Kantate Zum Ersten Ostertag. Par BACH JOHANN SEBASTIAN. The words are based on the Easter Gospel, the account of the Resurrection of Jesus, which is first joyfully celebrated. Then follows a call to the faithful: every Christian must make the Resurrection a reason to renew himself spiritually, so as to complete a kind of inner Resurrection himself. For his scoring – which changed slightly from per…

Kantate Zum Ersten Ostertag. Par BACH JOHANN SEBASTIAN. The words are based on the Easter Gospel, the account of the Resurrection of Jesus, which is first joyfully celebrated. Then follows a call to the faithful: every Christian must make the Resurrection a reason to renew himself spiritually, so as to complete a kind of inner Resurrection himself. For his scoring – which changed slightly from per…

Tonalité : Es-Dur -. Par MENDELSSOHN-BARTHOLDY FELIX. Gattungen: Messen-Sätze - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Kirchenjahr: Wei cor achten - Langue : Latin / Messe / Répertoire / Solistes SSATB, Choeur SATB, 2 Flûtes Traversières

The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most important work for choir and orchestra.The nickname 'Missa Romana? was added later in reference to a performance given in Rome during Pergolesi's lifetime.This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome.Choirs III and IV ar…

Beatus Vir. Par VIVALDI ANTONIO. Mit 'Dixit Dominus' (Ps 109 [110]) und 'Beatus vir' (Ps 111 [112]) liegen zwei der bedeutendsten doppelchörigen Kirchenkompositionen Vivaldis in kritischen Neuausgaben vor. Mit der vokal-instrumentalen Satzart 'in due Cori' knüpft Vivaldi an die alte venezianische (für ihn also heimatliche) Tradition festlich-mehrchörigen Musizierens an, deren Techniken der freilic…

Par BUXTEHUDE DIETRICH. This work has survived in an autograph, unfortunately undated, preserved in the Düben Collection. The cantata is a setting of Ecclesiasticus 50, verses 24–26. This composition is one of the most richly scored vocal compositions of Buxtehude. A ritornello, which includes a fanfare of trumpets, and a longer vocal section based on “Nun danket alle Gott” create the work’s struc…

Par BUXTEHUDE DIETRICH. This work has survived in an autograph, unfortunately undated, preserved in the Düben Collection. The cantata is a setting of Ecclesiasticus 50, verses 24–26. This composition is one of the most richly scored vocal compositions of Buxtehude. A ritornello, which includes a fanfare of trumpets, and a longer vocal section based on “Nun danket alle Gott” create the work’s struc…

Par BUXTEHUDE DIETRICH. This work has survived in an autograph, unfortunately undated, preserved in the Düben Collection. The cantata is a setting of Ecclesiasticus 50, verses 24–26. This composition is one of the most richly scored vocal compositions of Buxtehude. A ritornello, which includes a fanfare of trumpets, and a longer vocal section based on “Nun danket alle Gott” create the work’s struc…

Weihnachtskantate. Par MENDELSSOHN-BARTHOLDY FELIX / LUTHER MARTIN. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas b…

Weihnachtskantate. Par MENDELSSOHN-BARTHOLDY FELIX / LUTHER MARTIN. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas b…

By David L. Ellsworth. Text: Rev. 7:17, 21:3,4. For SSATBB Choir. Level: Medium / Medium-Difficult (accompaniment). Duration 3:40. Published by Jackman Music Corporation.

By Gwyneth W. Walker. Text: Traditional, American Folksong. For SSATBB Choir, Flute. (Mixed Voices). Secular. Choral. Published by E.C. Schirmer Publishing.

By Anonymous / arr. Andersen. Arranged by Ann Kapp Andersen. For SSATTBB Choir and 2 pianos, 4-hands. Medium Difficult (accompaniment). Duration 5:00

2 Satze aus "Liturgische Satze uber altevangelische Kyrie- und Gloriaweisen" (1933/35). By Hugo Distler. For Mixed Choir-SSATBB. Singing Score. Op. 13. Published by Baerenreiter-Ausgaben (German import).

By George F Root. Arranged by Douglas Pew. For SSATBB Choir. Easy. Duration 2:50

(aus: Drei geistliche Gesange). By Max Reger (1873-1916). For SSATBB Choir, Piano (for rehearsal only). Full score available separately - see item CA.5211020. Mourning, Death. Choral score. Language: German/English. 110 no. 2. 16 pages

By Alan Hovhaness (1911-2000). For SSATBB choir, Organ. The Word of Our God Shall Stand Forever Op. 246, No. 2. Modern. Duration 5 minutes

By Drew Collins. For SSATBB Choir, a cappella. The Matthew and Michael Culloton Choral Series. Choral, Christmas. Choral octavo. Duration 2:00. Published by Santa Barbara Music Publishing. (SBMP 805)

By Andreas Hammerschmidt. Arranged by Paul Horn. For SSATBB Choir. Psalms, German; Occasions: Praise and thanks; Use during church year: Advent. Score. Language: German. 4 pages. Duration 2 min. Published by Carus Verlag (German import).

Aus: Musikalische Andachten, Teil 2, Nr. 33 (1641). By Andreas Hammerschmidt. For SSATBB Choir. Motets; Use during church year: Christmas. Score. Language: German. Composed 1641. 12 pages. Duration 4 min. Published by Carus Verlag (German import).

(Schnadahupfl singa, Das). Edited by Hans Bachl. Folk song. For SSATBB choir. 2. Score

By Harbold, Tim. Choral. For SSATBB choir. General. Published by E.C. Schirmer Publishing.

By Martin Langreder. Edited by Ruhland, Konrad. For SSATBB Choir. This edition: paperbound. Magnificat; Coppenrath Series: Music of Eastern Bavaria. Level 2. Score. Language: Latin. 20 pages. Duration 10 min