Par L'ESTRANGE ALEXANDER (Arr.). (Is this the way to) Amarillo? is about a man travelling to find his fiancée in Amarillo, Texas. After the second verse and chorus there’s a chance to go a cappella: the piano can leave out the small notes and give the singers a chance to show off what they can do! This piece is part of the Faber Choral Singles series, offering a selection of beautifully crafted a…

Par L'ESTRANGE ALEXANDER (Arr.). Low-down on the Hoe-down is a rollicking romp through a selection of light-hearted line-dance tunes. It’s a tribute to Ward Swingle, founder and arranger of the legendary vocal group The Swingle Singers, whose idea it was to make a show-stopping concert-piece out of a number of barn-storming American square-dance songs, using a song called The Arkansas Traveler to …

The struggle and suffering described in spirituals go hand in hand with an overwhelming sense of hope for a better life. Deep River is one of the most popular spirituals; its long-phrase melody calls for sustained breath control and a real sense of shape. Much contrast can be made between the first and second sections of the melody, and enjoy the more adventurous harmony around the words ‘where al…

Par L'ESTRANGE ALEXANDER (Arr.). English song in the first half of the twentieth century was largely defined by the wonderful output of Roger Quilter and Gerald Finzi, both of whom delighted in setting fine poetry by Wordsworth, Shakespeare and others. She Walks in Beauty was inspired by these two composers, with a particularly musically evocative and colourful text by Byron and a glorious new mel…

Par L'ESTRANGE ALEXANDER (Arr.). Afton Water is a gentle, lyrical hymn of praise both to the countryside of Scotland itself and to a girl called Mary who lies sleeping by the banks of the river Afton near Ayr, south of Glasgow. Alexander L’Estrange’s arrangement is both enjoyable and approachable whilst being true to the spirit of the original song. This piece is part of the Faber Choral Singles …

Par KANDER JOHN / BEALE CHARLES (Arr.). Chicago! is perhaps the greatest and bestloved creation of writing team John Kander and Fred Ebb. In We both reached for the gun, Roxie is accused of killing her violent lover and Flynn’s argument is that they both ‘reached for the gun’ at the same time – Roxie had no choice but to kill him, or she would have died. In the staging, Roxie is portrayed as Billy…

Par MIRANDA LIN-MANUEL. Relive the best hits from the Pulitzer Prize, Tony Award and GRAMMY Award-winning musical Hamilton in this 9-minute choral medley for SA/Men. With opportunities for soloists and small groups, this is a perfect showcase piece for your choir and a lively and fun addition to any concert programme. This medley includes the songs Alexander Hamilton, My Shot, The Schuyler Sisters…

Par L'ESTRANGE ALEXANDER (Arr.). The Skye Boat Song is perhaps one of the best-known Scottish melodies of all. It refers to the story of Bonnie Prince Charlie who, still only a boy, was smuggled out of Scotland to France after the Scots’ defeat by the English at the Battle of Culloden in 1745. Despite there being a huge reward on his head, not one of his faithful Highlanders would betray him to th…

Par L'ESTRANGE ALEXANDER (Arr.). Love’s Philosophy, a beautiful setting by Alexander L’Estrange, explores the marvellous comparison of couplings in nature – the mountains and the river, the moonbeams kissing the sea – and amongst humans. The music is inspired by composers Gerald Finzi and Roger Quilter, two of the most prominent figures in English song in the first half of the twentieth century, a…

/ Voix Et Piano

Composed by Arvo Part (1935-). Bible, St John 15, 1-14. World Premiere: Norwich Cathedral Norwich / Great Britain. Choral part(s). With Standard notation. Composed 1996. Universal Edition #UE30301. Published by Universal Edition

By John Rutter (1945-). For SATB choir and full orchestra/chamber orchestra (Full orchestra: [2.2.2.2.-4.3.3.1], timpani, percussion, harp, strings / Chamber orchestra: [1.1.1.1.-1.0.0.0], timpani, percussion, harp, organ, strings). Mixed Voices. Contempo

Composed by Andrew Lloyd Webber. Vocal score for SATB choir, soprano voice solo, tenor voice solo, treble voice solo and piano accompaniment. With vocal score, piano reduction and lyrics. Text language Latin. 72 pages. Published by Hal Leonard.

Composed by Kim Andre Arnesen. For SATB choir, solo soprano voice, organ 3-staff. Concert, General, Major Work. Choral score. Santa Barbara Music Publishing #SBMP1305. Published by Santa Barbara Music Publishing

By Will Todd. For SATB choir, a cappella. Mixed Voices. Christmas, Choral Leaflet. Vocal score. 4 pages. Duration 3.5'. Published by Oxford University Press

Composed by John Rutter (1945-). This edition: paperback. Mixed Voices. Sacred, Choral Leaflet. Vocal score. 16 pages. Duration 7.5'. Oxford University Press #9780193533608. Published by Oxford University Press (OU.9780193533608).

By Bob Chilcott. For SATB choir and soloists (soprano, tenor, 2 baritones), with organ/small ensemble (organ or 2 trumpets (Bb), horn (F), trombone, tuba, timpani, strings). Mixed Voices. Contemporary, Choral Works. Vocal score. 96 pages. Duration 60'. Publ

By Eriks Esenvalds. Published by Edition Peters

(Le Nozze di Figaro). By Wolfgang Amadeus Mozart (1756-1791). Arranged by Ruth and Thomas Martin. For 4 soprano solo voices, mezzo soprano solo voice, 2 tenor solo voices, baritone solo voice, 3 bass solo voices, piano accompaniment and SATB chorus (score). This edition: ED2021.…

Composed by Alistair Coleman. 21st Century, Justice/Peace/Social Concerns. Octavo. Published by E.C. Schirmer Publishing (EC.8266).

Composed by Mark A. Miller. For SATB choir with piano. Sacred anthem. General. Octavo. Published by Chorister's Guild

(As Pants the Hart for S.A.T.B. Chorus, Tenor (or Soprano) solo, and Organ). By Charles Ives (1874-1954). Edited by Robert Ross. For SATB Chorus, Tenor (or Soprano) voice solo, Organ. Choral. Octavo. Standard notation. 16 pages. Duration 3 minutes, 30 sec

A Song of Thanksgiving by Ralph Vaughan Williams (1872-1958). For Soprano voice, speaker, SATB choir and orchestra (2 different versions) ([2, 2, 2, bass clarinet (optional), 2, contrabassoon (optional)-4(2 optional), 3(1 optional), 3, 1(optional)], timpani, percussion, harp/pian…

(Cantata for the 3rd Sunday after Trinity). Composed by Johann Sebastian Bach (1685-1750). Edited by Robert Moreen; George S. Bozarth; Paul Brainard. Arranged by Martin Focke. For soprano voice solo, alto voice solo, tenor voice solo, bass voice solo, SATB choir, piano. This edit…

(Bach Gesellschaft Ausgabe). Composed by Johann Sebastian Bach (1685-1750). Edited by Wilhelm Rust. Arranged by Gustav Rosler. Choir and piano. For Soprano voice, Alto voice, Tenor voice, and Bass voice (Soli), SATB Choir, Piano. This edition: Paperback. Sacred Cantata, Original …

Choral Score. By Benjamin Britten. (SATB). Boosey and Hawkes Large Choral. Size 7x10.5 inches. 34 pages. Published by Boosey and Hawkes.

By Franz Peter Schubert. Arranged by Friedrich Spiro. Choir and piano. For Soprano voice, Alto voice, Tenor voice, and Bass voice (Soli), SATB Choir, Piano. This edition: Paperback. Mass, Liturgical. Classical Period; Sacred/Hymns, German, Viennese. Vocal. Vocal Score. Classical…

(Quattro Pezzi Sacri) Composed by Giuseppe Verdi (1813-1901), edited by Kurt Soldan. For soprano voice solo, 2 SATB choirs and piano accompaniment. Format: vocal score. With choral notation and piano reduction. Romantic period. Composed 1896. Text language Latin. 53 pages. 7.5x10…