Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn’s St. Paul with just seven instead of the usual 18 wind instruments? Thanks to this arrangement for chamber orchestra, a performance with smaller forces is now possible, and presents an attractive alternative for performing Mendelssohn’s first oratorio – not only in times of Corona. For it is often considerations of space, a limited budget, or the size …

Wq 217. Par BACH CARL PHILIPP EMMANUEL. His Heilig Wq 217 is just 6 minutes long. Bach, however, put all his art into these few minutes, as he himself wrote to his publisher: „ Here I have proved the most daring and hard work . . . It will be my swan song of this nature, and serve to ensure that you do not forget myself too soon after my death“. The work requires an extraordinary instrumentation: …

Wq 217. Par BACH CARL PHILIPP EMMANUEL. His Heilig Wq 217 is just 6 minutes long. Bach, however, put all his art into these few minutes, as he himself wrote to his publisher: „ Here I have proved the most daring and hard work . . . It will be my swan song of this nature, and serve to ensure that you do not forget myself too soon after my death“. The work requires an extraordinary instrumentation: …

Wq 217. Par BACH CARL PHILIPP EMMANUEL. His Heilig Wq 217 is just 6 minutes long. Bach, however, put all his art into these few minutes, as he himself wrote to his publisher: „ Here I have proved the most daring and hard work . . . It will be my swan song of this nature, and serve to ensure that you do not forget myself too soon after my death“. The work requires an extraordinary instrumentation: …

Wq 217. Par BACH CARL PHILIPP EMMANUEL. His Heilig Wq 217 is just 6 minutes long. Bach, however, put all his art into these few minutes, as he himself wrote to his publisher: „ Here I have proved the most daring and hard work . . . It will be my swan song of this nature, and serve to ensure that you do not forget myself too soon after my death“. The work requires an extraordinary instrumentation: …

Wq 217. Par BACH CARL PHILIPP EMMANUEL. His Heilig Wq 217 is just 6 minutes long. Bach, however, put all his art into these few minutes, as he himself wrote to his publisher: „ Here I have proved the most daring and hard work . . . It will be my swan song of this nature, and serve to ensure that you do not forget myself too soon after my death“. The work requires an extraordinary instrumentation: …

Wq 217. Par BACH CARL PHILIPP EMMANUEL. His Heilig Wq 217 is just 6 minutes long. Bach, however, put all his art into these few minutes, as he himself wrote to his publisher: „ Here I have proved the most daring and hard work . . . It will be my swan song of this nature, and serve to ensure that you do not forget myself too soon after my death“. The work requires an extraordinary instrumentation: …

Par DVORAK ANTONIN. Dvorák composed the “Mass in D major” in 1887 at the suggestion of his patron Josef Hlávka for the inauguration of the Lužany castle chapel. It is written for choir and organ with sporadic passages for soloists, uses simple expressive devices and makes light technical demands. Thus, this work is easy to perform, also by amateur church choirs - all that is needed is a small cho…

Par DE HAAN JACOB. Missa Brevis is a major work for choir and brass band for performance in church or in the concert hall. For this mass, there are many performance possibilities depending on the musicians available. In addition to the standard orchestration of choir and band a brass quartet can also play the choral parts. For this it is desirable for the brass quartet to be positioned separately …

Par SCHUTZ HEINRICH. Concerto for four-part select (solo) choir, two four-part ripieno choirs (ad lib), a three-part solo Violin ensemble, a three-part solo Trombone ensemble and Basso continuo (cello or organ) My soul doth magnify the Lord and my spirit hath rejoiced in God my Saviour. Schutz's impressive and musically colourful setting of the Magnifcat from 1665 shows the influence of Monteverdi…

By Roger Hoffman. Arranged by A. Laurence Lyon. Text: Roger Hoffman. For SSATBB Choir. Duration 3:30. Published by Jackman Music Corporation.
Level: Medium Difficullt.

Composed by Mack Wilberg (1955-). For SSATB choir and piano/orchestra (fl, 3 hn, hp, str). Vocal score. 12 pages. Duration 5'. Published by Oxford University Press

(Messe fur Solostimmen, Chor und Orchester). By Johann Sebastian Bach (1685-1750). Edited by Friedrich Smend. Arranged by Gottfried Muller. For 2 soprano voice solos/alto voice solo/tenor voice solo/bass voice solo/SSAATTBB choir/orchestra/basso continuo

(Motette Nr.9 aus Geistliche Chormusik 1648 ). By Heinrich Schutz (1585-1672). Edited by Wilhelm Kamlah. For SSATB choir/basso continuo ad libitum. This edition: Stapled, Urtext edition. Stapled. Basso continuo-vocie see BA 500 67(Organ) und BA 500 86(Ce Choral score Sacred

Composed by Arvo Part (1935-). Choral part(s). With Standard notation. Universal Edition #UE19350. Published by Universal Edition

By George Frideric Handel (1685-1759). Edited by Hans Joachim Marx. Arranged by Andreas Kohs. For soprano voice solo, alto voice solo, tenor voice solo, bass voice solo, SSATB choir , violin (2), viola (2), cello, basso continuo (cello, double bass, organ) (2 Solo Sopranos/Solo A…

By Gabriel Jackson. For SSATB choir, a cappella. Mixed Voices. New Horizons. Sacred Choral Leaflet. Vocal score. 8 pages. Duration 2'

Composed by Sally Herman. For SSATBB choir (a cappella). Prima Cantate Series. Christmas. Octavo. Heritage Music Press #15/3159H. Published by Heritage Music Press

(SSATB with Solos a cappella). By Benjamin Britten (1913-1976). For Choral (SSATB). BH Large Choral. 48 pages. Boosey and Hawkes #M051481666. Published by Boosey and Hawkes

Arranged by Budi Susanto Yohanes. For SSATB choir. Choir part. Language: Other languages. Published by Carus Verlag

Composed by Johann Sebastian Bach (1685-1750). Arranged by Jonathan Rathbone. For SSATB choir, soprano voice solo. Language: German. 12 pages. Published by Gehrmans Musikforlag

By David R. Naylor. Text: John V. Pearson. For SSATB Choir. Level: Medium. Duration 4:00. Published by Jackman Music Corporation.

By Paul Tschesnokoff. Edited by and arr. Donald Moore. For Choir. (SSATBB, a cappella). Choral Octavo. Belwin Festival Series. Choral Octavo. 8 pages. Published by Alfred Publishing.

Passionsvertonung f!r 2 Solostimmen (Evangelist, Jesus) und Chor. By Hugo Distler. For Tenor solo, Bass solo, Mixed Choir-SSATB. Singing Score. Op. 7. Published by Baerenreiter-Ausgaben (German import).

Motette, Instr. Ad lib. Urtext der Neuen Bach-Ausgabe. By Johann Sebastian Bach. Edited by Konrad Ameln. For Mixed Choir-SSATB, Oboe (2), Bassoon, Strings, Basso continuo. Chor-Archiv. Score; Chorus Score; Urtext Edition. BWV 227. Duration 25. Published by Baerenreiter-Ausgaben (…

By Bruce Saylor. For SATB choir and soprano voice solo, a cappella. Cathedral. Choral, Christmas, Hymn. Medium. Choral octavo. Published by Paraclete Press

By Traditional Hymn / Arr. Lund. Arranged by Lynn S. Lund. Text: St. Francis of Assisi. For SSATB Choir. Level: Medium. Duration 3:20. Published by Jackman Music Corporation

By Claudio Monteverdi. Edited by David Randolph. For Choir. (SSATB). Choral Extended Work. Lawson-Gould Edition. Masterwork. 40 pages. Published by Alfred Publishing.

(15 Weltliche Madrigale). By Johann Hermann Schein (1586-1630). Edited by Adam Adrio. For SSATB choir/basso continuo. This edition: Clothbound, Complete edition, Urtext edition. Linen. New Schein Edition. Volume 8. Choral score, Anthology. Language: German. Composed 1624. Publish…