Par DYSON GEORGE. The Cello Sonata by Sir George Dyson (1883?1964) is the most substantial of the composer?s earliest surviving works and is a welcome addition to the repertoire of romantic British cello music. Within Dyson?s small yet distinguished output, it merits recognition both as a significant instrumental score in its own right, and as a precursor of a corpus of scores expertly written for…

Lullay, my liking is scored for accompanied two-part choir, allowing for various upper-/lower-voice combinations: two-part trebles or sopranos, upper voices only (S/A), or men only (T/B). If performed by a four-part choir, sopranos and tenors should read the upper line, and altos and basses read the lower. The keyboard part can be played on piano or organ, or harp. An inspiring selection of new wo…

Par GRIME HELEN. Composed during the coronavirus lockdown of 2020 and scored for mezzo-soprano and pierrot ensemble, Prayer is a setting of Carol Ann Duffy’s poem describing the unexpected resonance that can be sparked by small, everyday moments. This idea is captured in the singer’s relationship with the ensemble, which at times describes external events (such as the passing of a train) and at ot…

Par YAGLING VICTORIA. Victoria Yagling's Suite for Cello and String Orchestra (1967) is one of her first successes as a composer. The movement layout of the Suite is fast-slow-fast-slow. The first movement, Toccata, is a perpetual motion with a brisk tempo of 100 per dotted half. The Aria is reminiscent of Rachmaninov's Vocalise melody and Prokofiev's tonal language. This movement is the centerpie…

Grand septour de Beethoven, op. 20 - 6 Präludien und Fugen für Orgel von J. S. Bach. Par LISZT FRANZ. Volume 22 of series II of the New Liszt Edition contains two large-scale works by Liszt: the piano score of Beethoven's Septet for clarinet, horn, bassoon, violin, viola, cello, and double bass written at the turn of 1799 and 1800, and the piano transcription of six preludes and fugues for organ (…

Par VIVALDI ANTONIO. Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establish this still young instrument in the music of that time. The Concerto RV 531 is the only double concerto in Vivaldi?s ?uvre for two solo violoncellos. The two solo parts take ce…

Beethoven's fifth and final piano concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work's performance.The editor, Jonathan Del Mar, has closely scrutinised the autograph solo piano part and reproduced Beethove…

Use this especially with students who serve as vocal, choral and instrumental accompanists! The three central sections are preceded by choral studies and chorales for practice in 4-part reading. The accompaniment section includes 9 popular vocal and instrumental solos - score-reading is practiced from accompanied SATB works, orchestral and string quartet scores - transposition of the most familiar…

The score (UE 35757) also serves as the piano part.. Par WALTER BRUNO. Better known as one of the foremost conductors of the 20th century, Walter also found a place in contemporary composition in Vienna in the early part of the 1900s. Of particular importance is the Quintet, which was premiered by the Rosé Quartet, with the composer at the piano, and described as a resounding success. Universal Ed…

Composed by Cecilia McDowall. Songbird. Vocal score. 24 pages. Duration 5.5'. Oxford University Press #9780193518216. Published by Oxford University Press (OU.9780193518216).

Composed by Sarah Quartel. Vocal score. 20 pages. Duration 10'. Published by Oxford University Press (OU.9780193413382).

By Bob Chilcott. For SA and SSAA choir unaccompanied. Upper Voices. Secular, Choral Leaflet. Vocal score. 16 pages. Duration 4'. Published by Oxford University Press

By Camille Saint-Saens. For SSAA Choir, Organ. French Sacred Music. Score. Language: Latin. 8 pages. Published by Carus Verlag (German import).

By Allen Pote. For SSAA choir and keyboard with optional handbells and brass or orchestration. Hope's All-Time Best Selling Choral Series. Sacred, General Worship, God's Attributes/Character, Joy, Praise. Octavo. 12 pages. Published by Hope Publishing Company

Arranged by Anne Raugh, Deke Sharon. For 2 soprano voices and 2 alto voices. Format: full score (parts not included). With 4-part vocal notation (SSAA), lyrics and performance notes. 58 pages. 6.75x10.5 inches. Published by Contemporary A Cappella Publishing. female

By Ronald Perera. For SSA Choir, Orchestra [or Piano] (Women's Voices). General. Choral, Orchestra. 8 pages

Composed by Bob Chilcott. Vocal score. 12 pages. Duration 3.5'. Oxford University Press #9780193514362. Published by Oxford University Press (OU.9780193514362).

Composed by John Rutter (1945-). This edition: paperback. Upper Voices. Christmas, Choral Leaflet. Vocal score. 8 pages. Duration 4'. Published by Oxford University Press (OU.9780193533653).

Composed by Steven Sametz (1954-). For SSAA choir divisi, digitally delayed viola or vibraphone. Choral, 21st Century. Choral score. Published by E.C. Schirmer Publishing

By Bob Chilcott. For SSAA choir and piano. Upper Voices. Sacred, Choral Leaflet. Vocal score. 12 pages. Duration 4'. Published by Oxford University Press

Songs of Sanctuary. By Karl Jenkins. (SSAA). Boosey and Hawkes Secular Choral. Size 7.25x10.5 inches. 8 pages. Published by Boosey and Hawkes.

By Jozef Swider. For Solo Soprano voice, SSAA choir, 2 violin, viola, cello, double bass, timpani, percussion. This edition: Paperbound. Score available separately - see item CA.2703250. Masses, Latin. Vocal score. Language: Latin. Composed 1998. 32 pages

By Johann Adolf Hasse (1699-1783). For SSAA choir (with strings and continuo). Sacred. Easy-Medium. Choral octavo. Text language: Latin. Published by Treble Clef Music Press

Composed by Gustav Holst (1874-1934). Bestseller. Romantic. Choral score. Galaxy Music Corporation #1.5091. Published by Galaxy Music Corporation

Composed by Aaron Copland (1900-1990), lyrics by Edward Arlington Robinson. Vocal score for SSAA chorus (A Cappella) and piano accompaniment (for rehearsal only). With vocal score notation and piano accompaniment. 9 pages. Published by Boosey and Hawkes.