Reconstruction by Anssi Mattila. Par TULINDBERG ERIK. The first composer to warrant a place in the musical history of Finland, Erik Tulindberg (1761-1814) was an excellent violinist, and he also played the cello. His musical reputation spread all the way to Stockholm (Finland was at that time part of the Kingdom of Sweden), and in 1797 was there admitted as a member of the Royal Academy of Music. …

Reconstruction by Anssi Mattila. Par TULINDBERG ERIK. The first composer to warrant a place in the musical history of Finland, Erik Tulindberg (1761-1814) was an excellent violinist, and he also played the cello. His musical reputation spread all the way to Stockholm (Finland was at that time part of the Kingdom of Sweden), and in 1797 was there admitted as a member of the Royal Academy of Music. …

Reconstruction by Anssi Mattila. Par TULINDBERG ERIK. The first composer to warrant a place in the musical history of Finland, Erik Tulindberg (1761-1814) was an excellent violinist, and he also played the cello. His musical reputation spread all the way to Stockholm (Finland was at that time part of the Kingdom of Sweden), and in 1797 was there admitted as a member of the Royal Academy of Music. …

Description The 'Scottish,' 'Italian,' and 'Reformation' symphonies rank among Mendelssohn's greatest works. All three of these staples of the orchestral repertoire appear here in one convenient volume, reproduced from authoritative Breitkopf and Härtel editions. Attractive and inexpensive, this compilation offers excellent value to both professionals and amateur musicians.

Though it sounds very much like a folk song, Lorena was actually composed in 1856. It became extremely popular during the Civil War, when it was a favorite of both Confederate and Union soldiers who longed to be reunited with their sweethearts. This setting is scored for SATB divisi a cappella and was first sung by the Yale Glee Club, Jeffrey Douma director. / Choeur Mixte (SATB) A Cappella

The ' Messe de Requiem? is probably the internationally best-known and most frequently performed work by Gabriel Fauré . The composer's first version was limited to just five movements and small-scale forces with low strings, harp and organ. The work was then expanded several times culminating in the version for large orchestra of 1900. This orchestral version forms the basis of this edition.Despi…

Die Schöpfung. Par HAYDN FRANZ JOSEF. The oratorio 'The Creation' represents not only a crucial point in Joseph Haydn's compositional output, but at the same time, marks the beginning of a new chapter in the history of the oratorio. At the turn of the 19th century, Haydn broke with the traditional dominance of the arias, giving the chorus a distinctly greater significance. This opened the way for…

Composed by Cecilia McDowall. Songbird. Vocal score. 24 pages. Duration 5.5'. Oxford University Press #9780193518216. Published by Oxford University Press (OU.9780193518216).

Composed by Sarah Quartel. Vocal score. 20 pages. Duration 10'. Published by Oxford University Press (OU.9780193413382).

By Bob Chilcott. For SA and SSAA choir unaccompanied. Upper Voices. Secular, Choral Leaflet. Vocal score. 16 pages. Duration 4'. Published by Oxford University Press

By Camille Saint-Saens. For SSAA Choir, Organ. French Sacred Music. Score. Language: Latin. 8 pages. Published by Carus Verlag (German import).

By Allen Pote. For SSAA choir and keyboard with optional handbells and brass or orchestration. Hope's All-Time Best Selling Choral Series. Sacred, General Worship, God's Attributes/Character, Joy, Praise. Octavo. 12 pages. Published by Hope Publishing Company

Arranged by Anne Raugh, Deke Sharon. For 2 soprano voices and 2 alto voices. Format: full score (parts not included). With 4-part vocal notation (SSAA), lyrics and performance notes. 58 pages. 6.75x10.5 inches. Published by Contemporary A Cappella Publishing. female

By Ronald Perera. For SSA Choir, Orchestra [or Piano] (Women's Voices). General. Choral, Orchestra. 8 pages

Composed by Bob Chilcott. Vocal score. 12 pages. Duration 3.5'. Oxford University Press #9780193514362. Published by Oxford University Press (OU.9780193514362).

Composed by John Rutter (1945-). This edition: paperback. Upper Voices. Christmas, Choral Leaflet. Vocal score. 8 pages. Duration 4'. Published by Oxford University Press (OU.9780193533653).

Composed by Steven Sametz (1954-). For SSAA choir divisi, digitally delayed viola or vibraphone. Choral, 21st Century. Choral score. Published by E.C. Schirmer Publishing

By Bob Chilcott. For SSAA choir and piano. Upper Voices. Sacred, Choral Leaflet. Vocal score. 12 pages. Duration 4'. Published by Oxford University Press

Songs of Sanctuary. By Karl Jenkins. (SSAA). Boosey and Hawkes Secular Choral. Size 7.25x10.5 inches. 8 pages. Published by Boosey and Hawkes.

By Jozef Swider. For Solo Soprano voice, SSAA choir, 2 violin, viola, cello, double bass, timpani, percussion. This edition: Paperbound. Score available separately - see item CA.2703250. Masses, Latin. Vocal score. Language: Latin. Composed 1998. 32 pages

By Johann Adolf Hasse (1699-1783). For SSAA choir (with strings and continuo). Sacred. Easy-Medium. Choral octavo. Text language: Latin. Published by Treble Clef Music Press

Composed by Gustav Holst (1874-1934). Bestseller. Romantic. Choral score. Galaxy Music Corporation #1.5091. Published by Galaxy Music Corporation

Composed by Aaron Copland (1900-1990), lyrics by Edward Arlington Robinson. Vocal score for SSAA chorus (A Cappella) and piano accompaniment (for rehearsal only). With vocal score notation and piano accompaniment. 9 pages. Published by Boosey and Hawkes.