Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …

Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …

Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …

Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …

Here's a new series useful to fill plenty of solo and ensemble needs. Whether it's a soloist using a book (accompanied by piano or the fully-orchestrated accompaniment track) or two, three, four players, or a full orchestra, Sounds of Celebration is a uniquely flexible new idea for church instrumentalists! Each book includes a solo line and an ensemble line. Mix and match lines with different inst…

Par MOZART WOLFGANG AMADEUS. Mozart Requiem (K.626) (Ostrzyga completion) (Full Score) This publication offers a source-critical edition of Mozart’s fragmentary “Requiem” as well as an alternative to the traditional Süssmayr version. It makes it possible to perform 1) the fragment, identified in print in both the score and the parts, 2) the authentic sections left incomplete by Mozart, now in a s…

Par SZATHMARY ZSIGMOND. The powerful intensity of colour and expressiveness of the mosaic images in the apse and altar area of the late antique church of San Vitale (from the 6th century) in Ravenna made a lasting impression on Zsigmond Szathmáry. The fascination of how imposing images emerge from tiny, luminous mosaic cubes and vividly tell the biblical stories inspired the composer to write his …

Since the last movement of this piece, which is perhaps the most beautiful of Hindemith's pieces, is a chorale, a version for string instrument plus organ is the obvious work to publish. Thus, 'Trauermusik' can now be performed in churches as well.Versions of 'Trauermusik' for viola or violin or violoncello with piano have been available for quite some time. Now, organists too can include this fam…

Since the last movement of this piece, which is perhaps the most beautiful of Hindemith's pieces, is a chorale, a version for string instrument plus organ is the obvious work to publish. Thus, 'Trauermusik' can now be performed in churches as well.Versions of 'Trauermusik' for viola or violin or violoncello with piano have been available for quite some time. Now, organists too can include this fam…

Composed by Various. Arranged by David Marlatt. For F Horn and Piano. Brass - French Horn Method or Collection. Eighth Note Publications: Solo Performer Series. Renaissance. Book. Published by Eighth Note Publications

Arranged by John Jay Hilfiger. For F Horn and Piano. Book; Brass - French Horn Method or Collection. Eighth Note Publications. Christmas; Sacred; Winter. Published by Eighth Note Publications

By George Frideric Handel (1685-1759). Arranged by David Marlatt. For F Horn and Keyboard. Brass - French Horn Solo; Masterworks; Solo. Baroque, Christmas. Part(s). Duration 00:02:30

Edited by Kristy Morrell. Arranged by Daniel Kelley. For French Horn and Piano. Solos. Recital, Church. Intermediate/Advanced. Piano Score and Solo Part

By George Frideric Handel (1685-1759). Arranged by David Marlatt. For F Horn and Keyboard. Brass - French Horn Solo; Masterworks; Solo. Eighth Note Publications. Baroque. Part(s). Duration 00:03:35. Published by Eighth Note Publications . Part(s). Baroque.

Composed by Traditional Christmas. Arranged by Keith Terrett. Traditional Christmas. Solo part and Piano accompaniment. 20 pages. Cherry Classics #2984. Published by Cherry Classics

(10 Short Christmas Duets with Piano). Arranged by Vince Gassi. For 2 F Horns and Keyboard. Duet or Duo; Mixed Instruments - Flexible Instrumentation; Part(s). Eighth Note Publications. Christmas; Sacred; Secular; Winter. 12 pages. Published by Eighth Note Publications

By Erik Satie (1866-1925). Arranged by David Marlatt. For F Horn and Keyboard. Brass - French Horn Solo; Masterworks; Solo. Romantic. Part(s). Duration 00:08:35

By Adolphe Charles Adam (1803 - 1856). Arranged by David Marlatt. For F Horn and Keyboard. Brass - French Horn Solo. Romantic, Christmas. Level: Medium-Difficult. Duration 00:03:30. Published by Eighth Note Publications.