Aus tiefer Not. Par RENTZSCH FRIEDHELM. Friedhelm Rentzsch, long a cellist in the Dresden Philharmonic, set Psalm 130, whose character of penitence is especially impressive here, through the reduction of the musical forces to a solo alto with orchestral accompaniment, and this in a most unique, urgent manner. Through the addition of a sombre text by Erich Arendt the subective manner of the song is…

Aus tiefer Not. Par RENTZSCH FRIEDHELM. Friedhelm Rentzsch, long a cellist in the Dresden Philharmonic, set Psalm 130, whose character of penitence is especially impressive here, through the reduction of the musical forces to a solo alto with orchestral accompaniment, and this in a most unique, urgent manner. Through the addition of a sombre text by Erich Arendt the subective manner of the song is…

Par REGNER HERMANN. Durée: 5' 45'',/ Recueil / Percussions (4 Joueurs)

/ Instruments A Percussions (4 Joueurs Ou Plus)

Par CALVIN JEAN-PHILIPPE. / Niveau : Difficile / Répertoire / Log Dr, Brake Percussions, 4 Cencerros, Darbukka,

Aus tiefer Not. Par RENTZSCH FRIEDHELM. Friedhelm Rentzsch, long a cellist in the Dresden Philharmonic, set Psalm 130, whose character of penitence is especially impressive here, through the reduction of the musical forces to a solo alto with orchestral accompaniment, and this in a most unique, urgent manner. Through the addition of a sombre text by Erich Arendt the subective manner of the song is…

/ Instruments A Percussions (4 Joueurs Ou Plus)

Aus tiefer Not. Par RENTZSCH FRIEDHELM. Friedhelm Rentzsch, long a cellist in the Dresden Philharmonic, set Psalm 130, whose character of penitence is especially impressive here, through the reduction of the musical forces to a solo alto with orchestral accompaniment, and this in a most unique, urgent manner. Through the addition of a sombre text by Erich Arendt the subective manner of the song is…

Aus tiefer Not. Par RENTZSCH FRIEDHELM. Friedhelm Rentzsch, long a cellist in the Dresden Philharmonic, set Psalm 130, whose character of penitence is especially impressive here, through the reduction of the musical forces to a solo alto with orchestral accompaniment, and this in a most unique, urgent manner. Through the addition of a sombre text by Erich Arendt the subective manner of the song is…

Duo violoncelle et percussion.Nomenclature percussion :4 bongos, 4 rins chinois, 2 bols tibétains, tambour d'aisselle, 4 petites cymbales chinoises, marimba.Gabriel Bouchet a suivi ses études musicales au Conservatoire de Mulhouse où il obtint le premier prix de Piano, d'harmonie et de solfège.Percussion solo de l'Orchestre de la Radio de Strasbourg puis de l'Orchestre Philharmonique de Strasbourg…

Now thank we all our God by Bob Chilcott. For SATB choir, brass, percussion, organ (4 trumpet, 4 trombone, tuba, timpani, 1 percussion, organ). Mixed Voices. Sacred, Choral Leaflet. Vocal score. Duration 6'. Published by Oxford University Press

Oratorium. By Pablo Casals. Edited by Tobel, Rudolf Von. For Soli SATBarB, SATB Choir, 3 Flutes with Piccolo, 3 Oboes with English Horn, 3 Clarinet, 3 Bassoon with Contrabassoon, 4 Horns, 3 Trumpets, 3 Trombones, Tuba, Percussion (3 Players), Harp, Celesta, 2 Violins, Viola, Cell…

By William Runyan. Arranged by Jack Schrader. For Choir. (SATB). Assurance, Confidence, Faithfulness, God's Attributes/Character, Gratefulness, Guidance, Mercy, Promise and Sacred. Print Music Single (SATB). Published by Hope Publishing Company.

Behold, the tabernacle of God by John Rutter (1945-). For SATB choir and organ/orchestra ([2( piccolo), 2, 2, 2-4, 3, 3, 1], timpani, percussion, harp, strings). Mixed Voices. Sacred, Choral Leaflet. Vocal score. 12 pages. Duration 4'. Published by Oxford University Press

By Dorothy J. Papadakos. For SATB choir, piano, trumpet, and percussion. Mixed Voices. Sacred Choral Leaflet. Vocal score. 20 pages. Duration 4'