Schöpfungsmesse. Par HAYDN FRANZ JOSEF. Within approximately six weeks Haydn, in 1801, composed his 'Creation Mass' as the fifth of altogether six late missae solemnes commissioned by his employer, Prince Nikolaus II. Esterházy. The sobriquet 'Creation Mass' is not authentic, but it is probably based on the quotation in the Gloria taken from the oratorio 'Die Schöpfung'. / Messe / Répertoire / So…

Schöpfungsmesse. Par HAYDN FRANZ JOSEF. Within approximately six weeks Haydn, in 1801, composed his 'Creation Mass' as the fifth of altogether six late missae solemnes commissioned by his employer, Prince Nikolaus II. Esterházy. The sobriquet 'Creation Mass' is not authentic, but it is probably based on the quotation in the Gloria taken from the oratorio 'Die Schöpfung'. / Messe / Répertoire / So…

Schöpfungsmesse. Par HAYDN FRANZ JOSEF. Within approximately six weeks Haydn, in 1801, composed his 'Creation Mass' as the fifth of altogether six late missae solemnes commissioned by his employer, Prince Nikolaus II. Esterházy. The sobriquet 'Creation Mass' is not authentic, but it is probably based on the quotation in the Gloria taken from the oratorio 'Die Schöpfung'. / Messe / Répertoire / So…

Schöpfungsmesse. Par HAYDN FRANZ JOSEF. Within approximately six weeks Haydn, in 1801, composed his 'Creation Mass' as the fifth of altogether six late missae solemnes commissioned by his employer, Prince Nikolaus II. Esterházy. The sobriquet 'Creation Mass' is not authentic, but it is probably based on the quotation in the Gloria taken from the oratorio 'Die Schöpfung'. / Messe / Répertoire / So…

Part 2 of the Godzilla show begins slowly with a beautiful theme that builds to an intense middle section. This transitions into a short percussion feature before the energetic conclusion. / Marching Band

As indicated by the title, 'Alternate Time' is an exciting and energetic way to explore constantly changing time signatures. Based on a bouncy theme, this composition also features chromatic passages, running scalar lines, and effective percussion scoring. A wonderful teaching piece, it is also great fun for the audience! (2:00) / Concert Band

Pièces De Clavecin D'Orgue Et De Forte Piano - LP. 52 by C.B Ballastreis a selection of twenty-three pieces chosen by Alan Curtis that can be played by a Harpsichordist, an Organist or a Pianist with upper-intermediate to advanced skills but seem better suited for a Pianist. The twenty-three pieces are: - Fugue - La de Caze - La d'Héricourt - La Ségur - La Monmartel ou La Brunoy - La Boullongne -…

The Late Sonatas. Par SCHUBERT FRANZ. Volume III of Schubert's Piano Sonatas includes the tuneful, dance-like Sonata in G major D 894 (1827), sometimes called the 'Fantasie” sonata, as well as the three great sonatas in C minor, A major and B-flat major (D 958, 959 and 960), which were conceived as a triptych and constitute the composer's greatest contribution to the piano sonata genre. The works …

Du répertoire tous styles pour accordéon, permettant de passer du jazz à la variété, de la variété au classique, en passant par les airs traditionnels du monde entier ou la musique de film. Chaque pièce est accompagnée de commentaires techniques, biographiques et historiques. A partir de la deuxième année. Livre CD …

By Mark Patterson. For Unison/2-part choir and piano. Eastertide, Sacred. Octavo. Published by Choristers Guild.

By Allen Pote. For Unison/2-part choir and keyboard. Sacred. Octavo. Published by Choristers Guild.

By Timothy Shaw. For Unison/2-part choir and keyboard. General, Lent, Sacred. Sacred Anthem. Published by Chorister's Guild.

Arranged by Donald Moore. For Choir. (Unison/2-Part (any combination)). Choral Octavo. Choral Octavo. 8 pages. Published by Alfred Publishing.

Arranged by Jacob B. Weber. Sacred anthem. Easter. Octavo. Published by Chorister's Guild (LO.CGA1392).

By Hal H. Hopson. For unison or 2 part choir. Lent. Easy. Published by MorningStar Music Publishers

By David Cherwien. For unison treble voices, unison voices, children's choir, keyboard, optional handbells, C instrument or B-flat instrument. Advent. Easy. Octavo. Published by MorningStar Music Publishers . Octavo. Advent.

By Michael D. Costello. For unison voices, C instrument and organ. Easter, General. Sacred Music from Lenoir-Rhyne. Sacred. Easy. Octavo. 8 pages. Published by MorningStar Music Publishers

(The Day the Cuckoo Lost Her Colors -- A Mexican Folk Tale for Unison Voices (Teacher's Handbook)). By Sally K. Albrecht and Jay Althouse. Unison Choir. This edition: Teacher's Handbook (100% Reproducible). Book; Classroom/Pre-School; Musicals; Musicals and Programs; Reproducible…

Sing Together by William Appleby; Frederick Fowler. For Youth choir. Song Book. Miscellaneous. Piano score. 128 pages. Published by Oxford University Press

By Linda Forrest. For unison/2-part choir. (2-part/SSA). General music. Published by Heritage Music Press. (30/1105H)

Composed by Eugene E. Englert. Lent 4 B, Trinity Sunday A, Exaltation of the Cross, Easter 5 A, Easter 5 C, Easter 6 B, Children. Simple Gifts. Sacred. Octavo. With guitar chord names. 4 pages. World Library Publications #5713. Published by World Library Publications

Composed by Emily Lund. Sacred. Octavo. Published by Chorister's Guild (LO.CGA1500).

A Sheep-ishly Fun Christmas Musical for Kids!. Composed by Christy Semsen. Arranged by Daniel Semsen. Musical. WordKidz. Choral score. Duration 40 minutes. Published by Word Music (WD.080689558177).

Composed by John Rutter (1945-). For unison choir, optional 2-part, and keyboard/orchestra ([2.1.2.1-2.0.0.0], harp, strings). This edition: Paperback. Upper Voices. Sacred. Level B (easy). Vocal score. Duration 3.5 minutes. Published by Oxford University Press

By Celeste Clydesdale. Arranged by David Clydesdale. For Unison/2-part choir. Musical. Modern Christian. Easy. Choral Book. Duration 37'00 . Published by Word Music

By Carol B. Kaplan; Sandi Becker. For unison choir and performance/accompaniment CD. Music, Movement and Music, Sacred. PreK - 2. Musical