Pour Quatour De Saxophones. Par EOTVOS PETER. I got the idea of writing this piece during a rehearsal with Klaus Michael Grüber I saw in Berlin. Three actors were rehearsing a scene of Kleist. At the end, Grüber said: ‘… now once again in a different way.’ The text was identical but the interpretation was completely different and had almost nothing in common with the previous version. My piece is …

Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection wa…

It is little known that alongside his three great sonatas for clarinet and piano, Reger also wrote two charming miniatures for the same instrumentation. At the same time, it was the composer's express desire to reach a wider public with smaller works such as these that were to be published in music journals. Our single edition (taken from the volume of all of Reger's sonatas and pieces HN 909, als…

Par BRIDGE FRANK. Frank Bridge was one of the finest English composers of the first half of the 20th century. The Pageant of London is his only work for wind band, comprising of two marches, one scored from Bridge’s best known organ piece and including the chimes ofBig Ben, plus three short renaissance pastiche items, one arranged from Playford (later used by Peter Warlock in Capriol Suite). The m…

Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection wa…

Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection wa…

Arrangements for string quartet of 'Romance for string orchestra, op 11' (1928), 'Elegy for violin and piano, op 22' (1940), and 'Prelude for string orchestra, op 25' (1940s). 'Romance' (8 mins) was first performed in 2009 by the Finzi Quartet at London's Wigmore Hall, and has been recorded by them on Resonus Classics RES 10109. 'Elegy' (9 mins) and 'Prelude' (5 mins) were first performed in 2014 …

Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata, the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems.As in other works which were composed during this same year (e.g. the 'Christmas Oratorio?), Bach reveals a special fondness for colourf…

Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection wa…

Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata, the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems.As in other works which were composed during this same year (e.g. the 'Christmas Oratorio?), Bach reveals a special fondness for colourf…

(SSATB with Solos a cappella). By Benjamin Britten (1913-1976). For Choral (SSATB). BH Large Choral. 48 pages. Boosey and Hawkes #M051481666. Published by Boosey and Hawkes

By Crawford Gates. Text: Jeremiah 15:16. For SSATB Choir. Level: Medium Difficullt. Published by Jackman Music Corporation.

(Cantata for Christmas). Composed by Johann Sebastian Bach (1685-1750). Edited by Ruprecht Langer. For SSATB choir, ST vocal soli, 2 flute, 2 oboe, 3 trumpet, timpani, 2 violin, viola, basso continuo. This edition: Paperbound. Cantatas, Christmas. Full score. Text language: Germa…

(Choralkantate). By Dieterich Buxtehude. Edited by Thomas Schlage. Arranged by Paul Horn. For SSATB choir, 2 violin, violone, basso continuo. This edition: Paperbound. Stuttgart Urtext Edition. German title: Du Friedefurst, Herr Jesu Christ 20. Cantatas; Peace and justice. Full s…

SSATBB choir, a cappella

SKU: OU.9780193566996

Composed by Jussi Chydenius. Voice Junction. Vocal score. 12 pages. Oxford University Press #9780193566996. Published by Oxford University Press (OU.9780193566996).

ISBN 9780193566996. 10 x 7 inches.

For SSATBB unacco…

Composed by Claudio Monteverdi and Stanley M. Hoffman. Holy Week, Triduum/Three Days, Baroque. Instrument parts. Duration 2 minutes, 45 seconds. E.C. Schirmer Publishing #8695. Published by E.C. Schirmer Publishing

Composed by Howard Goodall (1958-). Multi-Movement/Large Choral Work. Lent, Triduum/Three Days, Tenebrae, 21st Century, Heaven, Lament/Grief/Sorrow. Vocal/choral score. MorningStar Music Publishers #56-0002. Published by MorningStar Music Publishers

Three Shakespeare Songs. Composed by Cecilia McDowall. New Horizons. Vocal score. 36 pages. Duration 11'. Published by Oxford University Press (OU.9780193408241).

By John Ferguson. For SSATBB choir and trumpet with optional organ. Holy Week/Three Days, Lent. Moderately easy. Octavo. 11 pages. Published by MorningStar Music Publishers