Use counterpoint to make your music more engaging and creative. Counterpoint - the relationship between musical voices - is among the core principles for writing music, and it has been central to the study of composition for many centuries. Whether you are a composer, arranger, film composer, orchestrator, music director, bandleader, or improvising musician, this book will help hone your craft, ga…

Band with Opt. Choir. Par SCHWARTZ STEPHEN. This gorgeous arrangement of the tender ballad about the love shared between best friends from the hit musical, Wicked, will be the perfect showcase of your young band's tone, phrasing and musicianship. Masterfully scored to be either a standalone arrangement or as an accompaniment to the vocal arrangement by Mac Huff (HL#08621340). Perfect for any conce…

Zwölf Kirchenmusiken Vom 7. Bis Zum 18. Sonntag Nach Trinitatis Und Michaelis. Par TELEMANN GEORG PHILIPP. Following the principles of the edition, the volume contains a segment of 12 contiguous pieces of church music from a single cycle. They are excerpted from the so-called 'Sicilian Cycle” and consist of the compositions for the 7th - 18th Sundays after Trinity (except the 11th Sunday), the mus…

New Edition of the Complete Works V/5. Par SCHUBERT FRANZ. In addition to his symphonies, Franz Schubert also wrote and handed down to posterity a total of eight finished concert overtures (two of them in two versions) between ca. 1811 and 1819. With the exception of the “Overture in D” (D 4) to the comedy “Der Teufel als Hydraulicus” (“The Devil as Engineer”) and the “Overture in D” (D 26), whose…

Par DYLAN BOB. With a treasure of authentic and vintage footage, a host of characters including Pete Seeger, Allen Ginsberg and Mavis Staples, and in-depth conversation with Dylan himself, Scorsese's Grammy-winning documentary captured a turbulent period in the history of folk and rock music. Focusing upon the years between 1962 and 1966, Scorsese charts the struggles of the young, sophisticated a…

Vesperpsalm. Par HASSE JOHANN ADOLF. The Laudate pueri was composed between 1735 and 1749 for the Ospedale degl’Incurabili in Venice. Since the Ospedale was an institution for the musical training of gifted girls and young women, the vocal parts are scored for female voices. As Director of Music at the Saxon-Polish Court of Dresden, Hasse was also responsible for church music, and therefore he arr…

With a haunting quality that is reminiscent of a dream, this late intermediate piece is dramatic and strikingly lyrical. The tonality alternates between A major and A minor, with a contrasting middle section. There are numerous accidentals, precise pedaling, and left hand position shifts that provide vitality. / Piano

Par BACEWICZ GRAZYNA. Grazyna Bacewicz realised at a very early age that her main purpose in life was to compose music. Already during the 1920s, as a student of Lódz Conservatoire, as part of her lessons in harmony and counterpoint, she made attempts at composing, in which she tried to resolve nagging technical problems and impart an artistically satisfying form to them. She grew up in an atmosph…

Par DIGBY ANDREW. the same material is repeated in constantly varying configurations: no two bars have simultaneously the same number of instruments, direction of and number of discontinuities in the glissandi, number of crossings through the octave or unison between instruments. this last is the most important characteristic of the piece. many such crossing points are also punctuated by other ins…

'What's important in music that's based on a poem - on the emotion inspired by a poem - is the music and power of emotion it harbours within itself?. These words, written in 1949 by poet Pierre Reverdy, would make a deep impression on composer Betsy Jolas. She'd just sent the writer her Six mélodies for mezzo-soprano and piano composed on poems from his masterwork Plupart du temps. The songs were …

(ERO CRAS (I Will Come)). Composed by Michael John Trotta. For SSAA choir a cappella, optional solo, optional percussion. Octavo. Published by Carl Fischer

Composed by Bob Chilcott. Vocal score. 12 pages. Duration 3.5 minutes. Published by Oxford University Press (OU.9780193415676).

Composed by Dan Davison. Walton Choral. Music Education. Octavo. 8 pages. Walton Music #WW1563. Published by Walton Music (GI.WW1563).

By Michael John Trotta. For SSA(A) choir, keyboard. Octavo. 16 pages. Duration 4 minutes, 28 seconds. Published by Carl Fischer

SSSAA, a cappella

SKU: SU.80300198

For SSSAA, a cappella. Composed by Maxim Vladimiroff. Vocal/Choral, Secular Choral. A cappella. Choral Octavo. Treble Clef Music Press #80300198. Published by Treble Clef Music Press (SU.80300198).

This setting of the Eas…

SSAA, a cappella

SKU: SU.80300178

For SSAA, a cappella. Arranged by Nina Gilbert. Vocal/Choral, Secular Choral. A cappella. Choral Octavo. Treble Clef Music Press #80300178. Published by Treble Clef Music Press (SU.80300178).

This macho march setting of an…

Choral (SSAA Choir)

SKU: HL.129169

Arranged by Christian Grases. Gentry Publications. Concert, Latin American, Poetry. Octavo. 12 pages. Gentry Publications #JG2464. Published by Gentry Publications (HL.129169).

UPC: 888680017316. 6.75x10.5x0.029 inches.

Simon Bol…

SSAA chorus, organ - late intermediate

SKU: BP.BP2290

Composed by Craig Courtney. Communion; General. Original Voicing: BP2256 With Accomp. Track. Octavo. Beckenhorst Press #BP2290. Published by Beckenhorst Press (BP.BP2290).

6.875 x 10.5 inches.

Now available for…

SSAA choir, a cappella (Upper Voices - 3 parts or more) - Moderately Difficult

SKU: OU.9780193400955

Composed by Cecilia McDowall. Vocal score. 12 pages. Duration 3'. Oxford University Press #9780193400955. Published by Oxford University Press (OU.9780193400955).

ISBN 9…

SSAA choir, piano

SKU: CA.966200

Hymn for Pentecost. Composed by Ko Matsushita. Edited by Stefan Schuck. Contemporary Choir Music. Sacred vocal music, Whitsun. Full score. 12 pages. Duration 5 minutes. Carus Verlag #CV 09.662/00. Published by Carus Verlag (CA.966200…

Choral (SSAA Choir)

SKU: HL.114523

Composed by Johnny Marks. Arranged by Nancy Grundahl. Henry Leck Creating Artistry. Christmas, Concert. Octavo. 16 pages. Published by Hal Leonard (HL.114523).

UPC: 884088874803. 6.75x10.5 inches.

Cascading bells played by choir …

Choral (SSAA a cappella)

SKU: HL.48024903

Marian Antiphone SSAA a cappella. Composed by Arnesen and Kim André. BH Large Choral. Classical, General Worship, Sacred. Octavo. 16 pages. Duration 300 seconds. Boosey & Hawkes #M060137020. Published by Boosey & Hawke…

SSAA and Piano Choral (SSAA Choir)

SKU: HL.49046091

Lieder and Chansons SSAA and Piano. Composed by Georg Kreisler. Choral. Classical. Octavo. 16 pages. Duration 160 seconds. Schott Music #C57907. Published by Schott Music (HL.49046091).

Georg Kreisler - t…

Composed by Michael John Trotta. 21st Century. Piano/choral score. Duration 3 minutes, 40 seconds. Galaxy Music Corporation #1.3550. Published by Galaxy Music Corporation

Composed by Bronislau Kaper. Arranged by Scott Kitzmiller. Barbershop Harmony Society. Big Band, Barbershop, Jazz. Octavo. Barbershop Harmony Society #211014. Published by Barbershop Harmony Society

Composed by Bob Chilcott. Octavo. Published by Oxford University Press

Composed by Zebulon M. Highben. Confirmation, Commitment/Discipleship. Octavo. Published by MorningStar Music Publishers (MN.50-5208).

Composed by Lorin F. Wheelwright. Arranged by Curtis Fletcher. For SSAA choir and piano. Medium. Octavo. 7 pages. Duration 2 minutes, 20 seconds. Published by Jackman Music Corporation

By Don MacDonald. For SSAATB choir and piano. Octavo. Published by Cypress Choral Music

There Is None Like Our God. By Sherry Kosinksi. (SSAA A Cappella). Transcontinental Music Choral. Jewish. 12 pages. Published by Transcontinental Music Publications.