Tonalité : G-Moll - Horn, Wolfgang (Arr.) - Zwv 84. Par ZELENKA JAN DISMAS. Gattungen: Psalmen, lateinisch - Verwendung / Anlässe: L Hautbois und Dank, Psalmvertonungen - Langue : Latin/Anglais / Psaumes / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Violons,

Par SCHREKER FRANZ. Franz Schreker was an important representative of the “Wiener Moderne” and one of the most successful opera composers at the beginning of the 20th century. To conclude his studies at the Vienna Conservatory he set Psalm 116 for women’s choir and orchestra [1900] and dedicated to his “beloved teacher Robert Fuchs, in reverence. ” Fuchs, the highly respected composition teacher, …

Par SCHREKER FRANZ. Franz Schreker was an important representative of the “Wiener Moderne” and one of the most successful opera composers at the beginning of the 20th century. To conclude his studies at the Vienna Conservatory he set Psalm 116 for women’s choir and orchestra [1900] and dedicated to his “beloved teacher Robert Fuchs, in reverence. ” Fuchs, the highly respected composition teacher, …

Par SCHREKER FRANZ. Franz Schreker was an important representative of the “Wiener Moderne” and one of the most successful opera composers at the beginning of the 20th century. To conclude his studies at the Vienna Conservatory he set Psalm 116 for women’s choir and orchestra [1900] and dedicated to his “beloved teacher Robert Fuchs, in reverence. ” Fuchs, the highly respected composition teacher, …

Par SCHREKER FRANZ. Franz Schreker was an important representative of the “Wiener Moderne” and one of the most successful opera composers at the beginning of the 20th century. To conclude his studies at the Vienna Conservatory he set Psalm 116 for women’s choir and orchestra [1900] and dedicated to his “beloved teacher Robert Fuchs, in reverence. ” Fuchs, the highly respected composition teacher, …

Cantiones Sacrae #8. Par SCHEIDT SAMUEL. Tonalité : mixolydisch - / Mottet / Répertoire / Choeur SATB/SATB

Cantus Missae. Par RHEINBERGER JOSEF GABRIEL. According to Otto Ursprung, Cantus missae is the “most beautiful, pure vocal music of the 19th century”. This is Rheinberger’s only Mass written for double choir. It obtains its special character through the use of compositional techniques of ancient classical vocal polyphony, which are combined with functional harmony and expressive, songlike voice-le…

Kyrie-Gloria-Messe. Par ALTNICKOL JOHANN-CHRISTOPH. The Missa in d, composed around 1750, is one of the few surviving compositions of Altnickol. He was the student and later son-in-law of Johann Sebastian Bach. The wealth of forms and at the same time, the clarity of this composition show the influence of his teacher, but above all it shows the expression of an individual style of church music. Wi…

Par SMITH PAUL. Written for SATB choir and piano, with optional audience participation, Pas de deux is a work consisting of five movements by Paul Smith, the co-founder of VOCES8 and author of The VOCES8 Method. The movements can be performed individually or as one complete work. Pas de deux is inspired by the dance duet found in ballet, and the music takes the duet element of the dance to create …

Par RUTTER JOHN. for SATB and organ This superb Latin mass setting for choir and organ demonstrates the composer's strong melodic sense and innate feeling for the sound of choral worship. The atmospheric Kyrie leads to a Gloria that contrasts vibrantly rhythmic passages with smoother, expressive sections. The mysterious harmonies of the Sanctus pave the way for a tender Benedictus, and the Agnus D…

By Bruce Saylor. For unison treble chorus, organ and harp. Choral, Children, Christmas. Easy/Medium. Choral octavo. Published by Paraclete Press

By John Ferguson. For unison/2-part choir, organ and congregation. Hymns of Faith. Eastertide, Sacred. Sacred Anthem. Published by Chorister's Guild.

By Terry Kirkland. For unison/2-part choir. Sacred Anthem. Octavo. Published by Triune Music Inc

By Nancy Gifford. For unison choir and piano. Epiphany, General, Sacred. Sacred Anthem

By Hal H. Hopson. For unison/2-part choir. General, Spiritual, Sacred. Sacred Anthem. Published by Chorister's Guild.

By Timothy Shaw. For unison/2-part choir and piano with optional treble C instrument. Octavo. 12 pages. Published by Chorister's Guild

By Jim Taylor. For unison/2-part choir and piano. Sacred Anthem. Octavo. Published by Chorister's Guild

By Hogan. Arranged by Scarcella. For Unison/SA choir, piano. Choral octavo. Published by Alliance Music Publications. (AMP 0649)

By Ellen Woods Bryce. For Unison/2-part choir and piano (with optional congregation, flute, 3-4 octave handbells). General, Thanksgiving, Sacred. Sacred Anthem

By Natalie Sleeth; Jean Anne Shafferman. For Unison/2-part choir and piano. Sacred. Sacred Choral Collection. Published by Lorenz Publishing Company. (30/2385L)

By John Eggert. For unison/2-part/3-part choir. Collection

For unison/2-part choir and piano. Choral collection. Sacred Choral, Concert, General. Choral octavo. Published by Chorister's Guild

By Mark Patterson. For Unison/2-part choir and piano. General, Spiritual, Sacred. Octavo. Published by Choristers Guild.

Composed by Trevor Manor. For Unison/two-part choir with piano and optional French horn. Sacred Anthem. Lent, Holy Week. Octavo. Published by Chorister's Guild

By Peter Niedmann. Arranged by Peter Niedmann. For Unison Choir and Piano accompaniment. Sacred, Christmas. Easy. Text language: English. 8 pages. Published by GIA Publications

By Becki Slagle Mayo. For Unison Choir and Piano. Sacred Anthem: Easter, Family Days. Octavo. Published by Chorister's Guild

By Mark Patterson. For Unison/2-part choir and piano. Eastertide, Sacred. Octavo. Published by Choristers Guild.

By Stan Pethel. For unison/2-part choir. Palm Sunday, Sacred. Octavo. Published by Triune Music Inc. (10/2067K)
Level: Moderately easy.