Kantate Zum Ersten Ostertag. Par BACH JOHANN SEBASTIAN. The words are based on the Easter Gospel, the account of the Resurrection of Jesus, which is first joyfully celebrated. Then follows a call to the faithful: every Christian must make the Resurrection a reason to renew himself spiritually, so as to complete a kind of inner Resurrection himself. For his scoring – which changed slightly from per…

Kantate Zum Ersten Ostertag. Par BACH JOHANN SEBASTIAN. The words are based on the Easter Gospel, the account of the Resurrection of Jesus, which is first joyfully celebrated. Then follows a call to the faithful: every Christian must make the Resurrection a reason to renew himself spiritually, so as to complete a kind of inner Resurrection himself. For his scoring – which changed slightly from per…

Tonalité : Es-Dur -. Par MENDELSSOHN-BARTHOLDY FELIX. Gattungen: Messen-Sätze - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Kirchenjahr: Wei cor achten - Langue : Latin / Messe / Répertoire / Solistes SSATB, Choeur SATB, 2 Flûtes Traversières

The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most important work for choir and orchestra.The nickname 'Missa Romana? was added later in reference to a performance given in Rome during Pergolesi's lifetime.This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome.Choirs III and IV ar…

Beatus Vir. Par VIVALDI ANTONIO. Mit 'Dixit Dominus' (Ps 109 [110]) und 'Beatus vir' (Ps 111 [112]) liegen zwei der bedeutendsten doppelchörigen Kirchenkompositionen Vivaldis in kritischen Neuausgaben vor. Mit der vokal-instrumentalen Satzart 'in due Cori' knüpft Vivaldi an die alte venezianische (für ihn also heimatliche) Tradition festlich-mehrchörigen Musizierens an, deren Techniken der freilic…

Par BUXTEHUDE DIETRICH. This work has survived in an autograph, unfortunately undated, preserved in the Düben Collection. The cantata is a setting of Ecclesiasticus 50, verses 24–26. This composition is one of the most richly scored vocal compositions of Buxtehude. A ritornello, which includes a fanfare of trumpets, and a longer vocal section based on “Nun danket alle Gott” create the work’s struc…

Par BUXTEHUDE DIETRICH. This work has survived in an autograph, unfortunately undated, preserved in the Düben Collection. The cantata is a setting of Ecclesiasticus 50, verses 24–26. This composition is one of the most richly scored vocal compositions of Buxtehude. A ritornello, which includes a fanfare of trumpets, and a longer vocal section based on “Nun danket alle Gott” create the work’s struc…

Par BUXTEHUDE DIETRICH. This work has survived in an autograph, unfortunately undated, preserved in the Düben Collection. The cantata is a setting of Ecclesiasticus 50, verses 24–26. This composition is one of the most richly scored vocal compositions of Buxtehude. A ritornello, which includes a fanfare of trumpets, and a longer vocal section based on “Nun danket alle Gott” create the work’s struc…

Weihnachtskantate. Par MENDELSSOHN-BARTHOLDY FELIX / LUTHER MARTIN. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas b…

Weihnachtskantate. Par MENDELSSOHN-BARTHOLDY FELIX / LUTHER MARTIN. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas b…

(aus: Geistliche Chormusik). By Heinrich Schutz (1585-1672). Edited by Gunter Graulich. Arranged by Paul Horn. For SSATB Choir. SWV 371 (op. 11 no. 3). Full score available separately - see item CA.2037100. Sacred, Motets; Stuttgart Urtext editions; Occasions: Peace and Justice; …

By Johann Sebastian Bach (1685-1750). Edited by Gunter Graulich. Arranged by Paul Horn. For SSATB Choir, [5 Instruments, Basso continuo]. BWV 227. Full score available separately - see item CA.3122700. Sacred, Chamber Choir - Recommended by Frieder Bernius; Motets; Stuttgart Urte…

By Alexander Wagner. For SSATB Choir. Use during church year: Lent and Passiontide. Score. Language: German. 2 pages. Published by Carus Verlag

By David Len Allen. Text: David Len Allen. For SSATBB Choir. Level: Medium Difficullt. Duration 2:45. Published by Jackman Music Corporation.

By Johann Sebastian Bach. For SSATB Choir, keyboard. (Mixed Voices). Christmas, Mass, General. Luke 2:14. Choral. Published by E.C. Schirmer Publishing.

By Johann Pachelbel (1653-1706). Edited by Kruger, Dietrich. For SSATB Choir, 2 Oboes, 3 Violins, 2 Violas, Violone (Bassoon), Basso continuo. This edition: paperbound. Cantatas, Psalms, German; Occasions: Praise and thanks; Use during chuch year: Pentecost. Score. Language: Germ…

By Johann Michael Bach. For SSATB Choir, 2 Violins (Horn/Zink, Trumpet), 2 Violas (Trombone), Violone (Bassoon, Trombone), Basso continuo. This edition: paperbound. Cantatas. Score. Language: German/English. 40 pages. Duration 6 min

By Dieterich Buxtehude. Edited by Graulich, Gunter. Arranged by Paul Horn. For Bass Solo, (Choir-)Soli SS (or select SSB Choir), SSATB Choir, 2 Violins, 2 Viola da Gamba (2 Viola), Basso continuo. BuxWV 31. Full score available separately - see item CA.3600400. Cantatas; Stuttgar…

By Gioachino Rossini (1792-1868). Edited by Joerg, Guido Johannes. For SSATB Choir. Secular choral music. Level 3. Score. Language: Latin. 4 pages. Duration 2 min

(aus: Geistliche Chormusik). By Heinrich Schutz (1585-1672). Edited by Graulich, Gunter. Arranged by Paul Horn. For SSATB Choir. SWV 371 (op. 11 no. 3). Full score available separately - see item CA.2037100. Sacred, Motets; Stuttgart Urtext editions; Occasions: Peace and Justice;…

By Janice Kapp Perry. Arranged by Donald H. Ripplinger. For SSATB Choir. Medium / Medium-Difficult (accompaniment). Duration 2:30

By J. P. Sweelinck. Arranged by John Rutter. For SSATB choir, a cappella/with ensemble (Instrument 1 in C or Bb, Instrument 2 in C or Bb, Instrument 3 shown in alto and tenor clef, and for Horn in F, Instrument 4 shown in tenor and bass clef), Instrument 5 in bass clef, continuo …

By Alice Parker. Text: Latin, translated by Percy Dearmer. For SSATB Choir, keyboard or Orchestra. (Mixed Voices). Christmas. Choral. Published by E.C. Schirmer Publishing.

By Harbold, Tim. Choral. For SSATBB choir. General. Published by E.C. Schirmer Publishing.

By John Rutter (1945-). For Solo soprano, SATB choir and piano/chamber orchestra (2 flutes, 2 oboes, 2 clarinet, 2 bassoon, 2 horn, 2 trumpet, 2 percussion, harp, strings). Mixed Voices. Christmas Choral Leaflet. Vocal score. 12 pages. Duration 2'

(Psalm 93). By Johann Pachelbel (1653-1706). Edited by Kruger, Dietrich. For SSATB Choir. Sacred, Motets, Psalms, German. Level 3. Score. Language: German. 8 pages. Duration 2 min

By Ann Kapp Andersen. For SSATB Choir. Medium Difficullt

By Anonymous / arr. Andersen. Arranged by Ann Kapp Andersen. For SSATTBB Choir and 2 pianos, 4-hands. Medium Difficult (accompaniment). Duration 5:00

By Alan Hovhaness (1911-2000). For SSATBB choir, Organ. The Word of Our God Shall Stand Forever Op. 246, No. 2. Modern. Duration 5 minutes

By Drew Collins. For SSATBB Choir, a cappella. The Matthew and Michael Culloton Choral Series. Choral, Christmas. Choral octavo. Duration 2:00. Published by Santa Barbara Music Publishing. (SBMP 805)