Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …

Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …

Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …

Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …

Here's a new series useful to fill plenty of solo and ensemble needs. Whether it's a soloist using a book (accompanied by piano or the fully-orchestrated accompaniment track) or two, three, four players, or a full orchestra, Sounds of Celebration is a uniquely flexible new idea for church instrumentalists! Each book includes a solo line and an ensemble line. Mix and match lines with different inst…

Par MOZART WOLFGANG AMADEUS. Mozart Requiem (K.626) (Ostrzyga completion) (Full Score) This publication offers a source-critical edition of Mozart’s fragmentary “Requiem” as well as an alternative to the traditional Süssmayr version. It makes it possible to perform 1) the fragment, identified in print in both the score and the parts, 2) the authentic sections left incomplete by Mozart, now in a s…

Par SZATHMARY ZSIGMOND. The powerful intensity of colour and expressiveness of the mosaic images in the apse and altar area of the late antique church of San Vitale (from the 6th century) in Ravenna made a lasting impression on Zsigmond Szathmáry. The fascination of how imposing images emerge from tiny, luminous mosaic cubes and vividly tell the biblical stories inspired the composer to write his …

Since the last movement of this piece, which is perhaps the most beautiful of Hindemith's pieces, is a chorale, a version for string instrument plus organ is the obvious work to publish. Thus, 'Trauermusik' can now be performed in churches as well.Versions of 'Trauermusik' for viola or violin or violoncello with piano have been available for quite some time. Now, organists too can include this fam…

Since the last movement of this piece, which is perhaps the most beautiful of Hindemith's pieces, is a chorale, a version for string instrument plus organ is the obvious work to publish. Thus, 'Trauermusik' can now be performed in churches as well.Versions of 'Trauermusik' for viola or violin or violoncello with piano have been available for quite some time. Now, organists too can include this fam…

Choral Collection, Score. Hope Publishing Company #9103. Published by Hope Publishing Company

(50 Christmas Favorites for Church, School, and Community) Arranged by Janet Day. SATB songbook for SATB or mixed choir. With choral notation, lyrics and performance suggestions. 56 pages. Published by Hal Leonard.

((from Sunrise Mass)). By Ola Gjeilo. SATB Divisi. Walton Choral. 12 pages. Walton Music #WW1460. Published by Walton Music

Composed by Ola Gjeilo. Walton. Sacred. Octavo. 12 pages. Published by Walton Music

By Louie Giglio. Arranged by Chris Tomlin. For SATB Choir and Piano. Sacred Anthem: Easter, General, Lent. Choral Octavo. 12 pages. Published by Lorenz Publishing Company

(A Choral Medley). By Alan Jay Lerner, music by Frederick Loewe. Arranged by Andy Beck. Choir Secular. SATB choir. Choral Octavo. Pop Choral. Broadway; Movie. 28 pages. Published by Alfred Music Publishing

Composed by Ola Gjeilo. Walton Choral. Music Education. Octavo. 12 pages. Walton Music #WW1447. Published by Walton Music

The Majesty And Glory Of Your Name arranged by Thomas Fettke. For SATB choir and piano. * Also available in SSAA (080689462276). Modern Christian. Choral octavo. Duration 4'48". Published by Word Music

Composed by Ken Medema. Arranged by Mary Mcdonald. For SATB choir. Father's love, Grace of Jesus, Spirit's power. Octavo. 12 pages. Published by Hope Publishing Company

Composed by Daniel E. Forrest, Jr. Sacred, Christmas. Octavo. Published by Beckenhorst Press

By Mark Hayes. For SATB choir and piano, four-hands (with optional solo). Sacred Anthem. Choral octavo. Published by Lorenz Publishing Company

By Craig Courtney. For SATB choir and organ (with optional trumpet (brass quintet, string ensemble)). Christmas, Discipleship, Eastertide, General, Reformation, Sacred. Sacred Anthem

Nunc Dimittis by Arvo Part (1935-). Bible, St Luke 2, 29-32. World Premiere: in St. Mary's Cathedral Edinburgh / Great Britain by the St Mary's Cathedral Choir Edinburgh conducted by Matthew Owens. Standard notation. Duration 7 minutes. Published by Universal Edition