Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Par HOSE PAUL. The latest book in Paul Hose?s tour de force Drumset for Beginners series takes aim at the behemoth genre of Jazz. Combining historical context and stylistic awareness with progressive technical exercises and performance pieces; a comprehensive, cross-genre foundation is achieved. This beautifully illustrated book includes access to extensive online material, including performance t…

Composed by Martin Ramroth. Choral. Paul D. Head Choral Series. Concert. Octavo. Santa Barbara Music Publishing #SBMP1113. Published by Santa Barbara Music Publishing (SB.SBMP-1113).

From Pitch Perfect 3. By Sia. By Greg Kurstin, Sean Paul Henriques, Sia Furler. Arranged by Deke Sharon. Pop Choral Series. A Cappella, Pop. Octavo. 12 pages. Published by Hal Leonard

By King's Singers. By John Lennon, Paul McCartney. Arranged by Jacob Narverud. King's Singer's Choral. Pop, Ballad. Octavo. 12 pages. Published by Hal Leonard

By The Miracles. By Berry Gordy and Smokey Robinson. Arranged by Paul Langford. SSAA. Choral. 16 pages. Published by Shawnee Press

By J. Paul Williams. Sheet Music. Published by Shawnee Press.

By Paula Foley Tillen. For SSAA choir, piano. Sharon Hansen Choral Series. Concert. Medium. Octavo. Published by Santa Barbara Music Publishing

By Henrique Oswald (1852-1931). For SSAA choir, organ ad libitum. Octavo. Published by Alliance Music Publications

Geistliches Konzert. By Heinrich Schutz. Edited by Graulich, Gunter. Arranged by Paul Horn. For SSAATB Favorit-Chor (Antiphonal/Chamber Choir), 2 Violins, 5 Viola da Gamba, Organ, [Solo T, Contrabass]. SWV 471. Stuttgart Urtext editions; Occasions: Prayer, Praise and thanks; Use …

By Paul Caldwell and Sean Ivory. For SSAA Chorus and Piano accompaniment (SSAA). Sacred. Octavo

SSAA a cappella. Composed by Paul Mealor. Music Sales America. Octavo. 10 pages. Novello and Co Ltd. #NOV295009. Published by Novello and Co Ltd. (HL.14043612).

By The Beatles. By John Lennon and Paul McCartney. Arranged by Steve Zegree. For Choral (SSAA A Cappella). Pop Choral Series. 8 pages. Published by Hal Leonard

(SSAA and Harp). By Paul Csonka. SSAA. Peermusic Classical. Softcover. 30 pages. Peermusic #60247-118. Published by Peermusic

By The Beatles. By John Lennon and Paul McCartney. Arranged by Audrey Snyder. SSAA A Cappella. Pop Choral Series. 16 pages. Published by Hal Leonard

By Adele. By Adele Adkins and Paul Epworth. Arranged by Adam Anders, Mark A. Brymer, and Tim Davis. SSAA. Pop Choral Series. 20 pages. Published by Hal Leonard

By The Beatles. By John Lennon and Paul McCartney. Arranged by Deke Sharon. SSAA A CAPPELLA. Choral. 12 pages

SSAA Choir

SKU: BT.HU-3870-250

Arranged by Hans P. Keuning. Harmonia-Womens Choir. Folk Music. Choral Score. Harmonia #HU 3870-250. Published by Harmonia (BT.HU-3870-250).

International.

SSAA Chorus, a cappella

SKU: SU.91770070

For SSAA Chorus, a cappella. Composed by Paul Moravec. Vocal/Choral, Sacred Choral. Choral, sacred. Choral Octavo. Composed 1981. Duration 5'. Subito Music Corporation #91770070. Published by Subito Music Corporation (SU.9177…