Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Motette. Par MOZART WOLFGANG AMADEUS. Motet of an unknown arranger [ca. 1820], based on th Adagio of the Serenade KV 361 [Gran Partita]. The motet Quis te comprehendat, K-Anhang 110, is based on the Adagio in Mozart’s Wind Serenade K. 361, the “Gran Partita. ” The arrangement of this instrumental movement with the addition of a four-part choir deserves to be regarded as a successful example of the…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. Also contains an arrangement for organ. In 1840 Schumann remarked: 'The small piece deserves to be world famous and will become so in the future; the Madonnas of Raphael and Murillo cannot remain hidden for long. ' Together with the orchestral version an version for choir and organ is available./ Répertoire / Choeur SATB, 2 Flûtes Traversières, 2 Cla…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

2 solo voices, SATB choir, orchestra. Par PREISNER ZBIGNIEW. Silence, Night and Dreams is an extended song cycle for two solo voices, chorus and orchestra, premiered at the historic amphitheatre of the Odeon of Herodes Atticus on the Acropolis on 4th September 2007. / Date parution : 2025-01-21/ Répertoire / Chant Solo, SATB et Orchestre

Choir Satb And Flexible Quartet (With Percussion And Organ). Par DE HAAN JACOB. Missa Katharina, est une messe composée des six mouvements Kyrie, Gloria, Credo, Sanctus, Benedictus et Agnus Dei, pour Choeur (SATB) et instrumentation variable à quatre voix (avec partie d'orgue et percussions opt. ). Le set choral est disponible séparément (DHP 1074421-050). Voix 1 Fl. Htb Cl. Si Sax. S. Trp Violon …

Schöpfungsmesse. Par HAYDN FRANZ JOSEF. Within approximately six weeks Haydn, in 1801, composed his 'Creation Mass' as the fifth of altogether six late missae solemnes commissioned by his employer, Prince Nikolaus II. Esterházy. The sobriquet 'Creation Mass' is not authentic, but it is probably based on the quotation in the Gloria taken from the oratorio 'Die Schöpfung'. / Messe / Répertoire / So…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Composed by John Rutter (1945-). For SATB choir and organ/string orchestra. This edition: Paperback. Mixed Voices. John Rutter Anniversary Edition. Sacred. Level A (very easy). Vocal score. Duration 2.5 minutes. Published by Oxford University Press

Composed by John Rutter (1945-). For SATB choir and piano (2 flutes, oboe, 2 clarinets, bassoon, 2 horns, percussion, drum, harp, strings). This edition: Paperback. Mixed Voices. John Rutter Anniversary Edition. Sacred. Level A (very easy). Vocal score. Duration 3.5 minutes. Publ…

By John Rutter (1945-). For Children's and/or SATB choir and keyboard/orchestra ([2.1.2.1-2.0.0.0], harp, strings). Upper Voices. Sacred Choral Leaflet. Vocal score. 12 pages. Duration 4.5'. Published by Oxford University Press

By Bob Chilcott. For SATB choir and percussion. This edition: BC117. Mixed Voices. Christmas Choral Leaflet. Vocal score. 12 pages. Duration 2.5'

Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Heinz Moehn, Leopold Nowak. K. 626. For SATB solos, SATB choir and piano accompaniment. Urtext of the New Mozart Edition. Format: vocal score. With choral notation and piano reduction. Classical period. D Minor. Text lang…

(No. 4 of Four American Folk Hymns). By Mack Wilberg (1955-). For SATB choir and piano (4 hands)/orchestra/chamber orchestra/brass ensemble (Orchestra: 2.2.2.2-4.3.3.1-timpani.percussion-strings, Chamber orchestra: 3 trumpets, timpani, organ, strings, Brass: 4 horns, 3 trumpets, …

By Mark Hayes. For SATB choir, piano. Pentecost. Octavo. Published by Lorenz Publishing Company

Composed by Giuseppe Verdi (1813-1901), edited by Kurt Soldan. For SATB solos, SATB choir and piano accompaniment. Format: vocal score. With choral notation, piano reduction and introductory text. Romantic period. Text language Latin. 144 pages. 7.5x10.5 inches. Published by C.F.…

By Hugh W. Dougall. Arranged by Barlow Bradford. Text: Theodore E. Curtis. For SATB Choir. Level: Medium / Difficult (accompaniment). Duration 4:35. Published by Jackman Music Corporation.

By John Rutter (1945-). For Soprano and Baritone solo voices, children's and SATB choirs, orchestra/chamber ensemble (Orchestra: [2.2.2.2-2.2.0.0], timpani, percussion (2 players).hp-str Chamber ensemble: fl, ob, cl, bsn, hn, timp, perc (1 or 2 players), hp

Arranged by Larry Shackley. For Choir. (SATB). Jazz/SwingStyle, Spiritual, Blues-Gospel-Spirituals and Sacred. Print Music Single (SATB). Published by Hope Publishing Company.

By Cindy Berry. For 2-part treble choir (optional bells) (2PT TREBLE). Shawnee Press. Choral. 8 pages

Composed by Mack Wilberg (1955-). Octavo for SATB choir and organ accompaniment (or 2 flutes, organ and strings). 13 pages. Published by Oxford University Press.

By John Rutter (1945-). For SATB choir and full orchestra/chamber orchestra (Full orchestra: [2.2.2.2.-4.3.3.1], timpani, percussion, harp, strings / Chamber orchestra: [1.1.1.1.-1.0.0.0], timpani, percussion, harp, organ, strings). Mixed Voices. Contempo

Nunc Dimittis by Arvo Part (1935-). Bible, St Luke 2, 29-32. World Premiere: in St. Mary's Cathedral Edinburgh / Great Britain by the St Mary's Cathedral Choir Edinburgh conducted by Matthew Owens. Standard notation. Duration 7 minutes. Published by Universal Edition

By David Conte. For SATB Choir. (Mixed Voices). Palm Sunday, General. Matthew 2: 9. Choral. Published by E.C. Schirmer Publishing.