Wq 217. Par BACH CARL PHILIPP EMMANUEL. His Heilig Wq 217 is just 6 minutes long. Bach, however, put all his art into these few minutes, as he himself wrote to his publisher: „ Here I have proved the most daring and hard work . . . It will be my swan song of this nature, and serve to ensure that you do not forget myself too soon after my death“. The work requires an extraordinary instrumentation: …

Wq 217. Par BACH CARL PHILIPP EMMANUEL. His Heilig Wq 217 is just 6 minutes long. Bach, however, put all his art into these few minutes, as he himself wrote to his publisher: „ Here I have proved the most daring and hard work . . . It will be my swan song of this nature, and serve to ensure that you do not forget myself too soon after my death“. The work requires an extraordinary instrumentation: …

Wq 217. Par BACH CARL PHILIPP EMMANUEL. His Heilig Wq 217 is just 6 minutes long. Bach, however, put all his art into these few minutes, as he himself wrote to his publisher: „ Here I have proved the most daring and hard work . . . It will be my swan song of this nature, and serve to ensure that you do not forget myself too soon after my death“. The work requires an extraordinary instrumentation: …

Wq 217. Par BACH CARL PHILIPP EMMANUEL. His Heilig Wq 217 is just 6 minutes long. Bach, however, put all his art into these few minutes, as he himself wrote to his publisher: „ Here I have proved the most daring and hard work . . . It will be my swan song of this nature, and serve to ensure that you do not forget myself too soon after my death“. The work requires an extraordinary instrumentation: …

Wq 217. Par BACH CARL PHILIPP EMMANUEL. His Heilig Wq 217 is just 6 minutes long. Bach, however, put all his art into these few minutes, as he himself wrote to his publisher: „ Here I have proved the most daring and hard work . . . It will be my swan song of this nature, and serve to ensure that you do not forget myself too soon after my death“. The work requires an extraordinary instrumentation: …

Wq 217. Par BACH CARL PHILIPP EMMANUEL. His Heilig Wq 217 is just 6 minutes long. Bach, however, put all his art into these few minutes, as he himself wrote to his publisher: „ Here I have proved the most daring and hard work . . . It will be my swan song of this nature, and serve to ensure that you do not forget myself too soon after my death“. The work requires an extraordinary instrumentation: …

Par REICHA ANTOINE. La scène que nous publions ici est tirée du premier acte. Elle consiste en sept sections principales, avec une structure globale tripartite : soliloque – dialogue – duo. Nous voyons d’abord Phaon chanter seul. Le paysage inhospitalier semble refléter son angoisse. Néris arrive. Elle attend avec impatience son mariage avec Phaon, mais veut savoir pourquoi il hésite. Phaon lui co…

Par REICHA ANTOINE. La scène que nous publions ici est tirée du premier acte. Elle consiste en sept sections principales, avec une structure globale tripartite : soliloque – dialogue – duo. Nous voyons d’abord Phaon chanter seul. Le paysage inhospitalier semble refléter son angoisse. Néris arrive. Elle attend avec impatience son mariage avec Phaon, mais veut savoir pourquoi il hésite. Phaon lui co…

Par CANAT DE CHIZY EDITH. Le titre est évocateur: il s'agit de mouvement. Au fur et à mesure de mon travail s'est imposé de façon de plus en plus insistante la nécessité d'une musique en perpétuel mouvement. Une musique qui procède plus par mutation que par développement, une musique à multiples facettes, changeante, irisée, insaisissable. Je parle de nécessité car, en réalité, je ne sais pas trop…

(for percussion ensemble). By Jim Casella. Percussion Ensemble. For 2 marimbas (low A), glockenspiel, xylophone, crotales (2 octaves), vibraphone, chimes, 4 timpani, piano, 6 different suspended cymbals, thundersheet, 2 zil-bells (high and low), bell plate, low tom, floor tom, an…

(for percussion ensemble and rhythm section). By Bela Fleck. Arranged by Tom Gierke. Percussion Ensemble. For 2 low A marimbas (adaptable for 3), 1 low E marimba, 2 vibraphones, 1 xylophone, 1 glockenspiel, 5 timpani, 1 drumset with optional electronic trigger pads, bongos, djemb…

By Mark Douthit. Arranged by Chris Cockarell. Concert Ensemble. For (2) Vibraphones, (2) Marimbas, Xylophone, Small Cowbell, Cabasa, (3) Shakers, Triangle, Pang Cymbal, Congas, Agogo Bells, Large Cowbell, Timbales, Splash Cymbal, Synthesizer, Electric Bass, Drum Set. Indiana Stat…

(for percussion ensemble). Composed by John Willmarth. Percussion Ensemble. For glockenspiel, 2 marimbas (low A), 2 vibraphones (with mallets plus 2 bows and 2 triangle beaters), chimes, crotales (with mallets and triangle beaters), piano, 32 timpani, 2 suspended cymbals, sizzle…

Composed by Pat Metheny. Arranged by Edward Freytag. For concert percussion ensemble (12-14 players: Bells, Xylophone, Vibraphone, (2) Marimbas, High Pitched Gong, (4) Pitched Suspended Cymbals, (2) Triangles, Shaker, Finger Cymbals, Sizzle Cymbal, High Pitched Suspended Cymbal, …

Performed by Santa Clara Vanguard Drum and Bugle Corps. By Jim Casella and Murray Gusseck. Drumline Battery Percussion. For Snare, Tenor, Bass, Cymbals. Ensemble exercises and music of the Santa Clara Vanguard. Level: Intermediate to Advanced. Book. 97 pages. Published by Tapspac…

By Antonin Dvorak (1841-1904). Arranged by John R. Hearnes. Concert Ensemble. For Bells, Xylophone, (2) Vibraphones, (2) Marimbas (one 4 1/2 octave), Chimes, (3) Timpani, Snare Drum, Egg Shakers, (2) Triangles, Concert Bass Drum, Finger Cymbals, Crash Cymbals, Hi and Lo Wood Bloc…

Percussion Ensemble

SKU: HL.48015186

Percussion Ensemble for Six Players. Composed by Helmut Zapf. Boosey & Hawkes Chamber Music. Classical. Bote & Bock #M202520826. Published by Bote & Bock (HL.48015186).

UPC: 073999865615.

Percussion (2 or more players).<…

Percussion Ensemble

SKU: BT.SLB-00261200

Composed by Pierre Pinto. Method. Book with CD. Composed 2002. 68 pages. Editions Salabert #SLB 00261200. Published by Editions Salabert (BT.SLB-00261200).

French.

45 Exercices de mise en place, de la ronde la double croche…