel' from St. John Passion (Bach) Confutatis from Messa di Requiem (Verdi) Crucifixus from MESSA DI GLORIA (Puccini) Erblikke hier, betörter Mensch from The Seasons (Haydn) Et in Spiritum sanctum from Mass in B minor (Bach) Fecit potentiam f…

Par SACRE GUY. On l’a affublé de tant de masques contradictoires : le mystique et le révolté, le sauvage et le savant… Persistons, nous autres, à ne voir à Rimbaud, au poète Rimbaud, que le visage d’un enfant. Et plutôt que de l’entraîner – de le noyer – dans les marécages du cerveau, laissons-lui l’humble flache du cœur, celle où : Un enfant accroupi plein de tristesses lâche Un bateau frêle comm…

Par CORMIER BRIGITTE. Agile à l’extrême, irisée, sinueuse, immense, sachant se faire impérieuse, poignante, enjôleuse, hilarante, la voix de contralto d’Ewa Podles a fait irruption dans tous les répertoires, ou presque : bel canto rossinien, musique baroque et contemporaine, mélodie russe, lied, symphonie romantique, opéra. Admirée par ses pairs, ovationnée par le public tout au long de sa carrièr…

Saxhorn Baryton et Piano. Par NAULAIS JEROME. / Niveau : Fin 1er Cycle / Répertoire / Saxhorn Baryton et Piano

Composed by Johannes Brahms (1833-1897). Opus 45. For soprano voice solo, baritone voice solo, SATB choir and piano accompaniment. Format: vocal score. With choral notation and piano reduction. Romantic period. Text language German. 96 pages. 7.5x10.5 inches. Published by C.F. Pe…

Composed by Ralph Vaughan Williams (1872-1958). Vocal score for soprano voice, baritone voice, SATB choir and piano accompaniment. With translations. 68 pages. Published by Oxford University Press.

(Cantiones Profanae) Composed by Carl Orff (1895-1982). For soprano voice solo, tenor voice solo, baritone voice solo, SATB choir and piano accompaniment. Format: vocal score. With vocal score, lyrics and piano reduction. 20th Century. Text language Latin and German. 128 pages. 9…

By John Rutter (1945-). For Soprano and Baritone solo voices, children's and SATB choirs, orchestra/chamber ensemble (Orchestra: [2.2.2.2-2.2.0.0], timpani, percussion (2 players).hp-str Chamber ensemble: fl, ob, cl, bsn, hn, timp, perc (1 or 2 players), hp

(Choral Score). By Carl Orff (1895-1982). For Soprano voice solo, Tenor voice solo, Baritone voice solo, SATB mixed choir, children's choir and orchestra. Misc. Choral score. 72 pages. Schott Music #ED4920-20. Published by Schott Music

Composed by Sandi Patty. Arranged by Mary McDonald. Palm Sunday, Sacred. Octavo. Hope Publishing Company #C 6133. Published by Hope Publishing Company (HP.C6133).

By Julia Ward Howe and William Steffe (1830-1890). Arranged by Roy Ringwald and Brant Adams. For Solo Baritone Voice, SATB Choir, and Piano (SATB). Shawnee Press. Choral. 16 pages

By Giacomo Puccini (1858-1924). Edited by Dieter Schickling. For Baritone Voice Solo, SATB Choir, Ottavino, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, tuba, percussion, 2 Violin, viola, cello, contrabass. This edition: P. Vocal Score. Motets.

(SATB). By Gabriel Faure (1845-1924). Arranged by Bruce Howden and B Howden. For SATB choir, soprano voice solo, baritone voice solo and piano accompaniment (SATB). Choral Large Works. Classical Period. Difficulty: difficult. Conductor's score. Vocal score, piano reduction and ly…

Composed by Chris Rice. Arranged by Lloyd Larson. Christmas, Sacred. Octavo. Published by Hope Publishing Company (HP.C6103).

Arranged by Elizabeth Campbell. For SATB choir (optional Baritone voice), Keyboard. Octavo. 12 pages. Published by Carl Fischer

Composed by Stuart Townend and Keith Getty. Arranged by Mary McDonald. Sacred, Praise, General Worship. Octavo. Hope Publishing Company #C 6138. Published by Hope Publishing Company (HP.C6138).

By Giacomo Puccini (1858-1924). Edited by Dieter Schickling. For Baritone Voice Solo, SATB Choir, Ottavino, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, tuba, percussion, 2 Violin, viola, cello, contrabass. Score available. Part. Motets.

(for the victims of the September 11, 2001 attacks and all victims of senseless violence). By Rene Clausen. For SATB choir, baritone, full orchestra. Concert. Choral score. Published by Roger Dean Publishing

By Stuart Hine. Arranged by Mary Mcdonald. For SATB choir, orchestra. Choral music. General, Worshiping, Hymntune, Sacred. Choral octavo. 12 pages. Published by Hope Publishing Company

(Solostimme, Chor und Instrumente). Composed by Frank Martin (1890-1974). For baritone voice solo, SATB choir, 2 horns, trumpet, 3 trombones, double bass, percussion, piano. Stapled. Level 3. Piano reduction. Language: French/German. Composed 1961. 29 pages. Duration 9 minutes. P…

By Bob Chilcott. For SATB choir and soloists (soprano, tenor, 2 baritones), with organ/small ensemble (organ or 2 trumpets (Bb), horn (F), trombone, tuba, timpani, strings). Mixed Voices. Contemporary, Choral Works. Vocal score. 96 pages. Duration 60'. Publ