Marienantiphon. Par MOZART WOLFGANG AMADEUS. Im Gegensatz zu den beiden 'Regina coeli'-Vertonungen KV 74 und 127, die mit Solosopran und Chor besetzt sind, verwendet Mozart in KV 276 das Solistenquartett, das ähnlich wie in den Salzburger Messen oft nur in kurzen Einwürfen mit dem Chor dialogisiert. Zudem besteht die vorliegende Vertonung nur aus einem Satz, während die anderen beiden mehrere kont…

Marienantiphon. Par MOZART WOLFGANG AMADEUS. Im Gegensatz zu den beiden 'Regina coeli'-Vertonungen KV 74 und 127, die mit Solosopran und Chor besetzt sind, verwendet Mozart in KV 276 das Solistenquartett, das ähnlich wie in den Salzburger Messen oft nur in kurzen Einwürfen mit dem Chor dialogisiert. Zudem besteht die vorliegende Vertonung nur aus einem Satz, während die anderen beiden mehrere kont…

Instrumentation : mixed choir - Anonymus: Een meysken eens voerbij passeerde. STTB - Ic truere ende ic ben van mynen. STB - Mijn boel heet mij cleker bille. SATB - Wij comen hier ghelopen. SATB - B. Appenzeller: Mijns liefkens bruin oghen. SATTB -J. Baston: Lecker beetgen en cleyn bier. SATB - J. Belle: O amoureusich mondeken root. SATB - J. Clemens non Papa: De lustelijcke mey. SATB - N. …

Capellchor 1. Par SCHUTZ HEINRICH. Concerto for four-part select (solo) choir, two four-part ripieno choirs (ad lib), a three-part solo Violin ensemble, a three-part solo Trombone ensemble and Basso continuo (Cello or Organ). My soul doth magnify the Lord and my spirit hath rejoiced in God my Saviour. Schutz 's impressive and musically colourful setting of the Magnifcat from 1665 shows the influen…

' Ave verum was commissioned early in 2011 by Edward Rowntree for the birthday of his father, John Rowntree, director of music at Douai Abbey in the UK. My aim was to write a piece both short and simple, suitable for regular liturgical use. There are, of course, many wonderful settings of this text already, not least those by William Byrd and Edward Elgar, both of which I sang as a boy. In this in…

The first of a set of four madrigals on rose texts, also entitled 'Now Sleeps the Crimson Petal', for SATB (with divisi). Commissioned by John Armitage Memorial and first performed by the joint choirs of the University of St Andrews Chapel Choir, University of Aberdeen Chamber Choir and the Edinburgh University Chamber Choir, conducted by Michael Bawtree on October 28th, 29th and 31st 2010. / SATB

The third of a set of four madrigals on rose texts, 'Now Sleeps the Crimson Petal', for SATB (with divisi). Commissioned by John Armitage Memorial and first performed by the joint choirs of the University of St Andrews Chapel Choir, University of Aberdeen Chamber Choir and the Edinburgh University Chamber Choir, conducted by Michael Bawtree on October 28th, 29th and amp - 31st 2010. / SATB

Lully, Lullay was written at the request of Philip Reed, music director of the Bury St Edmunds Bach Choir, which gave the first performance on 17 December 2011 at Holy Trinity Church, Long Melford, Suffolk. Inspired by the familiar medieval text of the Coventry Carol , it is sung a cappella and invokes the sense of a lullaby through its metre and lilting melody. The fragility and bittersweet tonal…

Das Fußballstück. Par LANGER MANFRED. What happens to a choir when the FIFA World Cup kicks off? The composer Manfred Länger, of Vienna, has written a very inventive piece about this hot topic in which he spoofs “football fever” in a very compact composition. The work is suitable for all choirs [mixed choir, women’s or men’s choir] singers who are football fanatics and those who are football grouc…

Par ROTH ALEC. Snowflakes for accompanied choir SSATBB by Alec Roth. / Choral Music / Répertoire / Voix Mixtes SSATBB

By Roger Hoffman. Arranged by A. Laurence Lyon. Text: Roger Hoffman. For SSATBB Choir. Duration 3:30. Published by Jackman Music Corporation.
Level: Medium Difficullt.

Composed by Mack Wilberg (1955-). For SSATB choir and piano/orchestra (fl, 3 hn, hp, str). Vocal score. 12 pages. Duration 5'. Published by Oxford University Press

(Messe fur Solostimmen, Chor und Orchester). By Johann Sebastian Bach (1685-1750). Edited by Friedrich Smend. Arranged by Gottfried Muller. For 2 soprano voice solos/alto voice solo/tenor voice solo/bass voice solo/SSAATTBB choir/orchestra/basso continuo

(Motette Nr.9 aus Geistliche Chormusik 1648 ). By Heinrich Schutz (1585-1672). Edited by Wilhelm Kamlah. For SSATB choir/basso continuo ad libitum. This edition: Stapled, Urtext edition. Stapled. Basso continuo-vocie see BA 500 67(Organ) und BA 500 86(Ce Choral score Sacred

Composed by Arvo Part (1935-). Choral part(s). With Standard notation. Universal Edition #UE19350. Published by Universal Edition

By George Frideric Handel (1685-1759). Edited by Hans Joachim Marx. Arranged by Andreas Kohs. For soprano voice solo, alto voice solo, tenor voice solo, bass voice solo, SSATB choir , violin (2), viola (2), cello, basso continuo (cello, double bass, organ) (2 Solo Sopranos/Solo A…

By Gabriel Jackson. For SSATB choir, a cappella. Mixed Voices. New Horizons. Sacred Choral Leaflet. Vocal score. 8 pages. Duration 2'

Composed by Sally Herman. For SSATBB choir (a cappella). Prima Cantate Series. Christmas. Octavo. Heritage Music Press #15/3159H. Published by Heritage Music Press

(SSATB with Solos a cappella). By Benjamin Britten (1913-1976). For Choral (SSATB). BH Large Choral. 48 pages. Boosey and Hawkes #M051481666. Published by Boosey and Hawkes

Arranged by Budi Susanto Yohanes. For SSATB choir. Choir part. Language: Other languages. Published by Carus Verlag

Composed by Johann Sebastian Bach (1685-1750). Arranged by Jonathan Rathbone. For SSATB choir, soprano voice solo. Language: German. 12 pages. Published by Gehrmans Musikforlag

By David R. Naylor. Text: John V. Pearson. For SSATB Choir. Level: Medium. Duration 4:00. Published by Jackman Music Corporation.

By Paul Tschesnokoff. Edited by and arr. Donald Moore. For Choir. (SSATBB, a cappella). Choral Octavo. Belwin Festival Series. Choral Octavo. 8 pages. Published by Alfred Publishing.

Passionsvertonung f!r 2 Solostimmen (Evangelist, Jesus) und Chor. By Hugo Distler. For Tenor solo, Bass solo, Mixed Choir-SSATB. Singing Score. Op. 7. Published by Baerenreiter-Ausgaben (German import).

Motette, Instr. Ad lib. Urtext der Neuen Bach-Ausgabe. By Johann Sebastian Bach. Edited by Konrad Ameln. For Mixed Choir-SSATB, Oboe (2), Bassoon, Strings, Basso continuo. Chor-Archiv. Score; Chorus Score; Urtext Edition. BWV 227. Duration 25. Published by Baerenreiter-Ausgaben (…

By Bruce Saylor. For SATB choir and soprano voice solo, a cappella. Cathedral. Choral, Christmas, Hymn. Medium. Choral octavo. Published by Paraclete Press

By Traditional Hymn / Arr. Lund. Arranged by Lynn S. Lund. Text: St. Francis of Assisi. For SSATB Choir. Level: Medium. Duration 3:20. Published by Jackman Music Corporation

By Claudio Monteverdi. Edited by David Randolph. For Choir. (SSATB). Choral Extended Work. Lawson-Gould Edition. Masterwork. 40 pages. Published by Alfred Publishing.

(15 Weltliche Madrigale). By Johann Hermann Schein (1586-1630). Edited by Adam Adrio. For SSATB choir/basso continuo. This edition: Clothbound, Complete edition, Urtext edition. Linen. New Schein Edition. Volume 8. Choral score, Anthology. Language: German. Composed 1624. Publish…