Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Par PAULET VINCENT. Cette pièce de 7 minutes pour 12 voix s'inscrit dans le programme 'Bach + 5', conçu par Catherine Simonpietri et commandé par l'ensemble Sequenza 9.3. Ce programme s'articulant autour des chorals sur Nun komm, der Heiden Heiland de J.S. Bach, c'est le texte de l'hymne d'Ambroise de Milan, dans la traduction allemande de Luther (c'est-à-dire le texte traité par Bach) qui est ici…

Par MINDY PAUL / SAMMUT ERIC. Métissages est né d'une rencontre artistique entre Paul Mindy et Eric Sammut. C'est tout naturellement que ces deux musiciens, par ailleurs passionnés de pédagogie, ont voulu créer une passerelle entre les classes de percussions traditionnelles et classiques. Les pièces présentées dans ce recueil sont de styles variés, offrant un large éventail de musiques : classique…

By J. Paul Williams and Jim Ailor. For SATB Choir (SATB). Shawnee Press. Choral, Incorporating Hymn Tunes, Orchestration, Holy Week, Lent, Tracks and Sacred. 12 pages. Shawnee Press #A7367. Published by Shawnee Press

By Barbara Furman, J. Paul Williams, and Patricia Mock. Arranged by Richard A. Nichols. For Choral (SATB). Glory Sound. Octavo. 8 pages. Published by GlorySound

((Incorporating All Day, All Night)). By J. Paul Williams and Patti Drennan. SATB. Glory Sound. 12 pages

By Dengler Williams. For SATB Choir. Sheet Music. Published by Harold Flammer Music.

By J. Paul Williams and Joseph M. Martin. For Choral (SATB). Glory Sound. Easter, Christmas, General Use, Patriotic Commemorations, Thanksgiving and Sacred. 8 pages. GlorySound #A7065. Published by GlorySound Easter, Christmas, General Use, Patriotic Commemorations, Thanksgivi…

By J. Paul Williams/Douglas Nolan. For SATB choir with cello. Sacred, Holy Week, Maundy Thursday. Octavo. 16 pages

By J. Paul Williams/Joseph Martin. For SATB choir. Octavo. 8 pages

By Anna Laura Page and J. Paul Williams. For Choir. (SATB). Choral Octavo. Level: Level 3 (grade L3). Choral Octavo. 8 pages. Published by Alfred Publishing.

By J. Paul Williams. For SATB Choir. Choral, Brass/Percussion, General Use, All Saints Day, Memorials and Sacred. Sheet Music. Published by Shawnee Press.

By J Paul Williams; Joseph M Martin. SATB. Sacred. Level: Moderately easy. Octavo. Published by Monarch Music.

By Dale Peterson and J. Paul Williams. For SATB choir (SATB). Shawnee Press. Choral. 12 pages

(from Of Faith and Freedom). By J. Paul Williams and Joseph M. Martin. SATB. Harold Flammer. 12 pages. Published by Shawnee Press

By J. Paul Williams and Patti Drennan. For SATB Choir (SATB). Shawnee Press. Choral, Obligato Instrument-Cello, Holy Week and Sacred. 12 pages. Shawnee Press #A7168. Published by Shawnee Press

By Joseph M. Martin. Edited by Joseph Martin J. Williams. Arranged by Joseph Martin J. Williams. For SATB choir. Sacred. Choral octavo. 12 pages. Published by Hope Publishing Company

By J. Paul Williams/Michael Barrett. For SATB choir. Sacred, Easter, Eastertide. Octavo. 8 pages

By J. Paul Williams and Michael Barrett. SATB. Glory Sound. 12 pages

By Joel Raney / J. Williams. For SATB choir with optional Rhythm. Scripture Reference: Hebrews 11:1-39. Blues, Gospel, Spirituals, Sacred. Choral octavo. 12 pages

Our God Is God by J. Paul Williams and Joseph M. Martin. For SATB Choir (SATB). Glory Sound. Choral. 16 pages. GlorySound #A8542. Published by GlorySound

By J. Paul Williams, Joseph M. Martin. For SATB choir. Choral. Octavo. Published by Shawnee Press.