Par BEATLES THE. Celebrate the music of The Beatles with this one-of-a-kind collection! These five classic hits have been adapted specifically for young unison voices, with optional harmony for some added fun. Perfect for group singing in the classroom, choir or community, these arrangements will be a blast to rehearse and perform! The Piano/Vocal Collection offers fully accompanied songs, and the…

Voices fan out from a unison pitch and blossom into rich choral sonorities during the hushed introduction of this resplendent work. Next, an intense compound meter exposition is energized by the percussive piano part. In the flowing middle section, the tension of dissonance is beautifully resolved through each sequential phrase. A terrific concert and festival piece. / Choeur Mixte (SATB)

Lat. Festival Motet for nineteen solo voices in four groups (from Symphoniae Sacrae). Text: Psalm 80, Vulgata 798 Trombone III part / Parties Orchestrales

Par ALBERGA ELEANOR. My Heart Danceth by Eleanor Alberga, written for SSAATTBB unaccompanied voices. Commissioned by the Birmingham Bach Choir with financial assistance from West Midlands Arts, and first performed on 15th December 2007 in the CBSO Centre, Birmingham, with Neil Ferris conducting as part of the concluding concert of ?Joubertaide 2007?, a nationwide series of concerts celebrating the…

Dart Thurston (Ed). Par DART THURSTON. 23 madrigals for SA or TB voices and/or instruments by sixteen composers from Italy, the Netherlands and England. Book 4 for SA or TB, with works by Josquin, Sweelinck, Lassus, Dunstable, Morley and others / Mottet / Recueil / SA ou TB et/ou Instruments

A superb compilation of fourteen songs arranged for all electronic Keyboards. Includes suggested voices, rhythms and tempos, fingering and lyrics, plus chord symbols and charts. / Clavier

Par GOODALL HOWARD. Love Divine is graded as 'reasonably straightforward' within the Faber New Choral Series and uses a well-loved text by Charles Wesley. Version for Upper Voices with Organ or Piano accompaniment. / Niveau : Assez Facile / Feuillet / Choeur

Par PART ARVO. The Berlin Mass is intended to be sung liturgically during Pentecost, and includes the Veni Sancte Spiritus specific to that service. The gently unfolding repetition deliberately avoids dramatic and pictorial elements, exuding quiet dignity and a profound sense of joy. The vocal scores have almost no interpretive markings. Dynamics and tempi are left to the performers; it is their t…

Par HENKHAUS UWE. Broish McRoish is a rhythmic piece based on traditional Gaelic sprechgesang - the so-called ‘Puirt a beul’ (mouth music). The text is meaningless, comparable to scat, and primarily serves to drive the piece forward rhythmically.The harmony slowly builds up from one to four voices and gives the singing a charming, unusual sound. / Choral Music / Répertoire / Voix d'Hommes TTBB

Kantate Zum Sonntag Palmarum. Par TELEMANN GEORG PHILIPP. This cantata belongs to the annual cycle “Musicalisches Lob Gottes in der Gemeine des Herrn' printed in 1744, from which the “Biblische Sprüche' [see p. 12] are also taken. As with the choruses, in the arias Telemann allows for a great deal of freedom in the forces employed, whether with regard to the octave ranges of the voices, or the opt…