Jubel-Messe - WeV A.5, Offertorium WeV A.4, Op. 76. Par WEBER CARL MARIA VON. En qualité de maître de chapelle du théâtre de la cour royale de Dresde, Carl Maria von Weber avait pour première mission de développer l’opéra allemand à la cour. Mais il devait aussi écrire pour la messe toutes les trois semaines. Cela convenait parfaitement au compositeur d’opéra Weber qui considérait ses talents arti…

Jubel-Messe - WeV A.5, Offertorium WeV A.4, Op. 76. Par WEBER CARL MARIA VON. En qualité de maître de chapelle du théâtre de la cour royale de Dresde, Carl Maria von Weber avait pour première mission de développer l’opéra allemand à la cour. Mais il devait aussi écrire pour la messe toutes les trois semaines. Cela convenait parfaitement au compositeur d’opéra Weber qui considérait ses talents arti…

In spite of the most enthusiastic reception at the work's premiere, the famous pianist and conductor Hans von Bülow criticized Verdi's Messa da Requiem as 'an opera in ecclesiastical robes?. Nonetheless, or maybe precisely for this quality, the work has conquered concert podiums worldwide.For this scholarly-critical edition, the editor has consulted no less than 16 sources, many more than were eve…

In spite of the most enthusiastic reception at the work's premiere, the famous pianist and conductor Hans von Bülow criticized Verdi's Messa da Requiem as 'an opera in ecclesiastical robes?. Nonetheless, or maybe precisely for this quality, the work has conquered concert podiums worldwide.For this scholarly-critical edition, the editor has consulted no less than 16 sources, many more than were eve…

In spite of the most enthusiastic reception at the work's premiere, the famous pianist and conductor Hans von Bülow criticized Verdi's Messa da Requiem as 'an opera in ecclesiastical robes?. Nonetheless, or maybe precisely for this quality, the work has conquered concert podiums worldwide.For this scholarly-critical edition, the editor has consulted no less than 16 sources, many more than were eve…

La scène chorale est dans un état de changement! D'une part, les choeurs de plus en plus défaut dans les voix masculines, mais dans le même temps, des choeurs de plus en plus de femmes sont à la recherche de haute qualité au-delà de la littérature harmonisations de chansons folkloriques. Bärenreiter répond à ces tendances générales, avec la publication des dispositions pour trois parties choeur de…

C-Dur. Par MOZART WOLFGANG AMADEUS. Leopold Mozart described KV 262, unlike Mozart's considerably shorter masses of the same period, as a 'Missa longa'. The prolixity of some of the movements and of concluding fugues in the 'Gloria' and 'Credo' is indeed surprising. The full orchestral scoring also emphasizes the ceremonial character of this Mass. / Messe / Répertoire / Solistes SATB, Choeur SATB…

C-Dur. Par MOZART WOLFGANG AMADEUS. Leopold Mozart described KV 262, unlike Mozart's considerably shorter masses of the same period, as a 'Missa longa'. The prolixity of some of the movements and of concluding fugues in the 'Gloria' and 'Credo' is indeed surprising. The full orchestral scoring also emphasizes the ceremonial character of this Mass. / Messe / Répertoire / Solistes SATB, Choeur SATB…

C-Dur. Par MOZART WOLFGANG AMADEUS. Leopold Mozart described KV 262, unlike Mozart's considerably shorter masses of the same period, as a 'Missa longa'. The prolixity of some of the movements and of concluding fugues in the 'Gloria' and 'Credo' is indeed surprising. The full orchestral scoring also emphasizes the ceremonial character of this Mass. / Messe / Répertoire / Solistes SATB, Choeur SATB…

C-Dur. Par MOZART WOLFGANG AMADEUS. Leopold Mozart described KV 262, unlike Mozart's considerably shorter masses of the same period, as a 'Missa longa'. The prolixity of some of the movements and of concluding fugues in the 'Gloria' and 'Credo' is indeed surprising. The full orchestral scoring also emphasizes the ceremonial character of this Mass. / Messe / Répertoire / Solistes SATB, Choeur SATB…

By Bruce Saylor. For unison treble chorus, organ and harp. Choral, Children, Christmas. Easy/Medium. Choral octavo. Published by Paraclete Press

By John Ferguson. For unison/2-part choir, organ and congregation. Hymns of Faith. Eastertide, Sacred. Sacred Anthem. Published by Chorister's Guild.

By Terry Kirkland. For unison/2-part choir. Sacred Anthem. Octavo. Published by Triune Music Inc

By Nancy Gifford. For unison choir and piano. Epiphany, General, Sacred. Sacred Anthem

By Hal H. Hopson. For unison/2-part choir. General, Spiritual, Sacred. Sacred Anthem. Published by Chorister's Guild.

By Timothy Shaw. For unison/2-part choir and piano with optional treble C instrument. Octavo. 12 pages. Published by Chorister's Guild

By Jim Taylor. For unison/2-part choir and piano. Sacred Anthem. Octavo. Published by Chorister's Guild

By Hogan. Arranged by Scarcella. For Unison/SA choir, piano. Choral octavo. Published by Alliance Music Publications. (AMP 0649)

By Ellen Woods Bryce. For Unison/2-part choir and piano (with optional congregation, flute, 3-4 octave handbells). General, Thanksgiving, Sacred. Sacred Anthem

By Natalie Sleeth; Jean Anne Shafferman. For Unison/2-part choir and piano. Sacred. Sacred Choral Collection. Published by Lorenz Publishing Company. (30/2385L)

By John Eggert. For unison/2-part/3-part choir. Collection

For unison/2-part choir and piano. Choral collection. Sacred Choral, Concert, General. Choral octavo. Published by Chorister's Guild

By Mark Patterson. For Unison/2-part choir and piano. General, Spiritual, Sacred. Octavo. Published by Choristers Guild.

Composed by Trevor Manor. For Unison/two-part choir with piano and optional French horn. Sacred Anthem. Lent, Holy Week. Octavo. Published by Chorister's Guild

By Peter Niedmann. Arranged by Peter Niedmann. For Unison Choir and Piano accompaniment. Sacred, Christmas. Easy. Text language: English. 8 pages. Published by GIA Publications

By Becki Slagle Mayo. For Unison Choir and Piano. Sacred Anthem: Easter, Family Days. Octavo. Published by Chorister's Guild

By Mark Patterson. For Unison/2-part choir and piano. Eastertide, Sacred. Octavo. Published by Choristers Guild.

By Stan Pethel. For unison/2-part choir. Palm Sunday, Sacred. Octavo. Published by Triune Music Inc. (10/2067K)
Level: Moderately easy.