Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata, the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems.As in other works which were composed during this same year (e.g. the 'Christmas Oratorio?), Bach reveals a special fondness for colourf…

Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata, the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems.As in other works which were composed during this same year (e.g. the 'Christmas Oratorio'), Bach reveals a special fondness for colourf…

Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata, the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems.As in other works which were composed during this same year (e.g. the 'Christmas Oratorio'), Bach reveals a special fondness for colourf…

Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata, the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems.As in other works which were composed during this same year (e.g. the 'Christmas Oratorio?), Bach reveals a special fondness for colourf…

Edizione critica di - Critical edition by Italo Vescovo. Par PAGANINI NICCOLO. This Capriccio per violino solo M.S. 54 should be considered as part of the group of short musical dedications that Paganini was in the habit of giving away to friends, colleagues and the personalities he met during his travels. Dated 1828, dedicated to Count Maurizio Dietrichstein, is a truly unique work, not only for …

Arrangeur: Matt Johnston. Par TRANQUILLE BERBIGUIER BENOIT. Based on source material from the archive of the Netherlands Music Institute in The Hague, this newly-engraved reconstruction of the Trio No. 3, Op. 51 by Benoit Tranquille Berbiguier for Three Flutes includes a full score and all three parts. Berbiguier is primarily known for his methods and small ensembles for flutes composed during and…

Based on the sources ed. by Joachim Draheim. Fingerings and Notes on Fingering and Performance by Noriko Ishikawa and Manfred Kratzer Urtext Urtext - piano (4 hands) fingering: Ishikawa, Noriko fingering: Kratzer, Manfred editor: Draheim, Joachim notes: Kratzer, Manfred notes: Ishikawa, Noriko Robert Schumann's intention to create valuable and, with regard to didactics, sensibly created music for…

Historia der freuden- und gnadenreichen Geburt Gottes und Marien Sohnes Jesu Christi. Par SCHUTZ HEINRICH. In addition to Bach’s Christmas Oratorio [CV 31. 248], Schütz’s “Historia der freudenreichen Geburt Jesu Christi, ” another favourite Christmas work, is available in a critical edition [Urtext in the Stuttgarter Schütz Edition, ed. by Günter Graulich]. Likewise, a newly edited vocal score, wh…

Composed by Cecilia McDowall. Songbird. Vocal score. 24 pages. Duration 5.5'. Oxford University Press #9780193518216. Published by Oxford University Press (OU.9780193518216).

Composed by Sarah Quartel. Vocal score. 20 pages. Duration 10'. Published by Oxford University Press (OU.9780193413382).

By Bob Chilcott. For SA and SSAA choir unaccompanied. Upper Voices. Secular, Choral Leaflet. Vocal score. 16 pages. Duration 4'. Published by Oxford University Press

By Camille Saint-Saens. For SSAA Choir, Organ. French Sacred Music. Score. Language: Latin. 8 pages. Published by Carus Verlag (German import).

By Allen Pote. For SSAA choir and keyboard with optional handbells and brass or orchestration. Hope's All-Time Best Selling Choral Series. Sacred, General Worship, God's Attributes/Character, Joy, Praise. Octavo. 12 pages. Published by Hope Publishing Company

Arranged by Anne Raugh, Deke Sharon. For 2 soprano voices and 2 alto voices. Format: full score (parts not included). With 4-part vocal notation (SSAA), lyrics and performance notes. 58 pages. 6.75x10.5 inches. Published by Contemporary A Cappella Publishing. female

By Ronald Perera. For SSA Choir, Orchestra [or Piano] (Women's Voices). General. Choral, Orchestra. 8 pages

Composed by Bob Chilcott. Vocal score. 12 pages. Duration 3.5'. Oxford University Press #9780193514362. Published by Oxford University Press (OU.9780193514362).

Composed by John Rutter (1945-). This edition: paperback. Upper Voices. Christmas, Choral Leaflet. Vocal score. 8 pages. Duration 4'. Published by Oxford University Press (OU.9780193533653).

Composed by Steven Sametz (1954-). For SSAA choir divisi, digitally delayed viola or vibraphone. Choral, 21st Century. Choral score. Published by E.C. Schirmer Publishing

By Bob Chilcott. For SSAA choir and piano. Upper Voices. Sacred, Choral Leaflet. Vocal score. 12 pages. Duration 4'. Published by Oxford University Press

Songs of Sanctuary. By Karl Jenkins. (SSAA). Boosey and Hawkes Secular Choral. Size 7.25x10.5 inches. 8 pages. Published by Boosey and Hawkes.

By Jozef Swider. For Solo Soprano voice, SSAA choir, 2 violin, viola, cello, double bass, timpani, percussion. This edition: Paperbound. Score available separately - see item CA.2703250. Masses, Latin. Vocal score. Language: Latin. Composed 1998. 32 pages

By Johann Adolf Hasse (1699-1783). For SSAA choir (with strings and continuo). Sacred. Easy-Medium. Choral octavo. Text language: Latin. Published by Treble Clef Music Press

Composed by Gustav Holst (1874-1934). Bestseller. Romantic. Choral score. Galaxy Music Corporation #1.5091. Published by Galaxy Music Corporation

Composed by Aaron Copland (1900-1990), lyrics by Edward Arlington Robinson. Vocal score for SSAA chorus (A Cappella) and piano accompaniment (for rehearsal only). With vocal score notation and piano accompaniment. 9 pages. Published by Boosey and Hawkes.