Par DYSON GEORGE. The Cello Sonata by Sir George Dyson (1883?1964) is the most substantial of the composer?s earliest surviving works and is a welcome addition to the repertoire of romantic British cello music. Within Dyson?s small yet distinguished output, it merits recognition both as a significant instrumental score in its own right, and as a precursor of a corpus of scores expertly written for…

Lullay, my liking is scored for accompanied two-part choir, allowing for various upper-/lower-voice combinations: two-part trebles or sopranos, upper voices only (S/A), or men only (T/B). If performed by a four-part choir, sopranos and tenors should read the upper line, and altos and basses read the lower. The keyboard part can be played on piano or organ, or harp. An inspiring selection of new wo…

Par GRIME HELEN. Composed during the coronavirus lockdown of 2020 and scored for mezzo-soprano and pierrot ensemble, Prayer is a setting of Carol Ann Duffy’s poem describing the unexpected resonance that can be sparked by small, everyday moments. This idea is captured in the singer’s relationship with the ensemble, which at times describes external events (such as the passing of a train) and at ot…

Par YAGLING VICTORIA. Victoria Yagling's Suite for Cello and String Orchestra (1967) is one of her first successes as a composer. The movement layout of the Suite is fast-slow-fast-slow. The first movement, Toccata, is a perpetual motion with a brisk tempo of 100 per dotted half. The Aria is reminiscent of Rachmaninov's Vocalise melody and Prokofiev's tonal language. This movement is the centerpie…

Grand septour de Beethoven, op. 20 - 6 Präludien und Fugen für Orgel von J. S. Bach. Par LISZT FRANZ. Volume 22 of series II of the New Liszt Edition contains two large-scale works by Liszt: the piano score of Beethoven's Septet for clarinet, horn, bassoon, violin, viola, cello, and double bass written at the turn of 1799 and 1800, and the piano transcription of six preludes and fugues for organ (…

Par VIVALDI ANTONIO. Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establish this still young instrument in the music of that time. The Concerto RV 531 is the only double concerto in Vivaldi?s ?uvre for two solo violoncellos. The two solo parts take ce…

Beethoven's fifth and final piano concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work's performance.The editor, Jonathan Del Mar, has closely scrutinised the autograph solo piano part and reproduced Beethove…

Use this especially with students who serve as vocal, choral and instrumental accompanists! The three central sections are preceded by choral studies and chorales for practice in 4-part reading. The accompaniment section includes 9 popular vocal and instrumental solos - score-reading is practiced from accompanied SATB works, orchestral and string quartet scores - transposition of the most familiar…

The score (UE 35757) also serves as the piano part.. Par WALTER BRUNO. Better known as one of the foremost conductors of the 20th century, Walter also found a place in contemporary composition in Vienna in the early part of the 1900s. Of particular importance is the Quintet, which was premiered by the Rosé Quartet, with the composer at the piano, and described as a resounding success. Universal Ed…

By Roger Hoffman. Arranged by A. Laurence Lyon. Text: Roger Hoffman. For SSATBB Choir. Duration 3:30. Published by Jackman Music Corporation.
Level: Medium Difficullt.

Composed by Mack Wilberg (1955-). For SSATB choir and piano/orchestra (fl, 3 hn, hp, str). Vocal score. 12 pages. Duration 5'. Published by Oxford University Press

Composed by Giovanni Da Palestrina. Edited by Eleanor C. Gregory. Mixed Voices. Church Music Society Publications. Sacred, Choral Leaflet. Vocal score. Duration 5'. Oxford University Press #9780193952928. Published by Oxford University Press (OU.9780193952928).

Composed by Cecilia McDowall. New Horizons. Vocal score. 8 pages. Duration 4'. Oxford University Press #9780193408272. Published by Oxford University Press (OU.9780193408272).

By Gabriel Jackson. For SSATB choir, a cappella. Mixed Voices. New Horizons. Sacred Choral Leaflet. Vocal score. 8 pages. Duration 2'

Composed by Bob Chilcott. Vocal score. 12 pages. Duration 4.5'. Oxford University Press #9780193413481. Published by Oxford University Press (OU.9780193413481).

Composed by Johann Sebastian Bach (1685-1750), edited by Alfred Durr. BWV 243. Study score for SSATB choir and mixed orchestra (3 tr, timp, 2 fl, 2 ob, 2 vl, vla, organ). Urtext of the New Bach Edition. With introductory text. D Major. Text language Latin. 58 pages. Published by …

By George Frideric Handel ; Watkins Shaw (Editor). For 2 Sopranos, Alto, Tenor, Bass, SSATB Choir, String Orchestra, Continuo. Baroque, Sacred, Choral. Sheet Music. 96 pages. Published by Novello and Co Ltd.

Composed by Hal H. Hopson. Multi-Movement/Large Choral Work. Christmas, 21st Century. Choral score. Published by MorningStar Music Publishers (MN.70-110).

(Cantata for Christmas). Composed by Johann Sebastian Bach (1685-1750). Edited by Ruprecht Langer. For SSATB choir, ST vocal soli, 2 flute, 2 oboe, 3 trumpet, timpani, 2 violin, viola, basso continuo. This edition: Paperbound. Cantatas, Christmas. Full score. Text language: Germa…

(Choralkantate). By Dieterich Buxtehude. Edited by Thomas Schlage. Arranged by Paul Horn. For SSATB choir, 2 violin, violone, basso continuo. This edition: Paperbound. Stuttgart Urtext Edition. German title: Du Friedefurst, Herr Jesu Christ 20. Cantatas; Peace and justice. Full s…

S.S.A.T.B.B., with Optional Wood Block and Bongo Drums. By Ronald Kauffmann. Text: Ronald E. Kauffmann. Mixed choir. For SSATBB Chorus, Wood Block, Bongos. Choral. Piano/Vocal Score. 8 pages. Duration 2:45. Published by Theodore Presser Company.

S.S.A.T.B., A Cappella. By Thomas Morley. Edited by Daniel Dorff. Arranged by Daniel Dorff. SATB chorus and keyboard. For SSATB Chorus, Piano Rehearsal. Piano/Vocal Score. 7 pages. Duration 1:30. Published by Theodore Presser Company.

(Choral Works a cappella). Composed by Marten Jansson. For SSATBB choir. Stapled. Level 4. Choral score. Published by Baerenreiter Verlag

By George Frideric Handel. For Choir. (SSATB with AB Soli). Choral Worship Cantata. Kalmus Edition. Masterwork; Sacred. Book. 72 pages. Published by Alfred Publishing.

For SSATB Voices with Keyboard Accompaniment. By Ruth Elaine Schram. Text: Anonymous. Choir (SATB, keyboard). For SSATB Voices, Keyboard. Choral. Piano/Vocal Score. 8 pages. Published by Carl Fischer.

Composed by Samuel Sebastian Wesley (1810-1876). Edited by Peter Horton. Mixed Voices. Church Music Society Publications. Sacred, Choral Leaflet. Vocal score. 24 pages. Duration 9'. Oxford University Press #9780193950306. Published by Oxford University Press (OU.9780193950306).

Composed by Cecilia McDowall. For SSATB choir, a cappella. Mixed Voices. New Horizons. Sacred, Choral Leaflet. Level B-C (easy - moderately difficult). Vocal score. 12 pages. Duration 5.5'. Published by Oxford University Press

(The Lord's Prayer). Composed by Vincenzo Albrici (1631-1696). For SSATB choir and orchestra (2 violin, 2 viola/violin III-IV, violone/cello, harpsichord/organ). Choral score. Language: Swedish. 8 pages. Published by Gehrmans Musikforlag