Cantata for the 14th Sunday after Trinity. Par BACH JOHANN SEBASTIAN. Jesu, der du meine Seele BWV 78 (Jesu, by Thy Cross and Passion) Cantata for the 14th Sunday after Trinity The cantata Jesu, der du meine Seele is one of the famous cycle of chorale cantatas which Bach wrote during the second year of his Leipzig appointment. It was probably performed for the first time on 10 September 1724, the …

Par DEBUSSY CLAUDE. The String Quartet in G Minor, opus 10, occupies a singular place in Debussy’s oeuvre. It represents his sole contribution to the most dignified, revered, and intimidating genre of chamber music in the common-practice period, and it embodies a mostsophisticated demonstration of the “Franckian” practice of thematic transformation. The current musical text is reproduced from the …

Score. Par PURCELL HENRY. This is the incidental music for Strings to the tragic play Abdelazer (or The Moor's Revenge) as composed by Henry Purcell (1659-1695). This is the score./ Répertoire / Violoncelle, Alto et Violon

Réduction pour chant & piano. Par POULENC FRANCIS. The vocal score of Francis Poulencs Stabat Mater setting, originally composed in 1950 for soprano solo, mixed chorus and orchestra. This edition features a Piano reduction of the orchestral material. The vocal score of Francis Poulenc's Stabat Mater setting, originally composed in 1950 for soprano solo, mixed chorus and orchestra. This edition fea…

BWV 248. Par BACH JOHANN SEBASTIAN. For this edition, Carsten Klomp has transferred the orchestral movement of the 1st cantata from Johann Sebastian Bach's Christmas Oratorio to the organ. It not only enables a performance with a reduced line-up, but also a tonally appealing and surprisingly coherent rendition of this wonderful music. The way the voices are distributed on the manuals and pedal and…

Ovvero La Morte Di San Giuseppe. Par PERGOLESI GIOVANNI BATTISTA. The oratorio LA FENICE SUL ROGO OVVERO LA MORTE DI SAN GIUSEPPE can rightly be considered the debut of Pergolesi’s career as a composer: composed in the early months of 1731 the oratorio was commissioned by the Congregazione di San Giuseppe locatedby the Oratorio dei Filippini in Naples. The critical edition was realized with criter…

for Violin, Viola and Orchestra. Par MOZART WOLFGANG AMADEUS. There is no reference to the origin, occasion or a performance of the Sinfonia concertante in E-flat for Violin, Viola and Orchestra, K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn, 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he …

for Violin and Orchestra. Par MOZART WOLFGANG AMADEUS. Mozart composed the majority of his works for solo String Instruments and Orchestra during the years 1773–1779. Especially important are the years 1773 and 1775, which witnessed the creation of the five concertos for Violin and Orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity are par…