8 Twentieth-Century Pieces. Having touched on the romantic era in 'To a Wild Rose' and the classical era in 'An die Musik', Kember moves forward to the twentieth-century with this thoughtfully chosen collection for string quartet. The Schott String Quartet Series With the first books in the series focusing on baroque, classical and romantic styles, The Schott String Quartet Series has expanded to…

Béla Bartók composed his 44 Violin Duos in 1931, at the urging of the German violin pedagogue Erich Doflein. With two exceptions, all the pieces are based on original folk music themes, most of which the composer himself collected in the course of his numerous collecting trips to the Carpathian Basin and in Algeria. Although conceived as parts of a pedagogically motivated set, these little pieces …

Mozart's 'Missa in C major? (K. 220), nicknamed the 'Sparrow Mass? for its frequently recurring characteristic motifs in the violins, has retained a firm place in the choral repertoire to the present day. Now it has been arranged for female choir and is appearing as part of the recently started 'Bärenreiter Female Choir? series.Heribert Breuer has judiciously transferred the tenor and bass solos t…

Yesterday, titre incontournables des Beatles composé en 1965, est l'une des chansons les plus reprises de l'histoire de la musique pop. L'original comprend des parties pour quatuor à cordes qui sont parfaites comme accompagnement pour la voix et la guitare de Paul McCartney. C'est donc une étape logique d'arranger ce titre pour quatuor à cordes. La version de Nico Dezaire reproduit le son unique d…

Wer nur den lieben Gott lässt walten. Wer nur den lieben Gott lässt walten was composed by Georg Neumark in about 1641 and was subtitled ‘Trostlied’ literally meaning consolation song. Songbooks at the time showed the popularity of this song and it is still well-known today partly due to Johann Sebastian Bach’s use of the melody for one of his own chorals. In Jan de Haan’s arrangement the choral i…

Par WEISS SILVIUS LEOPOLD. Silvius Leopold Weiss (1687 1750) is known to guitarists as the greatest baroque composer for the lute, yet most are only familiar with the earlier portion of Weiss?s prolific output found in the British Library in London. Inspired by a forty-year friendship with the late Douglas Alton Smith - a major figure in the scholarly study of the history of the lute - guitarist, …

(Homage to Haydn). Par GOEHR ALEXANDER. My piece is subtitled ‘Homage to Haydn’. Why? Because it is modelled on Haydn’s Variations in F minor/major. But modelled does not imply pastiche or imitation. From Brahms onwards (if not before) there are countless examples of pieces modelled on others in a variety of ways. To do this does not imply a closeness to the original, rather inevitably a distance …

Par MOZART WOLFGANG AMADEUS. 'New' Chamber Music for Guitar There has recently been an unprecedented demand for difficult works for guitar with various accompanying instruments. To make up for the unfortunately very limited repertoire, this arrangement of Mozart's ‚'duo for violin and viola' has been launched which replaces the viola by the guitar. It is striking that the guitar character of the v…

Les Impromptus de Franz Schubert op. 90 (D 899) font partie des oeuvres les plus jouées de Franz Schubert et ont leur place de droit dans les programmes du cours et du concert. L'Édition Wiener Urtext (texte original) présente maintenant une nouvelle version revue sous les aspects les plus actuels de la recherche et de l'interprétation pratique. L'édition précise le texte par de nombreux détails, …

Cantata for the Feast of Reformation. Par BACH JOHANN SEBASTIAN. Ein feste Burg ist unser Gott BWV 80 (A Mighty Fortress is our God) Cantata for the Feast of Reformation There are practically no surviving original sources for Bach's great Reformation Cantata 'Ein feste Burg ist unser Gott'. It is possible that the original form of the Cantata was written in Weimar in 1715 to which Bach later made …

32 Rose Etudes for Clarinet (For Clarinetrevised and Corrected Edition - Melvin Warner, Editoroptional Piano Accompaniments Composed and Performed by John Walker). By Cyrille Rose. Edited by Melvin Warner. Arranged by Cyrille Rose. For Clarinet and Piano. This edition: revised ed…

Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Franz Giegling. K. 622. Set of performance parts (includes separate pull-out clarinet part) for Bb clarinet and piano. Urtext of the New Mozart Edition. With solo part, piano reduction and introductory text. Bb Major. 62 …

(Clarinet and Piano Charles Neidich 21st Century Series for Clarinet). By Gioachino Rossini (1792-1868). Edited by Charles Neidich. For Clarinet, Piano Accompaniment (Score and Solo Part). LKM Music. 31 pages. Hal Leonard #S131012. Published by Hal Leonard

By Wolfgang Amadeus Mozart (1756-1791). Edited by H Kling / Trio Di Clarone. For Clarinet (in A) and Piano. Paperback. Edition Breitkopf. Piano reduction. 56 pages

25 Easy Pieces for Clarinet and Piano. Composed by Various. Edited by Ulrike Warnecke. This edition: Saddle stitching. Sheet music. Woodwind Solo. Klassik fur Kinder mochte Klarinettenschuler an die Schonheit der Konzertliteratur des Barocks, der Klassik und der Romantik h…

By Francois Devienne. Edited by Nicholas Cox. For Clarinet and keyboard. Full score and part. Published by Edition HH Music Publishers (U.K. Import).

Bearbeitung der Sonate fur Arpeggione und Klavier nach dem Urtext der Neuen Schubert-Ausgabe. By Franz Schubert. Edited by Woodfull-Harris, Douglas. For Clarinet (b flat), Piano. Playing Score; Single Part. Published by Baerenreiter-Ausgaben (German import).

Clarinet and Piano. By Nicolo Paganini. Arranged by Alamiro Giampieri. (Clarinet). Woodwind Method. Size 9x12 inches. 24 pages. Published by Ricordi.

By Witold Lutoslawski. For Clarinet, Piano Accompaniment. 20th Century. Sheet Music. 28 pages. Published by Chester Music.

Fantasy Pieces, Op. 43 (Clarinet and Piano). By Niels Wilhelm Gade. Edited by Rudolf Mauz. Woodwind. Softcover. 35 pages. Schott Music #KLB63. Published by Schott Music

Clarinet and Piano. Composed by Bernhard Henrik Crusell (1775-1838). Edited by Nicolai Pfeffer. Henle Music Folios. Softcover. 50 pages. G. Henle #HN1208. Published by G. Henle (HL.51481208).

(Clarinet and Piano Charles Neidich 21st Century Series for Clarinet). By Carl Maria von Weber (1786-1826). Edited by Charles Neidich. For Clarinet, Piano Accompaniment (Score and Solo Part). LKM Music. 34 pages. Hal Leonard #S131011. Published by Hal Leonard

(Arranged for Clarinet and Piano). Composed by George Gershwin (1898-1937). Arranged by Charles Neidich. For Clarinet, Piano Accompaniment. LKM Music. Softcover. 12 pages. Lauren Keiser Music Publishing #S131015. Published by Lauren Keiser Music Publishing

By Domenico Mirco. Arranged by Diane Barger. For Clarinet and Piano. Chamber music. Published by Potenza Music

By Luigi Corrado. Arranged by Diane Barger. For Clarinet and Piano. Chamber music. Published by Potenza Music

Clarinet and Piano. By Carl Maria von Weber. Arranged by Alamiro Giampieri. (Clarinet). Woodwind Solo. Size 9x12 inches. 38 pages. Published by Ricordi.

By Robert Schumann (1810-1856), edited by Georg Meerwein. Instrumental solo book (paper bound) for clarinet solo and piano accompaniment. Original edition for Oboe (or violin) available separately (HE.427). 20 pages. Published by G. Henle.