Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

A collection of Motown Classics arranged for easy Keyboard. Each song features melody line, vocals, chord displays, suggested registrations and rhythm settings. Includes Dancing In The Street , Lady Marmalade and The Tracks Of My Tears . / Niveau : Facile / Recueil / Clavier Electronique et Ligne Mélodique

Saint Francois D'Assise is an Opera in three acts by Olivier Messiaen (1908-1992). Written in 1972 to 1983, it concerns the Catholic preacher, Saint Francis of Assisi, and displays the composer's devout Catholic faith. The third volume contains the complete third act of the Opera, comprising the final two scenes - Stigma, and Death and New Life. Despite his studies of Mozart and Wagner's operas, M…

By Margaret R. Tucker. For handbells (3 octaves) (with optional tambourine, finger cymbals). Level 1. Sheet music. Published by Chorister's Guild

By Cyril Taylor. Arranged by Lee Afdahl. For 3-5 octave Handbells. Sacred, General. Grade 2 . Handbell score. Published by Hope Publishing Company handbell score Sacred, General

Composed by Antonin Dvorak (1841-1904). Arranged by Janet Linker and Jane McFadden. For 3-5 octave handbell choir and organ with optional 2 octave handchimes and bras quintet. Handbell Choir Music. Sacred. Level 3. Full score. Published by Beckenhorst Press

(Hymn arrangements and original music for springtime or general use). Arranged by Cathy Moklebust. For 2-3 octave handbell choir. Lent, Palm Sunday, Easter, Eastertide, Christmas, General. Level 1 -2 . Reproducible handbell collection. 44 pages. Published by Chorister's Guild

Arranged by David Angerman And Darryl Dunn. For Handbells. Sheet Music. Published by Harold Flammer Music.

(Lead On, O King Eternal). Composed by Henry Smart. Arranged by Cathy Moklebust. For 3-5 octave handbell choir with optional organ, congregation, SATB choir, brass quintet and timpani. Easter, General. Level 3-. Handbell score. 8 pages. Published by Chorister's Guild

Composed by Bill Ingram. For 2, 3 or 5 octave handbells or handchimes. General. Level 1. Handbell score. 7 pages. Published by Chorister's Guild

Composed by Jason W. Krug. For handbells (3-6 octaves) (with optional 2 octave handchimes). General, Holy Communion. Level 2 . Handbell score. Lorenz Publishing Company #20/1902L. Published by Lorenz Publishing Company

Composed by Cathy Moklebust. For 2-3 octave handbell choir with optional flute (or violin) and 2-3 octave handchimes. General. Level 3-. Handbell score. 15 pages. Published by Chorister's Guild

(Lord of All Hopefulness). Composed by Cathy Moklebust. For handbells (3-5 octaves) and handchimes (2-3 octaves). Sacred. Level 2. Handbell score. Published by Chorister's Guild

Arranged by Martha Lynn Thompson. For handbells (3-5 octaves). Level 3. Published by Chorister's Guild

Arranged by Karen Thompson. For handbell choir (2-3 octaves) with optional handchimes (3 octaves) (5-7 ringers). Ring More with Less series. Sacred. Level 2. Handbell score. 8 pages. Published by Chorister's Guild

Arranged by Patricia Cota. For handbell choir (4-6 Ringers; 13 Bells). Twelve Bells. Contemporary Praise & Worship, Sacred. Handbell score. 20 pages

Arranged by Cathy Moklebust. Sacred, Christmas. Handbell score. Published by Chorister's Guild (CG.CGB1030).

Arranged by Carol Lynn Mizell. For 3-5 octave handbells. Christmas. Grade 1. Handbell score. Published by Chorister's Guild

Composed by Anna Laura Page. For handbells (2-3 octaves) (with optional 2 octave handchimes). General, Holy Communion. Level 2. Handbell score. Lorenz Publishing Company #20/1894L. Published by Lorenz Publishing Company

By Karen Lake Buckwalter. For handbells (3 octaves) (with optional selected handbells, 3 octave handchimes). Eastertide, General, Sacred. Level 1 . Handbell score. Published by Chorister's Guild . handbell score. Eastertide, General, Sacred.

By Stuart Townend. Arranged by Kathleen Wissinger. Handbells. For handbells (3-5 octaves). Eastertide, Lent. Level 3. Sheet music. Published by SoundForth

By Mary McCleary. For handbells (4-5 octaves). Sheet music. Published by Chorister's Guild