Anthem. Par PURCELL HENRY. The Anthem, in the post-Reformation church music of England was initially the term given to a choral work with an English biblical text. By the end of the 17th century it begins to take on Italian stylistic elements and becomes a cantata for solo voices, choir and orchestra. The anthem 'O sing unto the Lord' presented here, based on words of the 96th Psalm, is a particul…

Anthem. Par PURCELL HENRY. The Anthem, in the post-Reformation church music of England was initially the term given to a choral work with an English biblical text. By the end of the 17th century it begins to take on Italian stylistic elements and becomes a cantata for solo voices, choir and orchestra. The anthem 'O sing unto the Lord' presented here, based on words of the 96th Psalm, is a particul…

Anthem. Par PURCELL HENRY. The Anthem, in the post-Reformation church music of England was initially the term given to a choral work with an English biblical text. By the end of the 17th century it begins to take on Italian stylistic elements and becomes a cantata for solo voices, choir and orchestra. The anthem 'O sing unto the Lord' presented here, based on words of the 96th Psalm, is a particul…

Par MOZART WOLFGANG AMADEUS. Piano scores for mixed choir, solo voice and piano. Soli: SATB and Choir: SATB / Hymnes et chorals / Répertoire / Choeur Mixte, Soprano et Orchestre

B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the 'church trio'' of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Ch…

B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the 'church trio'' of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Ch…

Par PANUFNIK ROXANNA. Four Choral Seasons for double choir and orchestra by Roxanna Panufnik. Four Choral Seasons for double choir and orchestra by Roxanna Panufnik./ Répertoire / SATB

Scored for chorus, children's choir, organ and chamber orchestra, St Luke Passion adopts a pared-back focus on choral voices over its 75-minute span. Seeking a more spiritual, inward approach to match Luke's text, the composer eschews settings of interpolated texts as arias and the customary Evangelist and Christ soli: everything is sung by choral forces. A children's choir grants a measure of inn…

B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the 'church trio'' of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Ch…

op. 147 - C minor. Par SCHUMANN ROBERT. jeu de parties séparées, matériel d'orchestre complet . A mass setting by Robert Schumann? This is still likely to cause surprise among audiences – after all, Schumann is not generally viewed as a sacred composer. Indeed, his little-known late work, the Missa sacra, Op. 147, is a discovery not just for listeners but often for the performers themselves. The m…

By Roger Hoffman. Arranged by A. Laurence Lyon. Text: Roger Hoffman. For SSATBB Choir. Duration 3:30. Published by Jackman Music Corporation.
Level: Medium Difficullt.

Composed by Mack Wilberg (1955-). For SSATB choir and piano/orchestra (fl, 3 hn, hp, str). Vocal score. 12 pages. Duration 5'. Published by Oxford University Press

(Messe fur Solostimmen, Chor und Orchester). By Johann Sebastian Bach (1685-1750). Edited by Friedrich Smend. Arranged by Gottfried Muller. For 2 soprano voice solos/alto voice solo/tenor voice solo/bass voice solo/SSAATTBB choir/orchestra/basso continuo

(Motette Nr.9 aus Geistliche Chormusik 1648 ). By Heinrich Schutz (1585-1672). Edited by Wilhelm Kamlah. For SSATB choir/basso continuo ad libitum. This edition: Stapled, Urtext edition. Stapled. Basso continuo-vocie see BA 500 67(Organ) und BA 500 86(Ce Choral score Sacred

Composed by Arvo Part (1935-). Choral part(s). With Standard notation. Universal Edition #UE19350. Published by Universal Edition

By George Frideric Handel (1685-1759). Edited by Hans Joachim Marx. Arranged by Andreas Kohs. For soprano voice solo, alto voice solo, tenor voice solo, bass voice solo, SSATB choir , violin (2), viola (2), cello, basso continuo (cello, double bass, organ) (2 Solo Sopranos/Solo A…

By Gabriel Jackson. For SSATB choir, a cappella. Mixed Voices. New Horizons. Sacred Choral Leaflet. Vocal score. 8 pages. Duration 2'

Composed by Sally Herman. For SSATBB choir (a cappella). Prima Cantate Series. Christmas. Octavo. Heritage Music Press #15/3159H. Published by Heritage Music Press

(SSATB with Solos a cappella). By Benjamin Britten (1913-1976). For Choral (SSATB). BH Large Choral. 48 pages. Boosey and Hawkes #M051481666. Published by Boosey and Hawkes

Arranged by Budi Susanto Yohanes. For SSATB choir. Choir part. Language: Other languages. Published by Carus Verlag

Composed by Johann Sebastian Bach (1685-1750). Arranged by Jonathan Rathbone. For SSATB choir, soprano voice solo. Language: German. 12 pages. Published by Gehrmans Musikforlag

By David R. Naylor. Text: John V. Pearson. For SSATB Choir. Level: Medium. Duration 4:00. Published by Jackman Music Corporation.

By Paul Tschesnokoff. Edited by and arr. Donald Moore. For Choir. (SSATBB, a cappella). Choral Octavo. Belwin Festival Series. Choral Octavo. 8 pages. Published by Alfred Publishing.

Passionsvertonung f!r 2 Solostimmen (Evangelist, Jesus) und Chor. By Hugo Distler. For Tenor solo, Bass solo, Mixed Choir-SSATB. Singing Score. Op. 7. Published by Baerenreiter-Ausgaben (German import).

Motette, Instr. Ad lib. Urtext der Neuen Bach-Ausgabe. By Johann Sebastian Bach. Edited by Konrad Ameln. For Mixed Choir-SSATB, Oboe (2), Bassoon, Strings, Basso continuo. Chor-Archiv. Score; Chorus Score; Urtext Edition. BWV 227. Duration 25. Published by Baerenreiter-Ausgaben (…

By Bruce Saylor. For SATB choir and soprano voice solo, a cappella. Cathedral. Choral, Christmas, Hymn. Medium. Choral octavo. Published by Paraclete Press

By Traditional Hymn / Arr. Lund. Arranged by Lynn S. Lund. Text: St. Francis of Assisi. For SSATB Choir. Level: Medium. Duration 3:20. Published by Jackman Music Corporation

By Claudio Monteverdi. Edited by David Randolph. For Choir. (SSATB). Choral Extended Work. Lawson-Gould Edition. Masterwork. 40 pages. Published by Alfred Publishing.

(15 Weltliche Madrigale). By Johann Hermann Schein (1586-1630). Edited by Adam Adrio. For SSATB choir/basso continuo. This edition: Clothbound, Complete edition, Urtext edition. Linen. New Schein Edition. Volume 8. Choral score, Anthology. Language: German. Composed 1624. Publish…