Kantate Zum Fest Mariae Reinigung. Par BACH JOHANN SEBASTIAN. Setting in E minor. A new edition of the version for solo soprano by Bach, which can hold a place alongside the version for bass solo. Bach originally composed the cantata for the Feast of Purification for a solo bass in the key of C minor [CV 31. 082/00]. Since its scoring for only one solo voice made it easily adaptable for performanc…

Arrangement and Orchestration by Andrea Cappellari. Full score and 16 instrumentals parts : 1) C Instr. (Recorder) / 1) C Instr. (Flute, Violin) / 1) Bb Instr. (Clarinet, Soprano Sax, Trumpet) / 1) Eb Instr. (Alto Sax) / 2) C Instr. (Recorder) / 2) C Instr. (Flute, Violin, Oboe) / 2) Bb Instr. (Clarinprano Sax, Trumpet) / 2) Eb Instr. (Alto Sax) / 3) C Instr. (Violin, Viola) / 3) Bb Instr. (Clarin…

Ode For St. Cecilia'S Day. Par HAENDEL GEORG FRIEDRICH. Haendel composa le poème de John Dryden 1736 la 'Fête d'Alexandre ou la puissance de la Musique' sous la forme d'une cantate en deux parties. À la suggestion du baron Gottfried van Swieten 1790 Mozart édité cette ode en l'honneur de sainte Cécile. Ce traitement était la traduction allemande du poème par Karl Wilhelm Ramier base à partir de 17…

Dominick DiOrio has chosen the vivid and striking poetry of Amy Lowell for this powerful work. Lowell's poetry explores the awakening of one's passions by the arrival of a before-absent lover. DiOrio paints this internal exultation with glissandi in the voices, richly-harmonized chords and high chromatic ululations of a solo soprano. This was the first prize winner of the Cerddorion Vocal Ensemble…

Par GODAR VLADIMIR. Dormi Jesu from The Faber Choral Signature Series, is by Vladimir Godar, one of Slovakia's leading composers. Rob Cowan on BBC's Radio 3 has commented about Godar's music that, 'It's as if Janacek, Gorecki and Monteverdi have settled on a universal language. . . . . . '. This gentle piece is for Soprano Solo, Mixed Voices with a piano or harpsichord accompaniment, and would be …

Par PORTER COLE. Written by Cole Porter, I’ve Got You Under My Skin became a signature song for Frank Sinatra and was one of his most requested songs at concerts. In 1966, the song became a top ten hit for the Four Seasons and has also been covered by countless others since. A key piece to include in any programme celebrating the Great American Songbook. This piece is part of the Faber Choral Sin…

Par L'ESTRANGE ALEXANDER (Arr.). The poignant words of The Last Rose Of Summer, by Thomas Moore, match this Irish song’s mournful, drooping melody. After a temporarily uplifting modulation for the third verse, where the men of the choir echo the melody two measures behind, the arrangement ends as it began – in a solitary mood, with an empty, bare fifth. This piece is part of the Faber Choral Sing…

Par KANDER JOHN / BEALE CHARLES (Arr.). John Kander and Fred Ebb created a number of 20th-century show classics, including Cabaret and Kiss of the spider woman, but Chicago! is perhaps their greatest and best-loved show of them all. Mama Moreton sings When you’re good to Mama to indicate to the prison inmates how the world really works. She is deeply cynical, knows the ways of the world and contro…

Par L'ESTRANGE ALEXANDER (Arr.). Simple Gifts has been sung to numerous different lyrics (particularly Sydney Carter’s 1960s hymn Lord of the dance) and the tune is very well known, thanks to its use in Aaron Copland’s score for the ballet Appalachian Spring, first performed in 1944. Elder Joseph Brackett – a shaker from Maine – originally wrote it as a ‘dancing song’ in 1848. This arrangement by …

Par L'ESTRANGE ALEXANDER (Arr.). Danny Boy (the melody of which is also known as Londonderry Air), is often assumed to be an old, traditional tune, however its structure and meter do not fit any of the known Irish folksong forms. As for the words most commonly associated with it for the last hundred years or so, they were written by an English lawyer who apparently never set foot in Ireland! Still…

Composed by Arvo Part (1935-). Bible, St John 15, 1-14. World Premiere: Norwich Cathedral Norwich / Great Britain. Choral part(s). With Standard notation. Composed 1996. Universal Edition #UE30301. Published by Universal Edition

By John Rutter (1945-). For SATB choir and full orchestra/chamber orchestra (Full orchestra: [2.2.2.2.-4.3.3.1], timpani, percussion, harp, strings / Chamber orchestra: [1.1.1.1.-1.0.0.0], timpani, percussion, harp, organ, strings). Mixed Voices. Contempo

Composed by Andrew Lloyd Webber. Vocal score for SATB choir, soprano voice solo, tenor voice solo, treble voice solo and piano accompaniment. With vocal score, piano reduction and lyrics. Text language Latin. 72 pages. Published by Hal Leonard.

Composed by Kim Andre Arnesen. For SATB choir, solo soprano voice, organ 3-staff. Concert, General, Major Work. Choral score. Santa Barbara Music Publishing #SBMP1305. Published by Santa Barbara Music Publishing

By Will Todd. For SATB choir, a cappella. Mixed Voices. Christmas, Choral Leaflet. Vocal score. 4 pages. Duration 3.5'. Published by Oxford University Press

Composed by John Rutter (1945-). This edition: paperback. Mixed Voices. Sacred, Choral Leaflet. Vocal score. 16 pages. Duration 7.5'. Oxford University Press #9780193533608. Published by Oxford University Press (OU.9780193533608).

By Bob Chilcott. For SATB choir and soloists (soprano, tenor, 2 baritones), with organ/small ensemble (organ or 2 trumpets (Bb), horn (F), trombone, tuba, timpani, strings). Mixed Voices. Contemporary, Choral Works. Vocal score. 96 pages. Duration 60'. Publ

By Eriks Esenvalds. Published by Edition Peters

(Le Nozze di Figaro). By Wolfgang Amadeus Mozart (1756-1791). Arranged by Ruth and Thomas Martin. For 4 soprano solo voices, mezzo soprano solo voice, 2 tenor solo voices, baritone solo voice, 3 bass solo voices, piano accompaniment and SATB chorus (score). This edition: ED2021.…

Composed by Alistair Coleman. 21st Century, Justice/Peace/Social Concerns. Octavo. Published by E.C. Schirmer Publishing (EC.8266).

Composed by Mark A. Miller. For SATB choir with piano. Sacred anthem. General. Octavo. Published by Chorister's Guild

(As Pants the Hart for S.A.T.B. Chorus, Tenor (or Soprano) solo, and Organ). By Charles Ives (1874-1954). Edited by Robert Ross. For SATB Chorus, Tenor (or Soprano) voice solo, Organ. Choral. Octavo. Standard notation. 16 pages. Duration 3 minutes, 30 sec

A Song of Thanksgiving by Ralph Vaughan Williams (1872-1958). For Soprano voice, speaker, SATB choir and orchestra (2 different versions) ([2, 2, 2, bass clarinet (optional), 2, contrabassoon (optional)-4(2 optional), 3(1 optional), 3, 1(optional)], timpani, percussion, harp/pian…

(Cantata for the 3rd Sunday after Trinity). Composed by Johann Sebastian Bach (1685-1750). Edited by Robert Moreen; George S. Bozarth; Paul Brainard. Arranged by Martin Focke. For soprano voice solo, alto voice solo, tenor voice solo, bass voice solo, SATB choir, piano. This edit…

(Bach Gesellschaft Ausgabe). Composed by Johann Sebastian Bach (1685-1750). Edited by Wilhelm Rust. Arranged by Gustav Rosler. Choir and piano. For Soprano voice, Alto voice, Tenor voice, and Bass voice (Soli), SATB Choir, Piano. This edition: Paperback. Sacred Cantata, Original …

Choral Score. By Benjamin Britten. (SATB). Boosey and Hawkes Large Choral. Size 7x10.5 inches. 34 pages. Published by Boosey and Hawkes.

By Franz Peter Schubert. Arranged by Friedrich Spiro. Choir and piano. For Soprano voice, Alto voice, Tenor voice, and Bass voice (Soli), SATB Choir, Piano. This edition: Paperback. Mass, Liturgical. Classical Period; Sacred/Hymns, German, Viennese. Vocal. Vocal Score. Classical…

(Quattro Pezzi Sacri) Composed by Giuseppe Verdi (1813-1901), edited by Kurt Soldan. For soprano voice solo, 2 SATB choirs and piano accompaniment. Format: vocal score. With choral notation and piano reduction. Romantic period. Composed 1896. Text language Latin. 53 pages. 7.5x10…