A Gaelic Blessing is a simple and catchy piece by Craig McLeish. This piece will be particularly useful for school, junior and community choirs, and a tuneful introduction to singing simple contrapuntal lines. The second soprano part repeats the tune at bar 33 and should dominate here - the first sopranos and altos should support appropriately. Ease and beauty of tone should be of paramount import…

Chor zu dritt with its three-part settings is aimed at the large number of choirs which cannot do full justice to the mainly four-part choral literature with divoded male voices. In Vol. 5, O little Town of Bethlehem, the singers can look forward to many national and international Advent songs and Christmas carols - and to successful concerts in the Christmas season, even with only one male voice!…

If you need a stunning opening for your next concert, this may be it! Of simple A-B-A form, its joyful and celebratory starting and closing sections frame a more serene middle part. The Latin Exsultate, Jubilate text sings well and encompasses a positive message of joy and peace. For ambitious choirs. Glorious! Recorded by the University of Miami Frost Chorale, Dr. Jo-Michael Scheibe, conductor, R…

Par FRANCK CESAR. Gattungen: Oratorien - Reihen bei Carus: Französische Kirchenmusik - Verwendung / Anlässe: Kreuzweg (7 Worte Jesu am Kreuz) - Verwendung / Kirchenjahr: Karwoche - Langue : Latin/Anglais / Musique religieuse / Répertoire / Solistes STBar, Choeur SATB, 2 Flûtes Traversières

B-Dur. Par MOZART WOLFGANG AMADEUS. To a greater extent than almost any others, Mozart's Masses combine a very high degree of artistic accomplishment and tonal beauty with fulfilment of the demands made by the Liturgy. Even the textually expansive movements 'Gloria' and 'Credo' are, in most of Mozart's Masses, short enough to meet the requirements of a festive service, today as in his time. The ch…

B-Dur. Par MOZART WOLFGANG AMADEUS. To a greater extent than almost any others, Mozart's Masses combine a very high degree of artistic accomplishment and tonal beauty with fulfilment of the demands made by the Liturgy. Even the textually expansive movements 'Gloria' and 'Credo' are, in most of Mozart's Masses, short enough to meet the requirements of a festive service, today as in his time. The ch…

B-Dur. Par MOZART WOLFGANG AMADEUS. To a greater extent than almost any others, Mozart's Masses combine a very high degree of artistic accomplishment and tonal beauty with fulfilment of the demands made by the Liturgy. Even the textually expansive movements 'Gloria' and 'Credo' are, in most of Mozart's Masses, short enough to meet the requirements of a festive service, today as in his time. The ch…

B-Dur. Par MOZART WOLFGANG AMADEUS. To a greater extent than almost any others, Mozart's Masses combine a very high degree of artistic accomplishment and tonal beauty with fulfilment of the demands made by the Liturgy. Even the textually expansive movements 'Gloria' and 'Credo' are, in most of Mozart's Masses, short enough to meet the requirements of a festive service, today as in his time. The ch…

Par MOZART WOLFGANG AMADEUS. Tonalité : B-Dur - Horn, Paul (Arr. ) - KV 275 (272b)/ Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin

B-Dur. Par MOZART WOLFGANG AMADEUS. To a greater extent than almost any others, Mozart's Masses combine a very high degree of artistic accomplishment and tonal beauty with fulfilment of the demands made by the Liturgy. Even the textually expansive movements 'Gloria' and 'Credo' are, in most of Mozart's Masses, short enough to meet the requirements of a festive service, today as in his time. The ch…

By Bruce Saylor. For unison treble chorus, organ and harp. Choral, Children, Christmas. Easy/Medium. Choral octavo. Published by Paraclete Press

By John Ferguson. For unison/2-part choir, organ and congregation. Hymns of Faith. Eastertide, Sacred. Sacred Anthem. Published by Chorister's Guild.

By Terry Kirkland. For unison/2-part choir. Sacred Anthem. Octavo. Published by Triune Music Inc

By Nancy Gifford. For unison choir and piano. Epiphany, General, Sacred. Sacred Anthem

By Hal H. Hopson. For unison/2-part choir. General, Spiritual, Sacred. Sacred Anthem. Published by Chorister's Guild.

By Timothy Shaw. For unison/2-part choir and piano with optional treble C instrument. Octavo. 12 pages. Published by Chorister's Guild

By Jim Taylor. For unison/2-part choir and piano. Sacred Anthem. Octavo. Published by Chorister's Guild

By Hogan. Arranged by Scarcella. For Unison/SA choir, piano. Choral octavo. Published by Alliance Music Publications. (AMP 0649)

By Ellen Woods Bryce. For Unison/2-part choir and piano (with optional congregation, flute, 3-4 octave handbells). General, Thanksgiving, Sacred. Sacred Anthem

By Natalie Sleeth; Jean Anne Shafferman. For Unison/2-part choir and piano. Sacred. Sacred Choral Collection. Published by Lorenz Publishing Company. (30/2385L)

By John Eggert. For unison/2-part/3-part choir. Collection

For unison/2-part choir and piano. Choral collection. Sacred Choral, Concert, General. Choral octavo. Published by Chorister's Guild

By Mark Patterson. For Unison/2-part choir and piano. General, Spiritual, Sacred. Octavo. Published by Choristers Guild.

Composed by Trevor Manor. For Unison/two-part choir with piano and optional French horn. Sacred Anthem. Lent, Holy Week. Octavo. Published by Chorister's Guild

By Peter Niedmann. Arranged by Peter Niedmann. For Unison Choir and Piano accompaniment. Sacred, Christmas. Easy. Text language: English. 8 pages. Published by GIA Publications

By Becki Slagle Mayo. For Unison Choir and Piano. Sacred Anthem: Easter, Family Days. Octavo. Published by Chorister's Guild

By Mark Patterson. For Unison/2-part choir and piano. Eastertide, Sacred. Octavo. Published by Choristers Guild.

By Stan Pethel. For unison/2-part choir. Palm Sunday, Sacred. Octavo. Published by Triune Music Inc. (10/2067K)
Level: Moderately easy.