Chorale Setting. Par TELEMANN GEORG PHILIPP. Chorale settings form a central part of Telemann's oeuvre. His 1754 setting of the church hymn Christus, der ist mein Leben, based on Melchoir Vulpius' melody from the Hamburg Hymnal, is especially well-suited to display his mastery in depicting the words of the chorale. The so-called 'Ausfüllungsbass” (a vocal bass added to the principal bass in tutti …

Funeral Cantata. Par TELEMANN GEORG PHILIPP. Telemann's Funeral Cantata “Du aber, Daniel, gehe hin” appears here for the first time in print. A score of the work, until Second World War, was held in the Berliner Sing-Akademie. It was written by J. Dirmar, the former cantor at St Nikolai in Berlin and consisted of a four-page printed text. Full score, parts (BA3583) and choral score (BA3583-91) ava…

Composer: Monteverdi Claudio Title: Ah dolente partita Subtitle: Madrigal from Volume 4 of the Complete Edition Scored for: for ssatb choir Language: Italian Edition type: choral score Edited by: Malipiero Gian Francesco ISBN: 978-3-7024-4410-5 ISMN: 979-0-008-02892-2 Order number: UE14344

This volume devised by Martin Weyer contains organ music of easy to medium technical difficulty for use at communion. The broad range of styles encompasses Johann Sebastian Bach and early Classical works through to the late Romantic period. The album contains original compositions and first publications as well as arrangements for organ and twelve pieces for communion in settings by Johann Sebasti…

Par MORLEY THOMAS. For SSATB choir unaccompanied. Edited by E H Fellowes. Revised by Thurston Dart. Piano part included for rehearsal only./ Répertoire / SATB

Oratorio. Par TIPPETT MICHAEL SIR. L'oratorio ' A Child of Our Time ' était de Tippett artistique et émotionnel des événements qui ont conduit à la ' Nuit de cristal ' pogrom de novembre 1938. Pour son oratorio Tippett utilisé comme son formelle et historiques modélise les Passions de Bach et Messia Haendel/ Répertoire / Choeur Mixte (SATB/SATB), Solistes (SATB) et Orche

Arrangeur: Klaus Hofmann. Par TELEMANN GEORG PHILIPP. This psalm setting was originally the opening and concluding movement in the Epiphany cantata from the annual cycle “Musicalisches Lob Gottes in der Gemeine des Herrn, ” published at Nuremberg in 1744, and it is also from the “Biblische Sprüche” [see p. 12]. As in the cantata, here the vocal bass part may also be omitted. The lively alternation…

A single voice states the opening phrase before it returns in ethereal 4-part women's harmony in this gorgeous setting of the mass text. Close harmonies and gentle motivic imitations throughout invite an intimate sense of wonder. Intricate divisi writing provides a satisfying challenge for advanced choirs. Highly recommended! / Choeur SSAA A Cappella

Dvorák's 'Requiem?, for soloists, choir and orchestra, is one of the highlights within the international choral repertoire. Now Bärenreiter is presenting this work in an arrangement by Joachim Linckelmann with chamber orchestra based on the full score from the 'Complete Edition of the Works by Antonín Dvorák?.The arrangement dispenses with all the brass instruments except for a single horn- all th…